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17th Century Figurative Paintings

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Period: 17th Century
Adoration of the Shepherds, attributed to Louis de Caullery, early 17th century
Located in PARIS, FR
Adoration of the Shepherds Attributed to Louis de Caullery (1580-1622) 17th century Antwerp School, circa 1620 Oil on copper: h. 54 cm (21.26 in.), w. 72 cm (28.35 in) A 17th century...
Category

Old Masters 17th Century Figurative Paintings

Materials

Copper

17th-18th Century By Daniel Seiter Saint Sebastian Oil on Canvas
Located in Milano, Lombardia
Without frame. Already been in Koelliker collection (no. inv. LK1372). Daniel Seiter (Vienna, 1642 or 1647 – Turin, Italy, 1705) was an Austrian Baroque painter who worked and trai...
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century By Antonio Balestra Solomon Sacrificing to the Idols Oil on Canvas
By Antonio Balestra
Located in Milano, Lombardia
Biblical scene. Without frame.
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th century Old Master miniature of Queen Catherine of Braganza
Located in Antwerp, BE
Very fine old master miniature of Queen Catherine of Braganza Catherine of Braganza's life is a compelling mix of heroism and valuable contributions. As a Portuguese princess who ma...
Category

Old Masters 17th Century Figurative Paintings

Materials

Copper

17th-18th Century By Louis Cretey Saint Sebastian Oil on Canvas
By Louis Cretey
Located in Milano, Lombardia
With a "cassetta" frame in carved and gilded wood.
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

Hero And Leander, 17th Century Studio of DAVID II TENIERS (1610-1690)
Located in Blackwater, GB
Hero And Leander, 17th Century Studio of DAVID II TENIERS (1610-1690) Large 17th century Dutch Old Master classical scene of Hero and Leander, oil on canvas. Excellent quality an...
Category

17th Century Figurative Paintings

Materials

Oil, Canvas

17th Century By Hendrick Van Somer Saint Jerome Oil on Canvas
Located in Milano, Lombardia
Ancient frame.
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century By Gramatica Cryptoportrait of a lady as The Veronica Oil on Canvas
Located in Milano, Lombardia
Ancient "cassetta" frame in sculpted, carved, gilded wood.
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century By Giovanni Battista Spinelli Jacob's dream Oil on Canvas
Located in Milano, Lombardia
The painting by Giovanni Battista Spinelli (c.1597 - 1647?), an Italian painter, depicts Jacob’s dream. Giovanni Battista Spinelli was active during the mid-17th century mainly in Na...
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century By Guidotti aka Cavalier Borghese Salomé and the Baptist Oil/canvas
Located in Milano, Lombardia
Original canvas. Frame in sculpted, carved, gilded wood Publications: - M. Pulini, in La croce, la testa, il piatto. Storie di San Giovanni Battista, Cesena, Galleria Comunale d...
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century By Mondino Mystic Marriage of St Catherine of Alexandria Oil/Canvas
Located in Milano, Lombardia
"Cassetta" frame in sculpted, carved and gilded wood. Antonio Mondino (information from c. 1610 to c. 1626) was an Italian artist who was active from 1617 to 1633. The painting, whi...
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century By Cerrini Virgin with the Child and angels Oil on Canvas
Located in Milano, Lombardia
Original canvas. Beautiful ancient frame in carved, sculpted, gilded wood. The painter illustrates the famous iconography of "The Virgin with the Child and Angels". We can have a lo...
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th-18th Century By Giovanni Girolamo Bonesi Mary Magdalene Oil on Canvas
Located in Milano, Lombardia
Beautiful original frame in carved, sculpted and gilded wood. Oral expertise by Prof. Massimo Pulini.
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

16th-17th Century By Giacomo Cavedone Susanna and the Elders Oil on Canvas
Located in Milano, Lombardia
Publications: - E. Negro, N. Roio, Giacomo Cavedone 1577-1660, Modena 1996, pp. 164, 165.
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century By Domenico Maria Canuti Assumption of the Virgin Oil on Canvas
Located in Milano, Lombardia
Expertise by Prof. Micaela Lipparini.
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century By Johann Carl Loth Saint Mark Oil on Canvas
Located in Milano, Lombardia
Publications: - Expertise by Prof. Dario Succi; - M. Pulini, in Lo studiolo di Baratti, catalogue of the exhibition curated by M. Pulini, Cesena, Galleri...
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century By Livio Mehus Allegory of Agostinian Order Oil on Canvas
Located in Milano, Lombardia
Publications: - Expertise by Prof. Sandro Bellesi; - S. Bellesi, in Barocco spaziale: dialoghi di luce, forma, colore fra pittura barocca e spazialismo, catalogo della mostra a cura...
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century Flemish Old Master Oil Tavern Interior Drinkers Sloped over Tables
Located in Cirencester, Gloucestershire
Tavern Interior Flemish School, 17th century oil on canvas, framed framed: 13.5 x 18 canvas: 11 x 16 inches provenance: private collection, France condition: very good and sound cond...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil

17th Century By Giuseppe Caletti The Buffoon From Dosso Dossi Oil on Canvas
Located in Milano, Lombardia
Beautiful original frame in carved and gilded wood. Oral expertise by Prof. Enrico Maria Dal Pozzolo.
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century By Paulus Bor Heraclitus and Democritus Oil on Panel
Located in Milano, Lombardia
"Cassetta" frame in ebonized wood. Publications: - Expertise by Prof. Gianni Papi; - G. Papi, Un misto di grano e di pula. Scritti su Caravaggio e l’ambiente caravaggesco, Roma 2...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil, Wood Panel

17th Century By Agostino Beltrano The Procession to Calvary Oil on Canvas
Located in Milano, Lombardia
Beautiful original frame in walnuts wood with decorations in gold. Publications: - Expertise by Prof. Nicola Spinosa; - N. Spinosa, in Barocco spaziale: dialoghi di luce, forma, ...
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

17th Century By Gian Giacomo Barbelli Paradise and Purgatory Oil on Canvas
Located in Milano, Lombardia
Already been in Koelliker collection (no. inv. LK0431) Publications: - C. Alpini, Ritratto di Gian Giacomo Barbelli nel IV centenario della nascita, in “Insula Fulcheria”, XXXIV, ...
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

Villagers in a Landscape - Flemish 17thC art figurative landscape oil painting
Located in London, GB
This fantastic Flemish 17th century Old Master oil painting is by Thomas Van Apshoven. It was painted circa 1650 and depicts a village with figures outside a tavern, eating, drinking and dancing. Beyond are more dwellings, villagers and animals, all under a blue summer's sky. The detail, brushwork and vibrant colouring are superb. This is an excellent example of Apshoven's work and a typical subject he loved to paint. Provenance. Leominster estate. Wax stamp verso. Condition. Oil on panel, 22 inches by 17 inches and in good condition. Frame. Housed In beautiful gilt frame, 30 inches by 25 inches and in good condition. Thomas van Apshoven (1622– 1664) was a Flemish painter known for his landscapes with peasant scenes and genre scenes in interiors. His genre scenes depict village festivals, the interiors of taverns, village scenes or landscapes with peasants engaged in various activities, singeries, guardroom scenes and laboratories of alchemists. Some still lifes have also been attributed to him. His themes and style are close to that of David Teniers the Younger. He was born on 30 November 1622 in Antwerp as the eldest son of Ferdinand van Apshoven the Elder and Leonora Wijns. His father was a painter who had studied with Adam van Noort and had become a master of the Antwerp Guild of Saint Luke in 1596. No paintings by his father are known. His younger brother Ferdinand van Apshoven the Younger became also a successful painter. Thomas studied under his father. Some sources state that he became a pupil of the prominent genre painter David Teniers the Younger. It is more likely, however, that he was an imitator of Teniers. He was registered as a 'wijnmeester' [son of a master] in the Guild of St. Luke of Antwerp in the guild year 1645–1646. He married Barbara Janssens on 22 March 1645. The couple had four children. The godfathers of the children included the painters Victor Wolfvoet...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil

The crossing of the Red Sea, 17th century Antwerp, studio Frans Francken
By Frans Francken II
Located in PARIS, FR
Crossing of the Red Sea Workshop of Frans Francken II (1581-1642) 17th century Antwerp School Oil on oak panel Dimensions: h. 49.5 cm, w. 64.5 cm (19.49 in x 25.39 in) Moulded and blackened wooden frame with wide mouldings, with inverted profile from the later period. Framed dimensions: h. 82 cm, w. 97 cm (32.28 x 38.19 in) Our panel illustrates one of the episodes of the Old Testament, recounted in the book of Exodus. After crossing the Red Sea...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil, Wood Panel

17th c. Antwerp studio of J. Brueghel & H. van Balen - The Virgin with Child
Located in PARIS, FR
Workshop of Jan Brueghel the Younger (1601-1678) & Hendrick van Balen (Antwerp, 1575 – 1632) 17th century Antwerp School The Virgin and Child ...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil

Flemish 17th c., Allegory of war and peace, circa 1630, by Adriaen van Stalbemt
Located in PARIS, FR
Adriaen van Stalbemt (Antwerp, 1580-1662) Allegory of Peace and War, circa 1620-1630 Oil on oak panel: h. 49.5 cm, l. 73.2cm (19.29 x 28.74 in) Giltwood frame with laurel leaves, Lo...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil, Panel

Jacob's departure for the land of Canaan Canvas from the Grechetto Workshop
Located in Milan, IT
Workshop of Gio Benedetto Castiglione called the Grechetto (Genoa, March 23, 1609 - Mantua, May 5, 1664) Jacob's departure for the land of Canaan Oil on canvas, 80 x 115 cm - Fra...
Category

17th Century Figurative Paintings

Materials

Oil, Canvas

Large 17th Century Dutch Old Master Oil Painting on Wood Panel Biblical Scene
Located in Cirencester, Gloucestershire
Biblical Figures, Large Gathering around Christ? Dutch Old Master, early 17th century oil painting on wood panel, stuck on velvet backing board velvet board: 27 x 29 inches board: 25.5 x 26 inches provenance: private collection, France condition: good and sound condition, obvious old panel...
Category

Old Masters 17th Century Figurative Paintings

Materials

Wood Panel, Oil

Magdalene washing the feet of Christ in the House of Simon - Leonard Bramer
Located in Gent, BE
Oil on copper. We'd like to thank dr. Guido Jansen for his attribution. On the backside a map of Holland (the painter reused an etching plate) Bramer was known for his genre, reli...
Category

Dutch School 17th Century Figurative Paintings

Materials

Copper

Young fisher - Phlegmatism allegory
Located in BELEYMAS, FR
Attributed to Godfried SCHALKEN (Made 1643 – The Hague 1706) Young fischer Oil on panel in one board H. 32.5 cm; L. 25.5 cm Around 1670/75 Related works: - Autograph version with numerous variants, Berlin, Gemaldegalerie, Inv. N°837 - Copy or workshop version of our painting with slight variations but of inferior quality, Germany, sold at Berlinghof Auktionshaus in 2002 The object of this notice is not to produce a biography of Schalken, the reference work by Thierry Beherman published by Maeght in 1988. The goal here is to understand this version of a painting of formidable craftsmanship and to compare it to the work preserved in Berlin with its many variants in order to draw some hypotheses for conclusions Our young angler is a very interesting subject that can be found as early as the 16th century to invoke one of the four temperaments. Not melancholy as one might think at first glance, but phlegmatic character. The interpretation of astrological symbols closely linked peach and phlegm, laziness, slowness, often represented alongside the moon. Here the composition is very clear in this sense. The young man, chin resting on his arm, looks at his modest cane, the cork of which he soaks alongside snails and butterflies located in the Irises. All near a willow under a heavy sky, like a night sky. All the elements are there to give an explanation of the subject and not to leave the spectator in front of a simple genre scene. Let's go back to the willow, a tree that loses its fruits before they mature. It is often considered a symbol of lost youth, a reference to passivity or times of debauchery. Plato advised in his time to banish fishing from the education of children since it is an activity of expectation and not of exercise or reflection. Needless to explain the presence of small slow-moving animals with short lives or flowers… The image speaks for itself! Let's go back to the differences between the Berlin version and ours, of which it must be recognized that the quality is slightly lower and therefore can hardly be given with certainty to Schalken itself. This version has some additional elements compared to ours. In our version, the row of willows cut into trunks located to the left of the composition is replaced by a simple area of reeds that opens up to a luminous sky. The sky is also different by the clouds represented. A white butterfly flying in the middle of the Irises has been removed, as has a large leaf located on the back of the young fisherman at the foot of the willow. Only addition to our table in addition to the Berlin version: a second fish near the earthen pot...
Category

Flemish School 17th Century Figurative Paintings

Materials

Wood Panel, Oil

Fine 17th Century French Old Master Oil Painting Nude Lady Doves & Cherubs
Located in Cirencester, Gloucestershire
Mythological Figures in Classical Sunset Landscape French School, 17th century oil on canvas, framed framed: 20 x 23.5 painting: 13.5 x 17 inches provenance: private collection, Engl...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil

Fine 17th Century Dutch Old Master Oil on Panel Angelic Visitation to Figures
Located in Cirencester, Gloucestershire
The Angelic Visitation Dutch School, mid 17th century circle of Rembrandt (Dutch 1606-1669) oil on wooden panel, framed in faux tortoiseshell style frame. framed: 25 x 28.75 painting...
Category

Old Masters 17th Century Figurative Paintings

Materials

Wood Panel, Oil

A portrait of John Poyntz, after Hans Holbein, ca. 1644 - 1674
Located in Brooklyn, NY
A portrait of courtier and politician John Poyntz, after Hans Holbein, circa 1644 - 1674. This painting is based on a drawing by Hans Holbein, part of the drawings collection of the ...
Category

Renaissance 17th Century Figurative Paintings

Materials

Oil, Wood Panel

Dipinto Mosè salvato dalle Acque, XVII secolo
Located in Milan, IT
Olio su tela. La scena racconta l'episodio biblico del libro dell' Esodo in cui il piccolo Mosè, che la madre aveva affidato al fiume all'interno di una cesta per salvarlo dalla str...
Category

17th Century Figurative Paintings

Materials

Oil

Saint Jacques at Clavijo battle
Located in BELEYMAS, FR
Belisario CORENZIO and his workshop (Cyparisse, 1558 – Naples, 1646) Saint Jacques bully at the battle of Clavijo H. 120 cm; L. 98 cm Around 1600 This f...
Category

Italian School 17th Century Figurative Paintings

Materials

Oil, Canvas

St. John the Baptist pointing out (revealing) Christ
Located in Brooklyn, NY
Giovanni Francesco Romanelli (born Viterbo 1612; died Viterbo 1662) St. John the Baptist pointing out (revealing) Christ, in the far distance, to Simon Peter and Andrew. Oil on can...
Category

Baroque 17th Century Figurative Paintings

Materials

Canvas, Oil

Judith and Holoferne
Located in BELEYMAS, FR
Jacques STELLA (Lyon, 1596 – Paris, 1657) Judith and Holofernes Oil on slate H. 23.5 cm; L. 24 cm Son of François Stellaert, a painter of Flemish origin who settled in Rome in 1576, then in Lyon, Jacques Stella was born in this city in 1596. Around 1619, he left for Florence where he worked for Cosimo II de Medici. He probably already met Nicolas Poussin and Jacques Callot there. Stella left Florence for Rome in 1622 or 1623, where he befriended Poussin, who arrived in 1624. Stella became famous in the world of Italian amateurs for his small paintings painted on precious supports: marble, agate, lapis, slate, as well as by his engravings and drawings. In 1634, having received offers from the King of Spain, he left Rome in the suite of Marshal de Créqui, French ambassador. He passed through Venice, stopped in Lyon in 1635, then in Paris. Retained by Richelieu who took him into his service, he settled in the capital of the kingdom. Covered with favors, he benefited from accommodation in the Louvre and a considerable pension. He later received the Collar of the Order of Saint-Michel, a rare honor for an artist...
Category

French School 17th Century Figurative Paintings

Materials

Slate

Painting with Scene of Historical Episode, 1600s-1700s
Located in Milan, IT
Oil on Canvas. Southern Italian school of the 17th-18th centuries. The scene , full of characters, sees standing in the center, well-defined in the details of armor, crest, as well a...
Category

17th Century Figurative Paintings

Materials

Oil

Hieronymus III Francken (1611-1661), The denial of Peter
By Hieronymus III Francken
Located in Milan, IT
Oil on oak board, coming from an important historical Florentine collection. The collection started by an ancestor of the family who was in Vienna in 1798 and then in Wurzburg until ...
Category

Other Art Style 17th Century Figurative Paintings

Materials

Oil

Boeckhorst, Rubens, Saint Ursula, Decorative Old Master, Woman, Baroque, Flemish
By Jan Boeckhorst
Located in Greven, DE
Johann Boeckhorst (Münster 1604 - Antwerp 1668) Saint Ursula Oil on canvas, 112 x 86 cm Provenance: New York, Christe's, 20.3.1981, lot 88 (as Van Diepenbeeck's circle) The presen...
Category

Baroque 17th Century Figurative Paintings

Materials

Canvas, Oil

The Annunciation to the Shepherds - Dutch 17thC art religious oil painting
Located in London, GB
This wonderful 17th century Old Master religious oil painting is attributed to Dutch Golden Age artist Benjamin Gerritsz Cuyp. Painted circa 1633 it is entitled The Annunciation to t...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil

Landscape with figures, workshop of Paul Bril, Italian school 17th Century
By Paul Bril
Located in PARIS, FR
Idyllic landscape with myhological story of Cephalus and Procris Early 17th century Italian school Workshop Of Paul Bril (Antwerp, 1554 - Roma, 1626) Oil on poplar panel: H. 28 cm (1...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil, Poplar

Dipinto antico olio su tela raffigurante il Martirio di San Sebastiano.
Located in Torre Del Greco, IT
Dipinto antico olio su tela di provenienza Fiamminga rappresentante il Martirio di San Sebastiano. In basso in primo piano la scena del martirio: sulla destra il gruppo degli arcier...
Category

17th Century Figurative Paintings

Materials

Canvas

Italian Baroque religious figurative painting of the 17th century oil on canvas
Located in Florence, IT
Painted with gilt wood frame, 58 x 75 cm. is the work of the painter couple Viviano Codazzi (Valsassina 1603-Rome 1670), who specialized as a quadraturist and landscape painter, and...
Category

Baroque 17th Century Figurative Paintings

Materials

Canvas, Oil

Antique oil-on-canvas painting depicting "Joseph and the Wife of Putifares."
Located in Torre Del Greco, IT
The gifted painter, a follower of Carlo Maratta, illustrates the biblical episode (Genesis, 39:2) in which Joseph, having become a trusted servant of Pharaoh`s officer, rejects the a...
Category

17th Century Figurative Paintings

Materials

Canvas

Antique oil on canvas painting Bologna 17th century.
Located in Torre Del Greco, IT
This important seventeenth-century Emilian painting can be related to the exquisite production of the Bolognese school. Indeed, the splendid workmanship and refined coloring, eviden...
Category

17th Century Figurative Paintings

Materials

Canvas

17th century Dutch old Master Oil - The Smoker - Genre interior
Located in Antwerp, BE
17th century Dutch Old Master oil painting "The delighted Smoker" This painting is a very enigmatic one with an equally thrilling story. We acquired this work some time ago as attri...
Category

Old Masters 17th Century Figurative Paintings

Materials

Canvas, Oil

The Triumph of the Infant Bacchus, workshop of H. Van Balen, 16th c. Antwerp
By Hendrick van Balen
Located in PARIS, FR
The Triumph of the Infant Bacchus, Workshop of Hendrick Van Balen (1575-1632) Antwerp, c.1630 Oil on copper, h. 28 cm (11.02 in), w. 35 cm (13.78 in) A large Roman 17th century golden painted frame Framed: h. 52 cm (20.47 in.), w. 58 cm (22.83 in) Our finely painted work depicts The Triumph of the Bacchus as a young boy and is one of the most popular mythological subjects in Antwerp at the beginning of the 17th century. Feasting, wine and fun are the themes that constantly appeal to the public. Thus unfolds before our eyes on our painting the procession composed of nymphs, baccantes, fauns, satyrs and children, their bodies naked, partially covered with brightly coloured draperies that help to brighten up the parade. Playing various instruments, dancing and drinking, while carrying vases and poles adorned with grapevines, participants to the rhythm of a noisy brass band make their way to an ancient temple standing on the right. The exaggerated gestures convey to us the frenzy of the excited crowd. The Child Bacchus follows the joyous procession, carried by satyrs and nymphs, crowned with ivy and joyfully raising a cup of wine. In the foreground, the drunken participants leave the procession, the children on the left and the group of bacchantes and satyrs on the right are resting among various objects scattered at their feet: cups, vases, ewers bear witness to the festivities in progress. In the background, a hilly landscape stretches out on the horizon, a semblance of calm that contrasts with the bustle of the foreground. The artist strives to multiply the many details, whether it be figures, costumes, flowers or vegetation, in order to demonstrate his know-how and the perfection of his execution. The acidulous palette with fresh and varied colours is characteristic of Hendrick Van Balen's works. There are several versions identical to ours with similar dimensions painted by Hendrick Van Balen and his workshop. Related works: • Koller Auction, Zurich, 21/09/2007, oil on copper, 28,5 x 37,4 cm. • Staatliche Kunsthalle, Karlsruhe, Inv. N° 809 (oil on copper, 40 x 53,5 cm) • Auktionshaus für Altertümer Glückselig, Vienne, 10/05/1932, ( oil on copper, 34 x 42 cm) • Gemäldegalerie of Pommersfelden, Schloss Weissenstein, oil on panel, 47 x 64 cm Hendrick Van Balen, Flemish painter, born and died in Antwerp (1575-1632). A pupil of Adam Van Noort, he entered the Guild of St. Luke in 1593, later trained in Italy and was Van Dyck's first teacher. He often painted small figures taken from scenes from the Bible or classical mythology, on paintings whose backgrounds and landscapes were painted by Josse de Momper...
Category

Old Masters 17th Century Figurative Paintings

Materials

Copper

Dutch School, 17th Century, Shipping in a Stiff Breeze, a City Beyond
Located in Stockholm, SE
We are delighted to present a significant piece from the Dutch School, most likely dating back to the late 17th century. This captivating painting showcases the dynamic force of nature with three ships vigorously navigating through stormy waters. The foreground is a scene of nautical struggle, as figures are depicted working intensely with the sails, steering, and bracing against the tumultuous sea. In the serene background, the silhouette of a quaint town emerges, with spires from churches and the outlines of various buildings is visible. This juxtaposition of the calm town against the chaotic foreground serves as a powerful reminder of the unpredictability of life and nature. Dominating the canvas, the sky occupies two-thirds of the painting, filled with brooding clouds that occasionally break to reveal patches of blue. The presence of birds adds a dynamic element to the otherwise ominous atmosphere. While the artist remains unknown, the work is quintessentially Dutch in its execution, with meticulous attention to detail and a profound understanding of maritime life. The painting's oval shape is quite distinctive and is complemented by a suitably antique octagonal black frame, which adds to its historical charm. This piece is a testament to the mastery of Dutch maritime painting...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil, Wood Panel, Oak

Rest on the Flight into Egypt - Attributed to Pieter Van Avont - 17th c. Flemish
Located in PARIS, FR
Rest during the Flight into Egypt - The Virgin and Child with St. John the Baptist and the angels in a Landscape. Attributed to Pieter Van Avont (1600-1652) 17th century Antwerp School, circa 1630 Oil on oak panel, Dimensions: h. 38 cm, w. 50 cm (14.96 in x 19.68 in) Flemish style frame in ebonized and moulded wood Framed: h. 56 cm, w. 68.5 cm (22.04 in. x 26.97 in.) In the heart of a lush wooded landscape, the Virgin with Jesus rests in a green clearing accompanied by Saint John the Baptist and the cherubs. Seated to the left of the composition, the Virgin Mary holds the Child on her lap; the little Saint John the Baptist wearing the camel-skin tunic (his attribute) stands before Jesus to exchange a few caresses. On the right, the couple of cherubs are playing with the lamb of Saint John the Baptist, bringing a jovial character to the scene. A pair of gardening putti on the left pick flowers to bring bouquets to the Virgin and Jesus. Spring flowers such as tulips, daffodils and anemones that grow abundantly around them and enrich the composition with their shimmering colors. A lush rose bush blooms to the left of the figures offering delicate roses. (The rose is the flower associated with the Virgin Mary, who is the "mystical rose," the one that does not bear the "thorn of sin") At the feet of the Virgin are bunches of grapes (symbol of the future passion of Christ) as well as apples (symbol of the original fall of Man but also of the Redemption in Christ) In the foreground we find a wicker basket filled in profusion with beautiful flowers and guinea pigs nibbling on the blades of grass. In a cleverly arranged disorder, these elements of the still life with their strong symbolic power accentuate the religious theme, but are also an opportunity for the artist to demonstrate his know-how in the still life genre that is gaining momentum in Antwerp. The landscape behind the figures consists of a large tree with a twisted trunk and a luminous opening to the horizon placed on the right. We see Saint Joseph arriving with a donkey, a small reminder from the artist that the composition is associated with the episode of Rest during the flight into Egypt. The calm expanse of this bucolic forest opening onto the luminous distance, with its profusion of symbolic flowers and fruits, is particularly suited to this sacred scene. The theme of Jesus' sacrifice and his tragic fate is mitigated by cherubs who play with innocence and carelessness in the face of the fragility of life symbolized by cut flowers. The great mastery of the painter is manifested by the finesse of the drawing enhanced by the delicacy in the application of the brushstrokes bringing a multitude of details. The richness of the whole is exacerbated thanks to the choice of colours, this varied palette is an undeniable asset of our work. The virtuosity of our artist lies in his versatility, as much concerned with the success of the landscape and flowers as with the modelling of his figures. The cherubs with their naked bodies are gracefully illuminated by warm colours with subtle shadows, while the still life is rendered with astonishing realism, both in the precision of the drawing and in the countless shades of the flowers. There are several compositions similar to ours, of which below are the closest versions: • Sale, Jean-Claude Anaf et Associés, Lyon, 08/02/1998, attributed to Pieter Van Avont, oil on panel, h. 48 cm, l. 71 cm (recorded on RKD n° 31451). Comment: identical composition, only St Joseph with the donkey is different) • Christie's New York sale, 29/01/1998, Pieter Van Avont, oil on copper, h. 23.8 cm, w. 24.8 cm • Dorotheum sale, Vienna, 25/04/2017, Pieter Van Avont and Jan Breughel II, oil on copper, h .26 cm, w. 39 cm • Hermitage Museum, Saint Petersburg, Russia, Pieter Van Avont, oil on panel, h. 50.5 cm, w. 71.7 cm Peter van Avont, Flemish painter (Mechelen, 1600 - Antwerp. 1652) Born in Mechelen, he is mentioned in 1620 as a member of the painters' guild of his hometown. He left in 1 622 for Antwerp, where he was also a member of the guild. He collaborated with many painters, including Jan Brueguel the Younger, David Vinckboons, Lucas van Uden...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oak, Oil

A 17th Century Mythological Scene
Located in Stockholm, SE
This small yet captivating painting, crafted on a copper plate, dates back to the mid-1600s and was created by a Flemish artist. Subject Matter: The central figure in the artwork is Mercury, easily identified by his symbolic attributes like winged sandals, petasus, and caduceus. Beside him is a likely female figure, characterized by her attire and absence of weaponry. The depicted scene could represent two mythological tales: Mercury and Calypso: This interpretation suggests the artwork shows the moment Zeus sends Mercury to Calypso's island, Ogygia. Mercury is there to order Calypso to release Ulysses, whom she saved from a shipwreck but kept captive. The lush, wooded background and the three distant figures could hint at Ulysses' farewell to Calypso. Mercury and Herses: Another interpretation could be a scene from the love story of Mercury and Herses. The background figures might symbolize the sisters returning from a procession, while the forefront could be the initial meeting between Mercury and the most beautiful sister, Erse. Artistic Inspiration: The painting's landscape and setting are heavily influenced by the early 17th century Northern European art trends, especially the works of Jan Brueghel the Elder. However, the artwork stands apart with its unique luminescence in detailing and a distinctive approach to depicting figures. While the exact origin and artist remain somewhat mysterious, the style and treatment of light hint towards works close to Josse de Momper...
Category

Old Masters 17th Century Figurative Paintings

Materials

Copper

Travellers and Dogs in Landscape, Ruins on Right - Dutch Old Master oil painting
By Pieter Wouwerman
Located in London, GB
This lovely Dutch Old Master oil painting is attributed to artist Pieter Wouwerman. Painted circa 1660 it is figurative landscape with horseback travellers and their dogs in the foreground with ruins on their right. Beyond is a river and hilly landscape, all in the fading light of approaching dusk. There are some superb details making this an excellent Dutch Golden Age oil painting. Provenance: Devonshire estate. Condition. Oil on canvas, 24 inches by 20 inches and in good condition. Frame. Housed in a complementary gilt frame, 31 inches by 27 inches and in good condition. Pieter Wouwerman (1623-1682) was a Dutch Golden Age landscape painter. He was born in Haarlem. According to Arnold Houbraken, a biographer of artists from the Dutch Golden Age, Pieter Wouwerman was the brother of the landscape painters Jan and Philips Wouwerman, who, like his more famous brother, made a living selling Italianate landscapes in the manner of Pieter van Laer...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil

Allegory of Summer, workshop of Hendrick Van Balen 17th c. Antwerp school
By Hendrick van Balen
Located in PARIS, FR
Allegory of summer, personified by Ceres Workshop of Hendrick Van Balen Antwerp School, early 17th century. Oil on copper, Dimensions: h. 52 cm, l. 40cm Antic giltwood frame Framed dimensions: h. 74 cm, l. 60cm Very good condition Our delicately painted work is part of the pictorial tradition that is both allegorical and mythological in vogue in Antwerp, whose leaders are Jan Brueghel the Younger and Hendrick Van Balen. Numerous works emerging from their workshops illustrate mythological subjects, the seasons, the elements, the senses or intertwining the lush landscapes, animals and gods of Olympus. At the heart of a green landscape dominated in its center by a generous apple tree, the beautiful Ceres, partially dressed in a large blue drape, is wearing a crown of ears of wheat, her symbol of the goddess of the earth and harvests. She holds the sickle in her right hand and carries sheaves of wheat. To her right a nymph holds the cornucopia while puttis pick and offer flowers. In the foreground are the summer fruits: figs, cherries, apples and lemons. A squirrel munching on cherries symbolizes toil and foresight, themes that are echoed in the work of the harvesters on the wheat fields in the background. The background is composed of vegetation, on the right a wild rose bush with its branches erect against a tree trunk, in the center of the trees with silvery green foliage. Our painter, a student of Hendrick Van Balen, finds his inspiration in the works of the master such as this nymph in yellow drapery seen from behind, one of the figures which accompanies many of the master's paintings. The elegant gestures, the flesh...The indisputable influence of Jan Brueghel the Younger is revealed in the treatment of trees and flowers, wild roses, tulips as well as in the still life with the squirrel in the foreground. The craze for this type of virtuoso painting where the mythological figures are only a pretext to better illustrate the landscape and plant species surrounding them, then generated orders from all over Europe. Hendrick Van Balen, Flemish painter, born and died in Antwerp (1575-1632). A student of Adam Van Noort, he entered the guild of Saint-Luc in 1593, later trained in Italy and was Van Dyck's first master. He often painted small characters taken from scenes from the Bible or classical mythology, on paintings in which Josse de Momper...
Category

Old Masters 17th Century Figurative Paintings

Materials

Copper

Bee Mindful No. 1 (Bees, Belgian Linen, Blue, Botanical, Botanical Art)
Located in Kansas City, MO
Katrina Revenaugh Bee Mindful No. 1 Archival Pigment Ink, Acrylic, Spray Paint and Oil Pastel on Stretched Belgian Linen with a Matte Varnish Year: 2021 Size: 46x36in Signed: On Vers...
Category

Pop Art 17th Century Figurative Paintings

Materials

Oil Pastel, Acrylic, Spray Paint, Archival Ink, Varnish, Linen

Venetian 17th century baroque painting of mythological theme oil on canvas
Located in Florence, IT
The painting, oil on canvas 95 x 137 unframed, depicts a bacchanal: on the left we see a figure who, from the detail of the paw seems to be a satyr, intent on raising a bowl forerunn...
Category

Baroque 17th Century Figurative Paintings

Materials

Oil, Canvas

Painting Moses Saved by the Waters, 17th-18th century
Located in Milan, IT
Oil on Canvas. The scene recounts the biblical episode from the book of Exodus in which baby Moses, whom his mother had entrusted to the river inside a basket to save him from the s...
Category

Other Art Style 17th Century Figurative Paintings

Materials

Oil

Antonio Cifrondi (Milanese Master) - 17th century figure painting - Farmer Mouse
Located in Varmo, IT
Antonio Cifrondi (Clusone 1656 - Brescia 1730) - Farmer with mouse. 87 x 69 cm without frame, 109.5 x 92.5 cm with frame. Antique oil painting on canvas, in a carved wooden frame. ...
Category

Baroque 17th Century Figurative Paintings

Materials

Canvas, Oil

Laban Demanding the Return of the Teraphim from Rachel - Dutch Old Master art
Located in London, GB
This very busy oil on panel is a Dutch Old Master painting dating to around 1620 by artist and poet Willem van Nieulandt. It is an incredibly detailed and colourful scene composed of...
Category

Old Masters 17th Century Figurative Paintings

Materials

Oil

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