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D. Piper - Contemporary Oil, Figures and Beached Vessels in a Seascape

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A thoroughly charming 20th Century Folk art scene in oil, showing a handsome heifer with its proud owner. The naive style, mirroring that of original 19th Century Folk art paintings of similar subjects, adds much fun and character to the piece. The painting, whilst unsigned, was acquired by Sulis Fine Art...

A charming 20th Century coastal scene in impressionistic oil, showing fluffy white clouds in a vibrant azure sky over a grassy coastline. The artist has signed to the lower left corn...

An atmospheric interior study depicting an old woman peeling potatoes for supper. She sits in the corner of her cottage and a large pot boils on an open fire. A small cat perches...

Crowds gather before a college building to watch a military parade on the green. To the reverse the artist has painted another picture of a residential street scene shaded by trees. ...

A brooding red sky stretches out over distant lights in this atmospheric seascape. The artwork is signed and dated in the bottom right-hand corner, and well presented in a gilded woo...

Artist Unknown Medium: Oil on Canvas Dimensions: 16" x 13" (canvas) 22" x 19" (frame) Framed

Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...

Artist Notes: There is never a dull moment with this pair of predators out on a sinister prowl. Look at their eccentric fashion and the blend of color splashes, that celebrate the cr...

This licensed Blend Cota oil on canvas painting of Wonder Women - Champion of Themyscria - oil on Canvas is brought to life utilizing Blend's own famous col...

This licensed Blend Cota oil on canvas painting of Ballerina is brought to life utilizing Blend's now famous colorism technique. This painting captures what...

Subject: Jewish American Family Bar Mitzvah with Rabbi Medium: Oil Surface: Canvas Country: United States In this painting, Joseph Wolins uses vibrant and complimentary colors and...