Carol Bennett

"Summer Sojourn 4" Woman in White Bikini Swimming & Reflection of Water

2018

Water has been the backdrop to the significant events in my life. The reconstruction of radiant moments that exist in memory define the images I choose to paint, of swimming in the l...

From an incandescent sunset on Long Island Sound to an iconic pop-kitsch ice storage bin at the neighborhood corner store, Rob Brooks offers us a visual journey from the real to surr...

The work of Cindy Press celebrates women by exploring the connection between our physical bodies and personal identity. Inspired by fashion, photography and popular culture Press ref...

“Since I was young, I have loved nature – the trees, flowers, and butterflies. Growing up in Phoenix, AZ these things were not around and so I began to paint the world in which I wan...

About the Artist A Rhode Island native, I earned a BFA from Rhode Island School of Design. Since then I’ve worked as a freelance artist, decorative painter, teacher and master paint...

Joseph Lorusso was born in Chicago, Illinois, in 1966 and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City Ar...

Artist Unknown Medium: Oil on Canvas Dimensions: 16" x 13" (canvas) 22" x 19" (frame) Framed

Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...

Artist Notes: There is never a dull moment with this pair of predators out on a sinister prowl. Look at their eccentric fashion and the blend of color splashes, that celebrate the cr...

This licensed Blend Cota oil on canvas painting of Wonder Women - Champion of Themyscria - oil on Canvas is brought to life utilizing Blend's own famous col...

This licensed Blend Cota oil on canvas painting of Ballerina is brought to life utilizing Blend's now famous colorism technique. This painting captures what...

Subject: Jewish American Family Bar Mitzvah with Rabbi Medium: Oil Surface: Canvas Country: United States In this painting, Joseph Wolins uses vibrant and complimentary colors and...