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Albert Lynch
Small impressionist oil painting by Peruvian artist Albert Lynch

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  • British, 19th Century oil painting of nannies in Green Park, London
    Located in Petworth, West Sussex
    Paul Maitland (British, 1863 – 1909) Nannies in Green Park, before Piccadilly, London Oil on panel 7.5/8 x 11.3/8 in. (19.4 x 29 cm.) . In a gilded woo...
    Category

    19th Century Impressionist Landscape Paintings

    Materials

    Oil, Panel

  • Milan at night, early 20th Century oil painting by Amerino Cagnoni
    By Amerino Cagnoni
    Located in Petworth, West Sussex
    Amerino Cagnoni (Italian, 1855-1923) Luci della sera (Evening Lights), Milan oil on panel signed `ACagnoni/1916’ (lower right) 16.1/8 x 27.1/2 in. (41 x 70 cm.) He initially studied classical education, but abandoned studies to take a job as director of a textile mill in Brianza, then moved to Asti as secretary of a wealthy family. At age 19 he enrolled as a student of Brera Academy, where he stayed for seven years. He painted The daughter of Curzio Pichena, a subject from the novel by Guerazzi. His Episode of the War of Italian Independence...
    Category

    Early 20th Century Impressionist Figurative Paintings

    Materials

    Oil, Panel

  • French 19th Century landscape painting of grape pickers in late summer
    By Georges-Marie-Julien Girardot
    Located in Petworth, West Sussex
    Georges-Marie-Julien Girardot (French, 1856-1914) Les Vendages (The grape harvesters) Oil on canvas 24.1/2 X 41.1/8in. (including frame) Provenance : Girardot Family Collection Georges Girardot was trained by the artist Albert Maignan...
    Category

    Late 19th Century Impressionist Figurative Paintings

    Materials

    Canvas, Oil

  • Small Impressionist figurative oil painting by Peruvian artist Albert Lynch
    By Albert Lynch
    Located in Petworth, West Sussex
    Albert Lynch (Peruvian 1851 – 1912) The maiden of spring Signed ‘A Lynch’ on reverse Oil on canvas laid down on board 26.5 x 11.5cm. Born in Lima in 1851, Albert Lynch studied art at L'Ecole des Beaux-Arts de Paris and in the studios of the figure painters Gabriel Ferrier and Henri Lehmann and the landscape painter Jules Nšel. He exhibited at the Salon from 1890 and was awarded a third class medal in that year, a first class medal in 1892, and a gold medal in 1900 at the Exposition Universelle. Lynch specialised in painting female subjects to which he brought a charming elegance and sophistication typical of such belle epoque paintings...
    Category

    Early 20th Century Impressionist Figurative Paintings

    Materials

    Canvas, Oil

  • 19th Century oil painting of figures in the Jardin du Luxembourg, Paris
    By Alfred Dehodencq
    Located in Petworth, West Sussex
    Alfred Dehodencq (French, 1822 – 1882) Figures in the jardin du Luxembourg, Paris Oil on canvas Signed and dated 1871 (lower right) 20 x 31.1/4in. (51 x 79.5cm.) Provenance: Sale, Mi...
    Category

    19th Century Impressionist Figurative Paintings

    Materials

    Oil, Canvas

  • 19th Century French woodland scene with girl by a stream by Rerolle
    Located in Petworth, West Sussex
    Joseph Rerolle (French, 1829 – 1901) A girl at a woodland stream, Leman Oil on paper laid down on board Signed ‘J. Rerolle’ (lower left) 13.7/8 x 16.3/4 in. (35.3 x 42.5 cm.)
    Category

    19th Century Impressionist Figurative Paintings

    Materials

    Paper, Oil, Board

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    Located in New York, NY
    Louis Van Der Pol (Dutch, 1896-1982) was active in the 20th Century and lived in Holland. He was known for his large format elaborate romantic portrait paintings and city street scen...
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  • Field of Flight, oil/board, Cuban-American Artist, Collected by Museums
    By Reynier Llanes
    Located in Houston, TX
    Field of Flight is a 5.5 x 8 " oil painting by Cuban-American artist Reynier Llanes who lives in Miami. It is framed. It is oil painted on a wood panel . Felid of Flight floats in the frame. His background is unique in style , subject matter, and medium. The artist says this about Field of Flight The characters in my paintings emerge from stories and their journeys are inspired by my own experiences and daily routines. My inspiration comes from literature, music, cinema, and daily life. My daily routine enables me to meditate and use my creativity to serve these stories and inspirations. I begin my mornings with sketches and watercolors. This is the time I use to keep inventory of my ideas and to allow them to further inspire me. Many of these characters have been depicted in my work before, whether in a different geographical location or in a different state of their physical evolution. I use a variety of mediums in my work including oils, watercolors, coffee, and charcoal. They are all equally important to me as they allow me full expression, each in its’ own sector. I use a great deal of symbolism in my art to give depth to the subjects that I wish to express. I want my art to tell a story in a manner that stimulates the imaginations of others, especially of things never seen or expressed directly. As an observer it is clear to see that we are all in pursuit of life’s mission of working, loving, and belonging. I begin my paintings by building layers of textures and color values, and then subtly add dimension and depth. Through the use of colors and highlighting I am able to enhance the atmosphere with mood, character, depth and mystery, and bring special attention to my subjects. It is the creative process of using these materials and methods that feed my soul, life, and being. I believe it is our mission as intellectuals to have a voice in our society, for our work to have a footprint in history, and to be a reference for future generations. BIO: Reynier Llanes was born in Pinar del Rio, Cuba in 1985. He attended the city’s school of art (Instructores de Arte) for four years and completed his studies in 2004. Llanes was tutored by one of the country’s most recognized realist artists, Juan Miguel Suárez. In 2005 he moved to Havana where he continued his studies and collaborated with various artists. The capital was a thriving mecca of art and culture and the museums the grounds for inspiration. In 2007 LIanes availed himself of an opportunity to emigrate from Cuba and moved to the United States, first settling in Naples, FL. In Naples he began to introduce his work in a major exhibition entitled “Strange Visitor” at the Kapo Maestro Gallery. In 2009 he relocated to Charleston, SC where he had the honor of being granted an artist in residency at the Jonathan Green Studios. Llanes was awarded a "first purchase award" for a piece now in the art collection of the city of Charleston 2011 at Moja Art Festival Juried Exhibition Award. In 2012 Oxford America recognized him as one of the "New Superstars of Southern Art." The art of Reynier was nourished by the rich southern culture and he began to collaborate with various museums and art centers. His work was featured in a traveling exhibition The Vibrant Vision Collection at the Morris Museum in Augusta, GA and the Gibbes Museum of Art in Charleston, SC. Llanes is also an avid art collector in his own right, focusing on works by artists from Cuba, and particularly those from his native province of Pinar del Río. A selection of works from his collection was exhibited at City Gallery in Charleston in 2013 and in the Art Museum in Myrtle Beach in 2015. In 2015 Llanes relocated with his family to Miami in order to take advantage of the city’s international art market and vibrant cultural life and to be closer to his home country. South Florida is, of course, home to a large community of intellectuals, collectors, and fellow artists who have welcomed Llanes into their cosmopolitan scene. His first solo exhibition in Miami took place at Miami Dade College West, this exhibition was entitled “Preserving Cultural Heritage” and it featured a large collection of coffee paintings. In 2017 he met Bill Meek...
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  • Quiet Afternoon in Cotswold Village - Mid Century Figurative Landscape
    By David L. Ghilchik
    Located in Soquel, CA
    Beautiful mid century figurative landscape of a contemplative woman in Cotswold village, England by David L. Ghilchik (b. 1892 Romania; d. 1972 London), c.1945. Signed lower right "Ghilchik." Presented in rustic wood frame. Image measures: 14.5"H x 17.5"W. With frame, measures: 21"H x 25"W x 2"D. David Louis Ghilchik was a painter, and cartoonist for Punch Magazine and the Daily Sketch. He was the son of Abraham Josef Ghilchik, who traded in lace and linen, and his wife Sali. The family settled in Salford in 1920, where David enrolled at the Manchester School of Art and studied under Adolphe Valette...
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  • Edgar's Cattle, Portrait Cuban Artist, Museums and International Collectors.
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