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Nathan Durfee
"They Went to Kansas and Back" Oil painting

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    Alexandra Manukyan's " Silent Melody" is an original, handmade oil painting that depicts a female model with white feathers on her dark hair, as she...
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  • "Pocket Full of Dreams", Oil painting
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    Tiffany Dae's (US based) "Pocket Full of Dreams" is a original, handmade oil painting that depicts a feminine figure surrounded by darkness, gently holding...
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  • "The Wrinkled Sea Beneath Her Crawls, " Oil Painting
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    Alexandra Manukyan's "The Wrinkled Sea Beneath Her Crawls" is an original, handmade oil painting that depicts a female figure balancing on one foot as blue waves swirl behind her in ...
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  • "Vessel" Oil Painting
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    Alpay Efe's "Vessel" is an original, handmade oil painting that depicts three hands gently overlapping on each other in an almost tender embrace. About th...
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  • "With Kindness, " Oil Painting
    Located in Denver, CO
    Victoria Novak's "With Kindness" is an original, handmade oil painting that depicts hands emerging from Lily flower foliage as they embrace two feminine faces. About the Artist: Re...
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  • Large Italian Modernist Surrealist Lady Mod Oil Painting "La Ragazza Ungherese"
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    Lazzaro Donati (Italian, 1926-1977), Framed oil painting "La Ragazza Ungherese" The Hungarian Girl. Dated 1961. Framed: 36.25 x 28.5 inches. In good condition. Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and jean Jansem. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...
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