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Jacques Zucker
"The Shoe Shiner" Impressionist Portrait of a Shoe Shiner Oil Painting on Board

20th Century

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  • "Venetian Powder Room Scene with Figures" Impressionist Oil Painting on Canvas
    By Luigi Cagliani
    Located in New York, NY
    A whimsical oil painting depicting a Venetian Powder Room Scene with Figures getting ready for the masquerade. A truly intimate scene with a ornate mirror, flowers in a vase and whit...
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    Early 20th Century Impressionist Interior Paintings

    Materials

    Canvas, Oil

  • "Laundry" Post-Impressionism French Oil Painting Interior Scene Figure on Board
    By Jacques Zucker
    Located in New York, NY
    This painting depicts a whimsical portrait of a young lady washing her laundry in front of a house. This piece was most likely executed in the 1930's, as the colors are darker than Z...
    Category

    1960s Post-Impressionist Figurative Paintings

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    Oil, Board

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    A wonderful depiction of mother and child displayed in a gold round ornate frame with intricate details.
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    Late 19th Century Realist Figurative Paintings

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    Canvas, Oil

  • "Interior Scene with Figure and Mantel" Post-Impressionism Oil Painting on Panel
    By Jacques Zucker
    Located in New York, NY
    A cozy little jewel, we are charmed by the rich choice of color and intimate details throughout this miniature work. This painting depicts a woman in her bedroom near the Mantel with...
    Category

    20th Century Post-Impressionist Interior Paintings

    Materials

    Panel, Oil

  • "Interior Scene of Woman in Paris" Post-Impressionism Oil Painting on Canvas
    By Jacques Zucker
    Located in New York, NY
    This painting depicts an interior scene of a woman seated at an apartment in Paris with a window that overlooks the city and an iconic church with the artist's reflection in the armo...
    Category

    20th Century Post-Impressionist Interior Paintings

    Materials

    Oil, Canvas

  • "Interior Scene with Figure" Expressionistic Style Oil Painting on Masonite
    By Michael Baxte
    Located in New York, NY
    A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...
    Category

    1960s Expressionist Interior Paintings

    Materials

    Masonite, Oil

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  • Cyclists in Love, Bay Area Figurative Movement
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