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Cindy Shaoul
"My Cherry Blossom Heart" Light Pink Contemporary Oil Painting w Floater Frame

2021

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  • "My Sherbet Heart" Blue and Purple Abstract Oil Painting with Floater Frame
    By Cindy Shaoul
    Located in New York, NY
    Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...
    Category

    2010s Abstract Figurative Paintings

    Materials

    Oil, Board

  • "My Childhood Heart" Blue and Yellow Abstract Oil Painting with Floater Frame
    By Cindy Shaoul
    Located in New York, NY
    Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...
    Category

    2010s Abstract Figurative Paintings

    Materials

    Oil, Board

  • "My Starry Night" Blue and White Contemporary Oil Painting Framed
    By Cindy Shaoul
    Located in New York, NY
    Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Stars Collection” is a vibrant and energetic dis...
    Category

    2010s Abstract Figurative Paintings

    Materials

    Oil, Board

  • "My Rising Star Heart" Colorful Silver Abstract Oil Painting with Floater Frame
    By Cindy Shaoul
    Located in New York, NY
    Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...
    Category

    2010s Abstract Figurative Paintings

    Materials

    Oil, Board, Mixed Media

  • "My Memory Lane Heart" Colorful Abstract Oil Painting with Floater Frame
    By Cindy Shaoul
    Located in New York, NY
    Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...
    Category

    2010s Abstract Figurative Paintings

    Materials

    Oil, Board

  • "My Twinkling Heart" Silver Blue + Pink Pop Art Oil Painting with Floater Frame
    By Cindy Shaoul
    Located in New York, NY
    Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...
    Category

    2010s Abstract Figurative Paintings

    Materials

    Oil, Board, Mixed Media

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  • Nude Side View, Abstract Figurative Oil Painting of a Female Figure, Pink Blue
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    Abstract figurative nude portrait of a female surrounded by birds and floral arrangements, oil on board by Martin Saldana (1874-1965) titled 'Nude Side View'. Presented in a custom frame measuring 28 ¾ x 21 inches; image size is 20 ¾ x 13 ¾ inches. Painting is in good condition - please contact us for a detailed condition report. About the Artist: Born Mexico 1874 Died 1965 Born in 1874, Saldaña grew up at Rancho Neuvo in Mexico. In 1950, at the age of 76, he began attending children's art classes at the Denver Art Museum. For the next fitfteen years, Saldaña Imaginatively documented whimsical memories from his childhood in San Luis Potosi, Mexico, portraying ranch life, landscapes, and his great love of animals. The prolific artist painted every day, completing a new piece about every three days and amassing an impressive body of work for the former cook at the Denver landmark, the Brown Palace...
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    Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
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