Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Jules Pierre van Biesbroeck
VAN BIESBROECK Jules. Woman in a garden. Oil sketch on cardboard.

About the Item

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement d'Argo). The very large canvas, 7.5 by 2.6 meters, caused quite a stir because of the nakedness of his figures. When van Biesbroeck was called to Paris, his youth amazed viewers; to everyone's surprise, he obtained a "special mention". However, in order to exhibit the picture publicly, the figures had to be covered with drapery.[1] In 1895 he began to devote himself to sculpture and his talent was rewarded by various commissions, including a monument to François Laurent for a square in Ghent and another in honour of Jean Volders. In 1897 he came second in the Belgian "Prix de Rome" for sculpture after Henri Boncquet and in 1898 he came second in the section devoted to painting. When German troops invaded Belgium during World War I, he fled Ghent and went to Bordighera in Italy where he continued to paint and sculpt. He also gave art lessons to foreign residents of the town. In Italy his painting “Deposition" is on display in the Church of the Immaculate Conception in Bordighera. In 1926 he made a trip to North Africa, where he was charmed by Algeria. The light and atmosphere of Maghreb pushed him to use lighter colours and engage with oriental subjects. Algiers had such an influence on him that he lived there for nine years until 1938. His studio, called "La Volière”, became extremely well-known throughout the city.[ In 1938 he returned to Ghent where he remained till his death in 1965.
  • Creator:
    Jules Pierre van Biesbroeck (1873 - 1965)
  • Dimensions:
    Height: 5.52 in (14 cm)Width: 3.15 in (8 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Paris, FR
  • Reference Number:
    1stDibs: LU129225964712
More From This SellerView All
  • Cloudy landscape. Oil sketch on cardboard. Unsigned.
    By Jules Pierre van Biesbroeck
    Located in Paris, FR
    Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...
    Category

    Early 20th Century Impressionist Landscape Paintings

    Materials

    Oil

  • 'Agay, le château et le Sémaphore'. Oil on canvas. Signed.
    By Armand Guillaumin
    Located in Paris, FR
    'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...
    Category

    1920s Impressionist Landscape Paintings

    Materials

    Oil

  • Grey House. Oil on canvas. Signed.
    Located in Paris, FR
    Raf Peeters is a Belgian artist represented by Boycott Gallery.
    Category

    Early 2000s Realist Landscape Paintings

    Materials

    Oil

  • A view of Sebastopol in the Crimea.
    Located in Paris, FR
    A view of Sebastopol in the Crimea. Oil on canvas. In a 19th century gild wood and plaster frame. This painting can be dated around 1830/1840 given the dresses worn by the women i...
    Category

    1830s Realist Landscape Paintings

    Materials

    Oil

  • 'Hollyweird'
    By RICHARDSON RAY
    Located in Paris, FR
    Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...
    Category

    Early 2000s Realist Figurative Paintings

    Materials

    Oil

  • VAN BIESBROECK Jules. Snake charmer. Oil on panel. Signed.
    By Jules Pierre van Biesbroeck
    Located in Paris, FR
    Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck...
    Category

    1920s Figurative Paintings

    Materials

    Oil

You May Also Like
  • 1880s Figurative Sackett's Calvary Charge of the 9th New York Volunteers
    Located in Soquel, CA
    Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...
    Category

    1880s American Impressionist Figurative Paintings

    Materials

    Oil, Linen

  • "The village assembly" 1961 Russian art Oil Painting. Landscape.
    By Ivan Sorokin
    Located in Berlin, DE
    Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.
    Category

    1960s Impressionist Figurative Paintings

    Materials

    Oil

  • Paul Lecomte (1842-1920) La Ferme du Pré, Oil on canvas
    By Paul Lecomte
    Located in Paris, FR
    Paul Lecomte (1842-1920) La Ferme du Pré Oil on canvas signed on the lower right 38 x 55 cm Framed : 49 x 66.5 cm In good condition: a small repair visible on the reverse (see pictu...
    Category

    1870s Impressionist Landscape Paintings

    Materials

    Oil

  • "The Edge of the Field", Rural Impressionist Landscape Oil Painting
    By Yves Calméjane
    Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
    Yves Calméjane usually uses light impasto techniques, with the weft of the canvas often still visible. The reliefs are quite thin, the painting often spread out, with frank touches ...
    Category

    2010s Impressionist Figurative Paintings

    Materials

    Canvas, Oil

  • Cottonwood Spring
    Located in San Francisco, CA
    This artwork titled "Cottonwood Spring" c.1975 is an oil painting on hardboard by noted New Mexico artist Patricia Rose, 1934-2008 It is signed at the lower right corner by the artist. The artwork size is 22 x 28 inches, framed is 30 x 36 inches. Framed in original wooden beige and gold frame. It is in very good condition. About the artist. Patricia Rose 1934-2008 was a noted New Mexico landscape artist being a multi-winner in many competitions receiving several awards from the New Mexico State Fine Arts Competition including the Governor's Award. She has won the State Purchase Award four times. One of her works was presented to Mrs. Barbara Bush...
    Category

    Late 20th Century American Impressionist Landscape Paintings

    Materials

    Oil

  • "Autumn Afternoon in Luxembourg Garden"
    By Martha Walter
    Located in Lambertville, NJ
    Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...
    Category

    Early 20th Century American Impressionist Landscape Paintings

    Materials

    Oil, Board

Recently Viewed

View All