Bacchus Putti Oil on canvas Paint Art Old master Italy Quality 17th Century Roma
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Carlo CignaniBacchus Putti Oil on canvas Paint Art Old master Italy Quality 17th Century Roma1650-1699
1650-1699
About the Item
- Creator:Carlo Cignani (1628 - 1719, Italian)
- Creation Year:1650-1699
- Dimensions:Height: 23.23 in (59 cm)Width: 27.56 in (70 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Riva del Garda, IT
- Reference Number:1stDibs: LU98815634901
About the Seller
4.8
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2017
1stDibs seller since 2018
194 sales on 1stDibs
More From This SellerView All
- Toeletta Albani Mythological Paint Oil on canvas 17th Century Old master ItalyLocated in Riva del Garda, ITThe Toilet of Venus Francesco Albani (Bologna 1578 - 1660), workshop of oil on canvas 62 x 76 cm. - framed 70 x 84 cm. (period frame) The proposed painting, depicting the Toeletta ...Category
17th Century Old Masters Paintings
MaterialsOil
$5,625 Sale Price20% Off - Coastal Landscape See Paint Lacroix de Marseille Oil on canvas 18th Century ArtLocated in Riva del Garda, ITCoastal view at sunset with fishermen and boats Atelier of Charles François Grenier De Lacroix, called de Marseille (Marseille 1700 - Berlin 1782) Oil on canvas 50 x 62 cm. - in fra...Category
18th Century Old Masters Paintings
MaterialsOil
$6,772 Sale Price20% Off - Flower Garland Virgin Paint Oil on canvas Old master 17th Century ItalyBy Giovanni StanchiLocated in Riva del Garda, ITGiovanni Stanchi (Rome 1608 - 1675) or Niccolò Stanchi (Rome 1623 - 1690), workshop of GARLAND OF FLOWERS WITH PORTRAIT OF THE VIRGIN Rome, First half of the Seventeenth century o...Category
17th Century Old Masters Paintings
MaterialsOil
$5,121 Sale Price20% Off - River Landscape Village Paint oil on canvas 17th CenturyLocated in Riva del Garda, ITRiver landscape with popular life scene Oil painting on canvas 62 x 98 Framed 74 x 110 cm. We present this vast and harmonious composition, where a characteristic river landscape acts as a stage for an exquisite extract of popular life, set in a small village on the edge of a lush stream. The painting, which presents characters unequivocally linked to the Flemish culture of the second half of the 17th century, shows iconographic and stylistic correspondences, in particular, with the successful production of Adrien Frans Boudewijns (1644-1711) and Pieter Bout (1658- 1719). Aside from the figure of duck hunter...Category
17th Century Old Masters Paintings
MaterialsCanvas, Oil
$7,814 Sale Price20% Off - Pietà Cherubs Paint Oil on canvas Religious Rome 16/17th Century MichelangeloLocated in Riva del Garda, ITPeintre actif à Rome au XVIe siècle - entourage de Scipione Pulzone (Gaeta 1550 - Rome 1598) La Pietà (Christ mort soutenu par la Madone) huile sur t...Category
16th Century Old Masters Paintings
MaterialsOil
- Angels Flower Garzi Paint Oil on canvas Old master 17/18th Century Italian ArtBy Luigi Garzi (Pistoia 1638– Rome1721)Located in Riva del Garda, ITRoman school of the early 18th century Luigi Garzi (Pistoia 1638– Rome1721) attributed Still life of fruit supported by three angels Oil on oval canvas 116 x 91 cm., Framed 140 x 119 cm. Authentication on a photograph by Prof Giancarlo Sestieri, who attributes the work to the sphere of Luigi Garzi This magnificent canvas, depicting a sumptuous composition of fruit supported by three prosperous winged cherubs, from which comes a parchment bearing the Latin expression "Amor est vitae essentia", is to be placed in the production of a Roman author active between the second half of XVII century and the first of the following century. The iconography that sees represented cherubs with fruit or flowers is frequent in the Baroque period, especially in the Roman area, starting from the 1600s, with that particular depictional tendency aimed at illusionistic and frivolous images, to a type of paintings or frescoes of strong value decorative, intended for the private context and depicting jubilation of cherubs, angels or cherubs, and of which our canvas represents a perfect example. We can recall, among the most illustrious iconographic precedents, the elegant mirrors painted by Mario Nuzzi and Carlo Maratta that adorn the hall of Palazzo Colonna in Rome, and again the canvas preserved in the Rouen museum and the similar ones in Palazzo Chigi in Ariccia, with the collaboration for the figurative parts of Filippo Lauri. The commercial and furnishing success of similar works is also testified by authors such as Guglielmo Cortese known as Borgognone (1628 - 1679), Franz Werner Von Tamm (1658 - 1724), Giovan Battista Gaulli (1639 - 1709), Giovanni Paolo Castelli known as Spadino (Rome 1650 - 1740) and the aforementioned Carlo Maratta (1625 - 1713) The work, studied by Giancarlo Sestieri, was brought closer to the sphere of the eclectic Pistoian painter Luigi Garzi, one of the protagonists of Roman painting in the decades of transition between the seventeenth and eighteenth centuries. In our painting we can find the typical elements of his painting: the soft and delicately chiaroscuro light, the sculptural classicism of the figures as well as the stupendous luministic and chromatic effects. Luigi Garzi's training and artistic activity took place in the Eternal City and he was in effect a Roman artist. He moved to Rome from Pistoia, his hometown at a very young age, and joined the atelier of Andrea Sacchi, who directed his studies towards classicism, comparing himself with the works of Raphael, Domenichino and Nicolas Poussin, but also with the Emilian one. , with particular attention to the school of Guido Reni. But the Emilian examples were undoubtedly preceded, particularly by Giovani Lanfranco, who modeled his taste and style, together with a modulated cortonism, while those pre-eighteenth-century sensibilities are due to the lesson of Carlo Maratta. However, there is no doubt that the painter oriented his personality without ever bowing to imitation, reaching a refined elegance and autonomy of language, as the canvas in question clearly demonstrates in which the different influences find a refined amalgamation in perfect harmony with the baroque evolution between the seventeenth and eighteenth centuries, indicating a dating to its earliest maturity. These attitudes led the painter to obtain awards and prestigious commissions as soon as possible, such as the frescoes of Palazzo Borghese...Category
Late 17th Century Old Masters Paintings
MaterialsOil
$13,775 Sale Price20% Off
You May Also Like
- Venus and AdonisBy Baron Pierre Narcisse Guerin (workshop)Located in Paris, FRBaron Pierre Narcisse GUERIN (Circle of) 1774-1833 French Venus et Adonis (Venus and Adonis) Oil on canvas Canvas: 53" high x 39 1/2" wide Frame: ...Category
19th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Large 1700 Italian Old Master Nude Bather with Classical Figures Water FountainLocated in Cirencester, GloucestershireItalian School, circa 1700's Classical figures in landscape oil on canvas, framed framed: 36 x 32 inches canvas: 30 x 25 inches provenance: private collection, UK condition: very goo...Category
Early 18th Century Old Masters Figurative Paintings
MaterialsCanvas, Oil
- Early 17th Century Italian Old Master Semi Nude Man with Dagger oil paintingBy Michelangelo Merisi da CaravaggioLocated in Cirencester, GloucestershireSemi Nude Man drawing a Dagger Italian School, early 17th century circle of Caravaggio oil on canvas, framed framed: 21 x 17 inches canvas : 18 x 14 i...Category
Early 17th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- CleopatraLocated in London, GBGabriel Revel was born in 1642 in the town of Chateau-Thierry in the province of Champagne. Although the name of his father is unknown, his profession was that of a ‘painter-glazer’ so the young Gabriel would no doubt have learnt the basic skills to become an artist in his father’s studio from an early age. Little is known of Revel’s early career however by 1671 he was working on the decorative schemes at Versailles and Gobelin under Charles le Brun, indicating his skill was great enough to be considered one of the finest artistic talents of the day. In 1683, Gabriel became a member of the Royal Academy after submitting his portraits of François Girardon and Michel Anguier. This success led to a number of commissions outside of Paris in the provinces, especially Dijon which he travelled to regularly until moving there permanently in 1692 after the death of Le Brun. Revel clearly took artistic influence from the fashions of the day using bold colours and fine detail to create highly decorative works. His Group Portrait, dated 1686 in the Portland Art Museum shows the central figure, much like the painting of Cleopatra in question, looking upwards wrapped in a rich blue drapery wearing jewel encrusted clothing. This type of decoration and composition would have had a base in Le Brun’s historical works and would almost certainly have been a style Revel developed whilst working on the decoration at Versailles. Whilst in Dijon, Gabriel painted virtually without competition and further circulated the style of historical painting popularized at Versailles by Le Brun. One of his most significant commissions in Dijon is the ceiling painting...Category
17th Century Old Masters Nude Paintings
MaterialsCanvas, Oil
- Allegory of FortuneLocated in New York, NYProvenance: S. Spinelli Collection, Florence; their sale, Galleria Pesaro, Milan, July 11-14, 1928, lot 112 (unsold); reoffered Galleria Luigi Bellini, Florence, April 23-26, 1934, lot 132, as manner of Baldassare Peruzzi Dr. Giacomo Ancona, Florence, 1930s, and after 1939, San Francisco; thence by descent to his son: Mario Ancona, San Francisco; thence by descent to his children: Mario Ancona III and Victoria Ancona, San Francisco, until 1995; thence to: Phyllis Ancona Green, widow of Mario Ancona, Los Angeles (1995-2012) Literature: Donato Sanminiatelli, Domenico Beccafumi. Milan 1967, p. 170 (under paintings attributed to Beccafumi) Among the precious survivors of Renaissance secular paintings for domestic interiors are several unusual and particularly attractive panels painted in Siena at the end of the fifteenth and beginning of the sixteenth centuries. These paintings depict exemplary figures from antiquity—heroes or heroines, as well as allegorical, literary, and mythological figures. For the most part, these panels have survived in groups of three, although it is possible that some of these works were painted either as part of larger series or as individual projects. One such trio by Beccafumi consists of two paintings now at the National Gallery, London (Marcia and Tanaquil) and a third in the Galleria Doria-Pamphilj, Rome (Cornelia). These were commissioned around 1517–1519 for the bedroom of Francesco di Camillo Petrucci in Siena and were most likely placed together as elements in the wall decoration (spalliere) or installed above the back of a bench or cassapanca. Another, earlier (ca. 1495–1500), set of three—Guidoccio Cozzarelli’s Hippo, Camilla, and Lucretia (Private Collection, Siena) survives with its original wooden framework—a kind of secular triptych. Judith, Sophonisba, and Cleopatra in the collection of the Monte dei Paschi, Siena, are by an anonymous artist close to Beccafumi called the “Master of the Chigi-Saracini Heroines.” Girolamo di Benvenuto’s Cleopatra, Tuccia, and Portia are dispersed (homeless, Prague, Chambery), and Brescianino’s Faith, Hope, and Charity are in the Pinacoteca Nazionale in Siena. The present painting first appeared in the Spinelli sale in Florence in 1934, at which time it was sold with two panels of identical size and format. Each was catalogued as being by the “manner of Baldassare Peruzzi” and of unidentified subject. Of these, the painting depicting a male figure turned to the right has recently reappeared in a private Italian collection, while the location of the third work, portraying a cloaked figure turned three-quarters left, remains unknown. Our panel depicts the allegorical figure of Fortune. Here she is represented in typical fashion as a nude female figure balanced on a wheel (sometimes called the Rota Fortunae), her billowing drapery indicating that she is as changeable as the wind. The appearance of the Virgin and Child in the cloud at the upper right is an unusual addition to the iconography. The subjects of the two pendant male...Category
16th Century Old Masters Paintings
MaterialsOil, Panel
- 1700's French Old Master Oil Painting The Penitent Magdalene in the WildernessLocated in Cirencester, GloucestershireThe Penitent Magdalene French School, 18th century oil on canvas, unframed canvas : 33 x 21.5 inches provenance: private collection, France condition: very good and sound condition, ...Category
18th Century Old Masters Nude Paintings
MaterialsOil
Recently Viewed
View AllMore Ways To Browse
17th Century Strong Box
Bacchus Paintings
Pair Italian Cathedral
Carlo Cignani
Small Landscape Art
In The Wild
Painted Panel Century
Young America
Realist Oil Paintings
Old Family
American Traditional
In The Act
Oil Portrait With Frame
In The Mood
Lighted Panels
Oil Painting Red
Expressionist Oil Painting
Open Studio