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Shawn Sullivan
"Splitting Hairs, " Oil Painting

2021

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  • "Afternoon Delight" Oil Painting
    Located in Denver, CO
    Sybiline's (CAN based) "Afternoon Delight" is an original, handmade oil painting that depicts a Sphynx cat eyeing a pink teacup with milk and plate with a w...
    Category

    2010s Surrealist Animal Paintings

    Materials

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  • Looking for the Kitty
    Located in Denver, CO
    Sybiline's "Looking for the Kitty" is an original, handmade oil painting that depicts a surreal still life of a blue eye on a red apple as it floats on a cloud shaped like a white ca...
    Category

    21st Century and Contemporary Still-life Paintings

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  • Glass House
    By Shawn Sullivan
    Located in Denver, CO
    Bird in still life
    Category

    2010s Still-life Paintings

    Materials

    Oil

  • "All Dogs, " Oil Painting
    By Rachel Linnemeier
    Located in Denver, CO
    Rachel Linnemeier's "All Dogs" is an original, handmade oil painting that depicts a purple Tamagotchi toy on a green background. About the Artist: Born in 1...
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    2010s Photorealist Animal Paintings

    Materials

    Oil, Panel

  • Ambulance Chaser
    By Shawn Sullivan
    Located in Denver, CO
    Red bird with small toy car. Painted in trompe-l'œil style and sold unframed.
    Category

    2010s Animal Paintings

    Materials

    Oil

  • Bad to the Bone
    By Shawn Sullivan
    Located in Denver, CO
    Bird perched on bowl of bones
    Category

    2010s Animal Paintings

    Materials

    Oil

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  • Reflections #1, Original Acrylic Animal Painting on Canvas
    Located in Boston, MA
    Reflections #1, Original Animal Still Life Painting, 2013 20" x 10" x 1.5 (HxWxD) Acrylic on Canvas Almost surreal, this animal study by artist Robert Crooker highlights the beauty of the blue heron as it makes it way through a gray seascape. Artist Commentary: A Blue Heron, or maybe 2... Artist Biography: Robert Crooker was born in Massachusetts in 1951. A life long Red Sox fan, he saw the likes of Frank Malzone, Yaz, George Scott, Rico, Jim Lonborg all play in years gone by. He has been married for over 27 years with 4 children, and 2 grandchildren. In the Mid-1970’s, Robert started collecting Vintage Disney...
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  • Ten dog studies and a study of a stole, a panel attributed to Jan Weenix
    By Jan Weenix
    Located in PARIS, FR
    This painting is typical of the art of Jan Weenix, one of the best still life and hunting painters of the Dutch Golden Age. In a cleverly disordered manner, he depicts ten studies of dogs (mainly spaniels and greyhounds) and the sumptuous study of a stole. These studies were probably intended to be used as a source of inspiration and adapted in the painter's compositions, as we will see in a close examination of some of his paintings. 1. Jan Weenix, a prolific still life painter Jan Weenix was born into a family of artists: his father Jan Baptist Weenix (1621 - 1659) was also a landscape and still life painter and his mother Josyntgen d'Hondecoeter was the daughter of the animal painter Gillis d'Hondecoeter (1575 - 1638). His father trained him together with his cousin Melchior d'Hondecoeter (1636 - 1695). In 1664 Jan Weenix became a member of the St. Luke's Guild in Utrecht, to which he belonged until 1668. In 1679 he married Pieternella Backer with whom he had 13 children. His compositions, often related to hunting (still lifes, portraits of hunters) were very successful, ensuring him a certain financial ease. Jan Weenix also painted large-scale decorations: while staying in Düsseldorf with the Prince-Elector of the Palatinate between 1702 and 1712, he executed twelve gigantic compositions combining landscapes, hunting scenes and still life for the Bensberg hunting lodge. 2. Description of the artwork The painting displays a great apparent disorder that hides a rigorous organisation in four quarters. It presents ten studies of hunting dogs and one study of a stole. The studies of the stole and of two of the dogs (the greyhound in the lower right and the spaniel in the upper right quarter) are quite elaborate, whereas those of the other dogs are sketchier. As an example, the dog in the upper right corner is only partially painted. The dogs' coats, of different colours - brown, sandy, grey or black - stand out against the warm brown background and are illuminated by the shine of their white hair. This white colour, probably executed with ceruse white, illuminates the study of a stole which stands out in the lower left-hand corner while the red colour of its lining warms up the composition. The purpose of this stole is enigmatic: we think it is probably a neckband, but it could also be the back of the turban of an oriental character. To the right of this stole is the outline of a long animal leg, perhaps a horse leg. Similar studies are rare in the work of Jan Weenix, but the Rijksmuseum recently acquired the study of a seated monkey. This study, executed in the same brown chromatic range, is much more accomplished. It has been reused with minimal change in many compositions. It is likely that Jan Weenix had less frequently a monkey at his disposal, and that he therefore depicted it in great details, whereas he could probably easily find dogs as models. Note the characteristic white dot in the corner of each pupil that brings them to life! 3. Related artworks We have tried to relate the various dogs in this study to the countless dogs that appear in the paintings of Jan Weenix, as listed in the catalogue 'Father and Son - Weenix' compiled by Anke van Wagenberg- Ter Hoeven in 2018. A first example is the painting entitled "The Prodigal Son on the Steps of a Palace" (catalogue number 7 - 8th photo in the gallery). In the lower left-hand corner of the composition, a spaniel is barking at a peacock perched on a stone. This spaniel, which is depicted in a similar manner in the "Portrait of a Young Man with a Falcon" in the Bremen Kunsthalle (catalogue number 76), is reminiscent of the spaniel in the upper left-hand quarter of our study (although the latter is slenderer and the direction of its head differs). We also find, in a slightly different pose, the seated greyhound that is at the top of our painting in the composition representing "A Swan, a Stag, a Hare and Birds presented by two hunting Valets" (catalogue number 130 - last photo in the gallery). The sketch of this greyhound in our study is unfinished: the painter only painted the grey undercoat and the white parts of the coat, without completing the sandy coat which appears in the final painting. We can see from these various examples that our study was probably more a repertoire of forms than a model for a specific composition. The painter probably used it for inspiration before adapting each dog study...
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    56 x 58 x 2 inches oil on canvas, white wood frame Through expressionistic gestures and a sophisticated handling of paint, David Konigsberg's works take on a life of their own, so that even inanimate objects seem filled with energy and intent. This painting captures a delightful scene of a lazy cat taking a nap in the abundant late afternoon light on a porch. David Konigsberg is a conceptual realist who works across media and painting genres to portray transitional spaces, metaphoric moments and alternative histories. A long-time member of the Gowanus and Red Hook artist communities in Brooklyn, he is now based in Hudson and employs the area's landscapes as the setting and sometimes subject of his work. The artist’s work has been exhibited throughout out the United States and has been featured in The New York Times, Chronogram and Brooklyn Journal and numerous art and culture blogs. David Konigsberg lives and works in Hudson, New York. RESUME Selected Exhibitions: · Nigh Season (2014) · Troposphere (2012) · Largo Arenula (2008) Allen Sheppard Gallery...
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