Unknown

17th century Italian figure painting - Venus Mars - Oil on canvas baroque

Circa 1670

Circle of Guido Reni (Bologna 1575 - Bologna 1642) - Cupid. 73.5 x 60cm. Antique oil painting on canvas, without frame. - The painting is taken from an original by Guido Reni (Bol...

Italian painter (18th century) - Flagellation. 17 x 15 cm without frame, 21 x 19 cm with frame. Ancient alium painting on copper, in a gilded wooden frame. Condition report: The m...

French painter (early 20th century) - Female nude. 100 x 70 cm without frame, 109 x 79 cm with frame. Antique oil painting on canvas, in a gilded wooden frame (some cracks). Condi...

Charles Parsons (American, 1821 - 1910) - Flowers and Female Nude (double face). 51 x 41 cm without frame, 75.5 x 65.5 cm with frame. Oil on canvas, in carved wooden frame. Work s...

English painter (17th century) - Portrait of a gentleman. 73.5 x 63.5cm. Oil on canvas, unframed. Condition report: Canvas applied on panel. Good state of conservation of the pict...

Italian painter (18th century) - River landscape with characters. 58 x 79 cm without frame, 72 x 94 cm with frame. Oil on canvas applied on board, in a lacquered wooden frame. Con...

Already in the collection of Emperor Rudolf II in the first decade of the 17th century this composition was famous. The original is by Parmigianino and Rudolf's court painter Joseph Heintz...

This painting is likely to be from the late 18th or early 19th century, and is seemingly inspired by Antonio Correggio's "Virtue of Vice" circa 1531. Frame dimensions: 30 x 49 inches. This painting has been in a private California collection for over 40 years. It was acquired from a high end antique...

"HARMONY" Painting (FRAMED) 30" x 24" inch by Isaac Pelayo Medium: oil and acrylic on wood Comes in frame Size framed: 32" x 26" inch ABOUT THE ARTIST: Isaac Pelayo is a head on ...

Classical Figures in Ancient Landscape Italian School, 18th century oil on panel, painting: 9 x 12 inches provenance: private collection, Paris condition: very good and sound condition

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Hercules and Omphale Oil on panel, 52 x 41 cm According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave was, she married him. Falling for his mistress and made effeminate by the luxury of court life, the former hero allowed himself to become the laughing stock of the court. He dressed in women's clothes, spun wool and did other women's work, whereas Omphale wore his lion's skin and carried a wooden club. When the time of punishment was over, the hero realised his delusion and left Omphale. So far, the painting could not be clearly assigned to an artist. Nevertheless, it impresses with its fluid and convincing painting, whose colourfulness and conception are reminiscent of the Prague School around Bartholomäus Spranger. This work follows an engraving and an etching made by Michel Dorigny in 1643 after a design by Simon Vouet. It shows the same scene but the print differs in minor details from the present painting (see e.g. the head of the lion) and the treatment of the faces seems to be painted more detailed and refined. So far there is no painting...