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Erik van Elven
Three Times Tea - 21st Century Contemporary Still-life Painting of Tea Cups

2021

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  • Attempted Art- 21st Century Contemporary Still-life Painting of letter balloons
    By Rutger Hiemstra
    Located in Nuenen, Noord Brabant
    Rutger Hiemstra Attempted Art Oil on wood panel 53 x 125 cm Dutch artist Rutger Hiemstra (1975) understands the art of painting from observation. Still lifes, landscapes, portraits...
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  • Tulip in Ginger Jar- 21st Century Dutch Oilpainting of a flower in bright colors
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    JP Marsman's cheerful and hyper-realistic paintings appeal to the imagination in several areas. The fresh colors give a continuous feeling of spring or summer and a good mood. With i...
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  • Red Cabbage-21st Century Contemporary Realistic Stilllife Painting of vegetables
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    Located in Nuenen, Noord Brabant
    We're proud to introduce German artist Bart Koning during the exhibition "Realism 2020". Incredibly clever how the originally Dutch Bart Koning knows how to make all subjects his su...
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    2010s Contemporary Still-life Paintings

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    Oil, Wood Panel

  • Pretty in Pink- 21st Century Still-life painting, Pink Peonies in a Square Vase
    By Erik van Elven
    Located in Nuenen, Noord Brabant
    Erik van Elven is a modern painter with a romantic and impressionistic style. Both his brushstrokes and use of color are fresh and done in a fluid way. Erik started years ago to pa...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Oil, Panel

  • Judas Medal- 21st Century Still-life painting of a tin with dry Judas Medal
    By Erik Zwaga
    Located in Nuenen, Noord Brabant
    This still-life is made by Dutch painter Erik Zwaga. The painter started in the style of the romantic school, Erik Zwaga began to search more and more for his own visual language...
    Category

    2010s Contemporary Still-life Paintings

    Materials

    Oil, Wood Panel

  • Found objects - 21st Century Contemporary Still-life painting with Shells
    By Erik Zwaga
    Located in Nuenen, Noord Brabant
    This still-life is made by Dutch painter Erik Zwaga. The painter started in the style of the romantic school, Erik Zwaga began to search more and more for his own visual language...
    Category

    2010s Contemporary Still-life Paintings

    Materials

    Oil, Wood Panel

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    A scene of distress is depicted in this work regarding Bob the Tomato, a primary character in the acclaimed children’s animation, VeggieTales. “God Wants Me to Forgive Them!?!” challenges the formative life lessons we are taught from a young age that is not always easy to uphold. Based on a prophetic dream I had surrounding ideas of violence, familial relationships, estrangement, biblical references, revenge, and ultimately death, this painting begs...
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  • Kelsey Seated, Arm on Mac - Original Oil Painting, Study of a Dancer
    By Andrew S. Conklin
    Located in Chicago, IL
    A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the seated model leans against an antiquated iMac. Upon closer examination, the preparatory sketch lines are visible on the model's feet and her forearm. Unfinished works were first seen during the Renaissance with Masters such as Leonardo da Vinci, Michelangelo and Donatello. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito'. Andrew S. Conklin Kelsey Seated, Arm with iMac oil on panel 12h x 17w in 30.48h x 43.18w cm ACK011 Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...
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