Pedro Bonnin

Stick to the Plan

2020

Self-taught Mexican painter Pedro Bonnin creates lavishly rendered, hyperrealistic paintings in oil that combine whimsy and provocation. His stylish paintings of tumbling, lingerie-clad people wearing sunglasses call to mind the cheeky and subversive work of fashion photographers like Helmut Newton and Guy Bourdin, while his close-up portraits of men and women contorting their faces are a virtuoso display of illusionistic technique. As a young man, Bonnin traveled to Europe, where he visited galleries and studied Italian masters like Giotto and Simone Martini...

Self-taught Mexican painter Pedro Bonnin creates lavishly rendered, hyperrealistic paintings in oil that combine whimsy and provocation. His stylish paintings of tumbling, lingerie-clad people wearing sunglasses call to mind the cheeky and subversive work of fashion photographers like Helmut Newton and Guy Bourdin, while his close-up portraits of men and women contorting their faces are a virtuoso display of illusionistic technique. As a young man, Bonnin traveled to Europe, where he visited galleries and studied Italian masters like Giotto and Simone Martini...

Self-taught Mexican painter Pedro Bonnin creates lavishly rendered, hyperrealistic paintings in oil that combine whimsy and provocation. His stylish paintings of tumbling, lingerie-c...

Self-taught Mexican painter Pedro Bonnin creates lavishly rendered, hyperrealistic paintings in oil that combine whimsy and provocation. His stylish paintings of tumbling, lingerie-c...

Self-taught Mexican painter Pedro Bonnin creates lavishly rendered, hyperrealistic paintings in oil that combine whimsy and provocation. His stylish paintings of tumbling, lingerie-c...

Lino Lago's lush, provocative paintings are exploration of color and art history as with one clear sweep he brings a classic Baroque painting into the foreground like an untold secre...

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water droplets or frozen ice crystals suspended in the atmosphere. They have the ability to refract and reflect, creating an ever changing perception of light which inspires my use of colour. I am constantly referring to the paradox of a cloud’s perceived weight and its fragility and the relationship between the cool and warm colours created by it. I have become increasingly interested in catching the moment when heavy overcast clears to reveal clear blue sky, a cool colour that complements the warmth it brings. While the most obvious manifestation of light refraction at this time would occur in the form of a rainbow, I will be concerned with accentuating the infinite, more subtle effects. I find myself inspired increasingly by the works of Turner, who created ephemeral atmospheric effects using large washes of liquid paint. Other influences include Henry Matisse, Francis Cadell...

Oil and gold leaf on canvas For centuries, artisans and artists have turned to gold leaf as a way to make their creations shimmer and shine. Also many contemporary artists continue ...

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water droplets or frozen ice crystals suspended in the atmosphere. They have the ability to refract and reflect, creating an ever changing perception of light which inspires my use of colour. I am constantly referring to the paradox of a cloud’s perceived weight and its fragility and the relationship between the cool and warm colours created by it. I have become increasingly interested in catching the moment when heavy overcast clears to reveal clear blue sky, a cool colour that complements the warmth it brings. While the most obvious manifestation of light refraction at this time would occur in the form of a rainbow, I will be concerned with accentuating the infinite, more subtle effects. I find myself inspired increasingly by the works of Turner, who created ephemeral atmospheric effects using large washes of liquid paint. Other influences include Henry Matisse, Francis Cadell...

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water droplets or frozen ice crystals suspended in the atmosphere. They have the ability to refract and reflect, creating an ever changing perception of light which inspires my use of colour. I am constantly referring to the paradox of a cloud’s perceived weight and its fragility and the relationship between the cool and warm colours created by it. I have become increasingly interested in catching the moment when heavy overcast clears to reveal clear blue sky, a cool colour that complements the warmth it brings. While the most obvious manifestation of light refraction at this time would occur in the form of a rainbow, I will be concerned with accentuating the infinite, more subtle effects. I find myself inspired increasingly by the works of Turner, who created ephemeral atmospheric effects using large washes of liquid paint. Other influences include Henry Matisse, Francis Cadell, Glasgow boys: Guthrie Lavery, Henry... and Joan Eardley...

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water d...

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water droplets or frozen ice crystals suspended in the atmosphere. They have the ability to refract and reflect, creating an ever changing perception of light which inspires my use of colour. I am constantly referring to the paradox of a cloud’s perceived weight and its fragility and the relationship between the cool and warm colours created by it. I have become increasingly interested in catching the moment when heavy overcast clears to reveal clear blue sky, a cool colour that complements the warmth it brings. While the most obvious manifestation of light refraction at this time would occur in the form of a rainbow, I will be concerned with accentuating the infinite, more subtle effects. I find myself inspired increasingly by the works of Turner, who created ephemeral atmospheric effects using large washes of liquid paint. Other influences include Henry Matisse, Francis Cadell, Glasgow boys: Guthrie Lavery, Henry... and Joan Eardley...