Armando de la Garza

#35 Diptych From La Transvaloración de Todos Los Valores Series

2018

"106" from La Transvaloración de todos los valores, 2021 by Armando de la Garza Oil and resin on canvas on panel. Individual Size: 30 H x 40 W x 2 D cm One of a kind Armando de la G...

The Nigth, 2017-2019 by Ramonn Vieitez Oil on cotton canvas Size: 35 H x 21.6 W in. Unique Signed on the back by the artist ___ Ramonn Vieitez is a self-taught Brazilian artist who...

The desire to take refuge in oblivion and frivolity arises, but the path is full of surprises, 2023 by Ramonn Vieitez Oil and gold leaf on canvas Size: 47.2 H x 39.3 W in. Unique Sig...

There's a certain amount of risk involved, 2018 by Ramonn Vieitez Oil on cotton canvas Size: 59 H x 39.3 W in. Unique Signed on the back by the artist ___ Ramonn Vieitez is a self-...

The Boy With Pollen Allergy, 2022 by Ramonn Vieitez Oil on cotton canvas Size: 80cm DM Unique Signed on the back by the artist Mounted on a stretcher Weight: 2,5 kg ___ Ramonn Viei...

Florid Thoughts, 2022 by Ramonn Vieitez Oil on cotton canvas Size: 39.3 in DM Unique Signed on the back by the artist Mounted on a stretcher Weight: 3 kg ___ Ramonn Vieitez is a se...

A. Laurenti has been exhibiting since 1984 universal, visionary and contemporary paintings. His images bring back to us through his colors, landscapes and personalities that have exi...

A. Laurenti has been exhibiting since 1984 universal, visionary and contemporary paintings. His images bring back to us through his colors, landscapes and personalities that have exi...

Pink Board is an oil and resin on linen painting, which depicts a figure, a surfer, who appears to be prepping her pink surfboard for use. Yektai effect...

xMotivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic di...

A figure reclines in a red and yellow-strapped lawn chair. The figure sitting in the chair is activated by Aldrich’s transformation of paint and resin into oozing swaths of skin between the lawn chair straps. The chair, recalling the grid, works as a pattern trying to hold and contain the body resting inside it. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings...

Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyperrealism. She is one of the three major artists credited with starting the movement in the late 1970s...