End of the Road, Couple, Ladies Home Journal, Golden Age of Illustration
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Haddon Hubbard SundblomEnd of the Road, Couple, Ladies Home Journal, Golden Age of Illustration 1957
1957
About the Item
- Creator:Haddon Hubbard Sundblom (1899 - 1976, American)
- Creation Year:1957
- Dimensions:Height: 33.25 in (84.46 cm)Width: 27 in (68.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38533751261
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2005
1stDibs seller since 2016
102 sales on 1stDibs
Typical response time: 1 hour
More From This SellerView All
- Crystal City - Pushed Color Greens and YellowLocated in Miami, FLThis is most likely a self-portrait. We see the artist in a reflection holding a small 1950s camera while his wife in the foreground holds a large bran...Category
1950s Fauvist Portrait Paintings
MaterialsCanvas, Oil
- Spanish TavernBy Dean CornwellLocated in Miami, FLThere is no one alive that can paint and draw like Dean Cornwell. How can that be? They do not train artist the way they did. Dean Cornwell in his day was as famous as Normal Rockwell...Category
1920s Post-Impressionist Figurative Paintings
MaterialsOil
- Euphorbia - Golden Age of Illustration - Stoic and Soulful WomenBy Dean CornwellLocated in Miami, FLOne of the hallmarks of Cornwell's style is that he paints the most stoically soulful faces that express the contained trials and hardships of the subject. Caption: "Are you making little things?" questioned Lucy. 'No ,' said Marge. 'If this one happens to live, there will be many long years ahead of us for that." Morris Weiss collection...Category
1920s Post-Impressionist Figurative Paintings
MaterialsOil
- Kindred of the Dust, Frontier Town Cosmopolitan MagazineBy Dean CornwellLocated in Miami, FLMore than 20 beautifully rendered post-impressionist portraits in character, define Dean Cornwell as one of America's great artists. In his time, he was a famous as Norman Rockwell and was Norman Rockwell's favorite illustrator. "One thing puzzled Dirty Dan extremely. That was the perfectly frank, friendly manner in which his employer and this outcast woman greeted each other, the earnestness with which they conversed, and the effect of the woman's low-spoken words upon the color of Hector McKaye's face." Morris Weiss collection...Category
1920s Post-Impressionist Figurative Paintings
MaterialsOil
- Redhead Girl in Window with Flower Pots - Woman IllustratorBy Lorraine FoxLocated in Miami, FLRedhead Girl in Window with Flower Pots by Lorraine Fox can be a joyful addition to your home. A beautiful redheaded young girl looks back at us from ...Category
1950s Post-Impressionist Portrait Paintings
MaterialsOil
- Au Bal Masque - Spanish girl at OperaBy Dietz EdzardLocated in Miami, FLAu Bal Masque - Spanish girl at Opera - This spectacularly beautiful post-impressionist portrait t could be reminiscent of Degas. A charming girl with a ...Category
1960s Post-Impressionist Portrait Paintings
MaterialsCanvas, Oil
$43,200 Sale Price20% Off
You May Also Like
- "Artist at Work" - Portrait of the ArtistBy Christine ChatwellLocated in Soquel, CAFigurative painting of an artist at work by Christine Chatwell (American, 20th Century). Presented in a blue wooden frame. Signed "Christine Chatwell" ...Category
1990s Post-Impressionist Figurative Paintings
MaterialsCanvas, Oil
- Josianna, Jeune Femme au Ruban by Jean Gabriel DomergueBy Jean-Gabriel DomergueLocated in New Orleans, LAJean-Gabriel Domergue 1889-1962 French Josianna, jeune femme au ruban (Josianna, Young Woman With Ribbon) Signed "Jean Gabriel Domergue" (lower left) Oil on panel A young French beauty known as Josianna is the subject of this work by Jean-Gabriel Domergue, and the oil on panel is a perfect example of the portraits for which the artist is renowned. His model embodies the concept of the la belle Parisienne: slender, swan-like women bearing an unmistakable grace and style. Domergue includes a delicate pink ribbon around her neck, suggesting a fashionable garment, set against a soft pastel-colored backdrop. The artist's oeuvre encompasses women from all facets of society, from aristocratic figures such as Liane de Pougy and Nadine, Baroness de Rothschild...Category
20th Century Post-Impressionist Figurative Paintings
MaterialsOil, Panel
- "Kiss of Smoke" Oil PaintingBy Suchitra BhosleLocated in Denver, COSuchitra Bhosle's "Kiss of Smoke" is an original, hand made oil painting that depicts a man's relaxed face as he exhales smoke. About the Artist: Suchitra Bhosle is an India-born a...Category
2010s Post-Impressionist Portrait Paintings
MaterialsPanel, Oil
- Chassidic Rabbi with Shtreimel, Rare Judaica Oil Painting Signed in HebrewLocated in Surfside, FLRare Judaica Art. Jewish genre scene. In the tradition of Moritz Oppenheim, Isidor Kauffman and Maurycy Gottlieb and later of Tully Filmus, Zalman Kle...Category
Mid-20th Century Post-Impressionist Figurative Paintings
MaterialsOil
- A Young Girl Reading a Book, Pointillist ArtistLocated in Stockholm, SE"A Young Girl Reading a Book" is a captivating portrait by Swedish artist Gustaf Arnolds. Arnolds was a prolific painter whose roots began in Vingåker and later in Ronneby from his teenage years. His educational journey in art took him through prestigious institutions such as Althins målarskola and the Tallbergska grafikskolan in Stockholm, followed by a significant period at the Konstakademien, Stockholm, between 1904 and 1909. His talent and dedication were recognized early on, earning him a scholarship to Paris, a city that would deeply influence his artistic direction. This particular work, likely painted shortly after his return to Sweden, reveals a profound influence from his time in Paris. It portrays a young girl absorbed in reading a book, a simple yet profound subject that Arnolds imbues with a sense of tranquility and introspection. The background hints at a serene landscape, dotted with quaint houses, a nod to the everyday beauty surrounding us. What sets this piece apart is Arnolds’ technique, reminiscent of pointillism but distinguished by longer, more expressive brush strokes that add a vibrant texture and depth to the canvas. This method showcases Arnolds' unique adaptation of the techniques he encountered during his Parisian studies, particularly during his interactions with Nils Dardel...Category
1930s Pointillist Portrait Paintings
MaterialsMasonite, Oil
- BEATRICE HUNTINGTON (1889-1988) Scottish impressionist Portrait Oil PaintingLocated in Cirencester, GBARTIST: Beatrice Huntington (1889-1988) Scottish TITLE: "Portrait Of A Red Haired Lady" SIGNED: lower left and with provenance from The Scottish Gallery Edinburgh and James Bourlet exhibition label also MEDIUM: oil on canvas SIZE: 68cm x 60cm inc frame CONDITION: very good DETAIL: The Scottish artist Beatrice M. L. Huntington (1889–1988) enjoyed a long and varied career as a painter and is best known for her insightful portraits, characterised by a strong sense of design and an intuitive use of colour. Her approach to painting was ever-evolving: throughout her long and fascinating life, which spanned a century and bore witness to the advent of the modern era, she remained indefatigably committed to her development as an artist and to 'containing and realising the big-ness of it all', as she herself described it in a letter to a friend in 1977, when at the age of 88 she was still refining her approach to form and colour. The daughter of an eminent St Andrews doctor, Beatrice grew up in affluent surroundings – an imposing townhouse on St Andrews South Street both her father's surgery and the family home. A precocious talent for both music and art led her, perhaps unusually for a girl at that time, to pursue her studies abroad. In 1906, the year she turned 17, she went to Paris to study drawing and painting and in 1911, after an evidently successful formative period in Paris, she continued her studies in Munich, attending a private art school where she apparently flourished. By the 1920s, Beatrice's own identity and path as an artist were clearly defined. Her marriage to the painter William Macdonald in 1925 created a unique artistic partnership and cemented her place within the Scottish art scene of the 1920s and 1930s, particularly in Edinburgh where Macdonald was already well established and a close friend of Scottish Colourists F. C. B. Cadell and Samuel Peploe. This is illustrated by surviving correspondence and in particular by a characterful portrait of a debonair William Macdonald by Cadell, dating from the mid-1920s. Macdonald's particular affinity for the arid landscapes of southern Spain had earned him the nickname William 'Spanish' Macdonald. Beatrice shared his love of travel and together they explored the Continent, returning frequently to the French Riviera and to southern Spain, taking as their base, for a time at least, the picturesque Mediterranean fishing village of Cassis in the South of France, a favoured haunt of the Colourists. The couple moved in artistic milieux both at home and abroad, also spending time in Kirkcudbright in Galloway. Their time painting together in Spain culminated with a joint exhibition in 1928 at Messrs Watt and Sons, Dundee, entitled 'Pictures of Spain...Category
Mid-20th Century Post-Impressionist Figurative Paintings
MaterialsOil