Robert Maguire

Married by Mistake, Romance Paperback Cover

1993

Medium: Acrylic on Board Dimensions: 30.00" x 16.00" Signature: Signed Lower Right Two illustrations framed in one

Medium: Acrylic and Pencil on Board Dimensions: 27.50" x 20.00" Signature: Unsigned

Date: 1955 Medium: Acrylic on Board Dimensions: 30.00" x 20.00" Movie poster design.

Date: 1978 Medium: Acrylic on Board Dimensions: 12.00" x 9.75" Signature: Acrylic on Board Possible paperback cover, circa 1978.

Medium: Acrylic on Board Dimensions: 30.00" x 24.00" Signature: Signed Lower Left Women with brightly colored scarf #2

Medium: Gouache and Pencil on Paperboard Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, August 26, 1961. The Post described, “The Post desc...

In his couture series, Peter Hoffer explores the theater of fashion through a reinterpreted runway. In this mixed media painting, a realistically rendered model for the Italian luxur...

Plexiglass, collage, foamboard In 2012, Dimitri received Fellowships in Painting from the Vermont Studio Center and the Rhode Island State Council on the Arts. In 2013, he was elect...

Car rally. Fiat factory team. Marco Silombria (Savona, 1035- Turin, 2014) Mixed media: drawing, watercolor, pencils on paper, applied to hard support Around 1980. Marco Silombria...

Translated title: "Mystic cloud" Acrylic on cardboard and wood.

Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...

A contorted Rabbi looking upward is depicted in a naive, and almost child-like manner. Vibrant colors, and gestural brushstrokes fill the composition, enhancing the flatness of the figure. Harry Sternberg, artist, teacher, and political activist was born in New York City's lower east side in 1904. He was the youngest of eight children born to his mother, a hungarian immigrant, and his father, an immigrant from Russia, . His passion for art came early; by age 12 he had begun saturday art classes at the Brooklyn Museum of Art. Sternberg continued to advance his formal art education through 1922, studying at at New York's prestigious Arts Students League alongside Raphael Soyer, Yasuo Kuniyoshi and other notables of the day. His career as a professional artist began in 1928 when he consigned a group of his early prints with the dealer Frederick Keppel in New York. In 1933 he returned to the Art Students League of New York as an instructor, where he taught etching, lithography and composition, continuing to teach there for over 34 years. During the Great Depression he was a WPA artist, and his murals are in post offices in Chicago, Chester and Sellersville, Pennsylvania. Sternberg came to national prominence as a printmaker, painter, and muralist, in the Depression era and during World War II. Sternberg was an acclaimed member of a vital generation of American artists dedicated to exposing social injustices and offering support for an egalitarian society. His interest in the plight of American workers...