Wood Animal Paintings

Hunt Slonem "Untitled" Black Outline Bunny On Yellow Black outlined bunny on a yellow background in an antique frame Unframed: 10 x 8 inches Framed: 13.25 x 11.25 inches Painting is...

Hunt Slonem "Blue Cloud" Black Outline Bunnies On Light Blue Black outlined bunnies on a light blue background in an antique frame Unframed: 28 x 21.5 inches Framed: 39 x 32 inches ...

Laser Flip (2020) by east coast street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed long board skateboard depicting a portrait of a skater doing ...

Hunt Slonem "Coral" Black Outline Bunny On Pink Black outlined bunny on a pink background in an antique frame Unframed: 10 x 8 inches Framed: 15 x 13 inches Painting is framed - Ple...

Hunt Slonem "Thalo" Black Outline Bunny with Yellow and Green Black outlined bunny on a yellow background in an antique circular frame Unframed: 10 x 8 inches Framed: 14.5 x 12.5 in...

A wonderful mid-century interpretation of prehistoric, Paleolithic cave paintings; done in reddish earth tones and rich in visual texture by Sausalito, California artist Nan Street F...

Hunt Slonem "Hombre" Multicolored Diamond Dust Ombre Bunny Purple, blue and green bunny on a diamond dust ombre Unframed: 10 x 8 inches Framed: 13.5 x 11.5 inches Painting is framed...

Signed lower right: Johan Arsenius and dated 1858 or 1853, attributed Johan Georg Arsenius (1818 - 1903), was a Swedish military man, painter and draftsman. Up for sale is important ...

The use of traditional printmaking to create my images is a direct reference to the naturalist printmakers of the 18th and 19th century, categorizing and labeling the flora and fauna...

Untitled Diptych, painting by Suzanne Law. Framed Overall size: Image size: 12.6 in. H x 34.2 in W Frame size: 18.1 in. H x 44.8 in W x 1 in D Individual size: Image size: 12.6 in. ...

The use of traditional printmaking to create my images is a direct reference to the naturalist printmakers of the 18th and 19th century, categorizing and labeling the flora and fauna...

A wonderful, vibrant bunny portrait with two bunnies outlined in black on a bright pink background in a beautiful old wooden frame, with gold detail.

Oil on wood

Romanticism movement is well maintained here by Benedikt Franz Hess (1817-1870), Swiss / American, a painter of panoramic landscapes in a detailed transcriptive yet broadly painted s...

Painting was attributed to Jean-Baptiste Marie Huet (1745 - 1811) by Cabinet Turquin (France). A cute scene with children tying a ribbon around the neck of a young lamb. Rococo in th...

Monogrammed lower left: Johan Philip Korn (1728 - 1796), was a Swedish painter. A beautiful landscape, with a backwater in which carefree ducks swim, hunters and their dogs in passion, in the background you can see a city with a bell tower. Old masters have been depicting animals in their paintings since the Renaissance. In those days, hunting scenes were popular - there is always a share of emotional participation in them. Here it is necessary to understand that in previous centuries people looked at hunting as a means of obtaining food, therefore naturalism dominates in the painting of the old masters. Old oil painting on wooden panel, in a non-original frame of the 19th century. Size app.: 49 x 64 cm (roughly 19.3 x 25.2 in) and nice golden gesso frame ca 65.5 x 81.5 cm (roughly 25.8 x 32.1 in). Very Good condition, age wear, cracks on a wooden board, minor losses, retouches, cleared and conserved. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 6.4 kg is going to measure some 10 kg volume weight packed for shipment. Johan Philip Korn first began his career as a decorative painter. He was a student of artist Johan Sevenbom (1721-1784). After further studies he changed to landscape painting in the Rococo style of French artist François Boucher (1703–1770) and often after Dutch copper engravings. In 1759, Korn became master of the Stockholm...

Hunt Slonem bunny oil painting 'Mauve', 2021. Oil and diamond dust on wood, 10 x 8 in. / Frame: 14.5 x 12.5 in. This painting features Slonem's sign...

oil on wood

oil on wood

Oil on wood

oil on wood

"Guerilla Girl Alice Neel" Oil and Alkyd on Wood Painting This painting is unique, signed on verso, and includes a certificate of authenticity. Grace Graupe-Pillard has concentrated...

oil on wood

Hunt Slonem bunny oil painting Hunt Slonem bunny oil painting 'Smooch' 2023. Oil on wood, 10 x 8 in. / Frame: 16 x 14 in. This painting features Slo...

oil on wood

oil on wood

oil on wood

oil on wood

oil on wood

oil on wood

oil on wood

oil on wood

oil on wood

Like almost all of us, I grew up fearing sharks and hoping never to meet one. We still see it everywhere, the image of the blood-thirsty man eater, stalking us in the shadows. The ...

A gorgeous novecento animalier painting, depicting a curious colt and.a white rabbit, by Gaetano Jerace (1860-1940) Gaetano Jerace was born in Polistena in Calabrian into a dynasty of artists: his brothers Francesco (1894-1937) and Vincenzo (1862-1947) also became painters. Gaetano moved to Naples as a young man, where a attended the Academy of Fine Arts, studying with Francesco Lojacono...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold lined box, they conjure images o...

Purple-toned abstract contemporary painting by artist "Barber." The piece depicts three owls by a tree branch against a bright moonlight. This painting would be a great and quirky ad...

Poignant bronze sculpture of nurturing mother elephant and her calf. Rich brown patina with hints of verdigris. By American sculptor Dan Ostermiller. Signed and dated 1992. Casting n...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Hunt Slonem bunny oil painting 'Anthony' 2024. Oil on wood, 10 x 8 in. / Frame: 12 x 10 in. This painting features Slonem's signature bunny outlined in black over a white background. Includes a handpicked, antique wood frame. Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent. Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973. Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art. His work has been exhibited globally, including in Madras, Quito, Venice, Gustavia, San Juan, Guatemala City, Paris, Amsterdam, Madrid, Stockholm, Oslo, Cologne, Tokyo, and Hong Kong. His work has been shown in thirty-one different museums including the Hunter Museum of American Art in Chattanooga, Tennessee, in 1981; the Museo Diocesano d'arte sacra Sant'Apollonia in Venice, Italy, in 1986; the Albany Museum of Art in Albany, Georgia, in 2007; the Istanbul Museum of Modern Art in Istanbul, Turkey, in 2007; Museo de Arte de El Salvador in San Salvador, El Salvador, in 2010; the National Gallery for Foreign Art in Sofia, Bulgaria, in 2010; the Alexandria Museum of Art in Alexandria, Louisiana in 2011, the Polk Museum of Art in Lakeland...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Genevieve Hamel Felix Oil on Wood Block Year: 2022 Size: 6x6x1in Signed by hand COA provided Ref.: 924802-1405 Commissions of your loved pet(s) are we...

Hunt Slonem "Precious Metal" Three Bunnies Three Metallic Stripes Three / 3 / triple black bunnies on metallic copper, silver, and gold vertical stripes Unframed: 22 x 32.5 inches F...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold lined box, they conjure images o...

This painting is typical of the art of Jan Weenix, one of the best still life and hunting painters of the Dutch Golden Age. In a cleverly disordered manner, he depicts ten studies of dogs (mainly spaniels and greyhounds) and the sumptuous study of a stole. These studies were probably intended to be used as a source of inspiration and adapted in the painter's compositions, as we will see in a close examination of some of his paintings. 1. Jan Weenix, a prolific still life painter Jan Weenix was born into a family of artists: his father Jan Baptist Weenix (1621 - 1659) was also a landscape and still life painter and his mother Josyntgen d'Hondecoeter was the daughter of the animal painter Gillis d'Hondecoeter (1575 - 1638). His father trained him together with his cousin Melchior d'Hondecoeter (1636 - 1695). In 1664 Jan Weenix became a member of the St. Luke's Guild in Utrecht, to which he belonged until 1668. In 1679 he married Pieternella Backer with whom he had 13 children. His compositions, often related to hunting (still lifes, portraits of hunters) were very successful, ensuring him a certain financial ease. Jan Weenix also painted large-scale decorations: while staying in Düsseldorf with the Prince-Elector of the Palatinate between 1702 and 1712, he executed twelve gigantic compositions combining landscapes, hunting scenes and still life for the Bensberg hunting lodge. 2. Description of the artwork The painting displays a great apparent disorder that hides a rigorous organisation in four quarters. It presents ten studies of hunting dogs and one study of a stole. The studies of the stole and of two of the dogs (the greyhound in the lower right and the spaniel in the upper right quarter) are quite elaborate, whereas those of the other dogs are sketchier. As an example, the dog in the upper right corner is only partially painted. The dogs' coats, of different colours - brown, sandy, grey or black - stand out against the warm brown background and are illuminated by the shine of their white hair. This white colour, probably executed with ceruse white, illuminates the study of a stole which stands out in the lower left-hand corner while the red colour of its lining warms up the composition. The purpose of this stole is enigmatic: we think it is probably a neckband, but it could also be the back of the turban of an oriental character. To the right of this stole is the outline of a long animal leg, perhaps a horse leg. Similar studies are rare in the work of Jan Weenix, but the Rijksmuseum recently acquired the study of a seated monkey. This study, executed in the same brown chromatic range, is much more accomplished. It has been reused with minimal change in many compositions. It is likely that Jan Weenix had less frequently a monkey at his disposal, and that he therefore depicted it in great details, whereas he could probably easily find dogs as models. Note the characteristic white dot in the corner of each pupil that brings them to life! 3. Related artworks We have tried to relate the various dogs in this study to the countless dogs that appear in the paintings of Jan Weenix, as listed in the catalogue 'Father and Son - Weenix' compiled by Anke van Wagenberg- Ter Hoeven in 2018. A first example is the painting entitled "The Prodigal Son on the Steps of a Palace" (catalogue number 7 - 8th photo in the gallery). In the lower left-hand corner of the composition, a spaniel is barking at a peacock perched on a stone. This spaniel, which is depicted in a similar manner in the "Portrait of a Young Man with a Falcon" in the Bremen Kunsthalle (catalogue number 76), is reminiscent of the spaniel in the upper left-hand quarter of our study (although the latter is slenderer and the direction of its head differs). We also find, in a slightly different pose, the seated greyhound that is at the top of our painting in the composition representing "A Swan, a Stag, a Hare and Birds presented by two hunting Valets" (catalogue number 130 - last photo in the gallery). The sketch of this greyhound in our study is unfinished: the painter only painted the grey undercoat and the white parts of the coat, without completing the sandy coat which appears in the final painting. We can see from these various examples that our study was probably more a repertoire of forms than a model for a specific composition. The painter probably used it for inspiration before adapting each dog study...

Kollabs is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In our work, we create compositions juxtaposing undomesticated animals within domestic and ur...

Original American Modernist tempera painting on masonite by Archie Musick (1902-1978). Signed by the artist in the lower right corner. Depicted is a landscape with penguins marching ...

Hunt Slonem "Field of Castle" White And Yellow Butterflies Black outline yellow white butterflies on white scored background Unframed: 27 x 24 inches Framed: 35.5 x 33 inches *Paint...

Scott likes to think of his work as what it might look like if an overly observant 5 year old kid from New Jersey left hieroglyphics for alien life forms to discover. A mixture of ...

Signed lower right, 'Dusso' for Leon D'Usseau, Jr. (American, 1918-1991) and painted circa 1965. A substantial, Modernist oil showing a mare and foal frolicking in a deep chestnut landscape interspersed with foliage and areas of bright color. Born in Los Angeles, Leon D'Usseau began training under the guidance of his father, who was among the earliest fine-art film directors to work in Hollywood. At the age of twelve, Leon was drawing seriously and, at fifteen, received a working scholarship at Chouinard School of Art where he studied under Merrill Gage and Alexander Archipenko. At this early age, he was also employed by Chouinard to teach a line-drawing class. Adopting the anglicized brush-name of Dusso, he exhibited widely and with success including at the Los Angeles County Museum of Art (1937-40), the California Palace Legion of Honor (1941), the Metropolitan Museum of Art (1942), the Laguna Festival of Arts, Los Angeles Artists Association (1945), the California Watercolor Society (1946) and the Audubon Association (1945). Leon Dusso...

Antique Dog Portrait "A Fine Gourmet!" Louis Godefroy Jadin (1805-1882) Oil on wood panel Signed and dated "1855" 18 x 14 frame size inches Louis God...

Japanese School Crane Oil on paper, laid on Masonite 59 1/2 x 47 inches Signed in Japanese

This is a 1/1 original ROA on wood and metal substrate found and constructed by the artist who then painted on the face. French cleat. Signed

Watercolor, pencil, and pen on wood

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...

Hunt Slonem Rhiana, CX0324, 2021 oil and acrylic with diamond dust on wood 10 x 8 in. 16 x 14 in. framed

"Horses Feeding" is an Equestrian painting by American Impressionist painter Joseph Thurman Pearson, Jr. The 40.5" x 56.25" oil on masonite ...

The mermaid who couldn't climb the iceberg painting by Suzzane Law Image size: 12.6 in. H x 17.1 in W Framse size: 18.1 in. H x 22.4 in W x 1 in D W...