Archival Paper Animal Paintings

56"x96" watercolor on paper, signed on reverse. New York artist, Thomas Broadbent, well know for his contemporary naturalist depictions of the intersection of nature and man, presen...

Known for painting fantastical, anxiety-ridden narrative scenes with a touch of humor, Jenny Toth works from direct observation, sometimes with the aid of elaborate set-ups and props...

This Reed piece is of a horse painted on 6 separate sheets of oil paper. It is painted in the influence of the European artist Stubbs. This painting is oil on paper, and is monochrom...

This Reed piece is of a horse painted on 6 separate sheets of oil paper. It is painted in the influence of the European artist Stubbs. This painting is oil on paper, and is monochrom...

"Blooming Jaguar" by Oliver Flores is a whimsical watercolor and charcoal drawing of a beautiful colorful elephant. This artwork comes in a white floater frame, ready to hang. Frame...

Elephant in the Room II - smoke on paper, framed on a contemporary box frame - all archival materials. Artwork size: 32x32 inches Frame size: 36x3...

78” x 42” ink and watercolor on paper, signed on reverse by the artist, Jesse Lambert. The abstract ground of washes of green, blue, orange and rose tones over white create an active field of color. The imagery of hummingbirds and bird feeders amongst graphic representation of trees, leaves and branches are created with defined black inkwork lines. Pattern and repetition with the vertical tree trunks, are intersected with cross sections of lumber with beautiful wood grain. This large scale painting is featured in "Shelter, Scatter, Feed" a solo show of new works by Jesse Lambert. Front Room Gallery is proud to present a solo exhibition of new works on paper by Jesse Lambert, titled, "Shelter, Scatter, Feed". This is Jesse Lambert’s second solo show at Front Room Gallery. In this exhibition, Lambert continues to explore themes of shelter, safety, and the passing of time. His ink and watercolor paintings on paper depict abandoned scenes in an abstracted rural space. In previous works, Lambert combined the spaces of domesticity and the natural world, with an occasional appearance of the human figure. His new work contemplates the new reality under COVID-19, and continues to evoke the universal need for shelter and protection. In these paintings Lambert imagines the world abandoned by human inhabitants, reclaimed by nature- as if the world has moved on, without us. In this series, 
Lambert’s familiar color washes have taken on a more natural hue. Lambert presents a grouping of medium sized paintings which explore the theme of birdhouses as a metaphor for human needs. The birdhouses are falling apart or incomplete, dysfunctional structures failing to meet their stated function. In his larger paintings, remnants of built structures of unknown use are scattered across a forested setting. Strips or planks of wood are nailed to tree trunks. A broken ladder promises ascent, but falls apart. Fragments of wood and string hint at former use, yet all vestiges of functionality have disappeared. Abandoned bird feeders swing precariously. Within the chaos of darting birds, falling leaves and flowers, and remnants of built space, a pattern almost emerges. These paintings emote a feeling of webbed interconnectedness that reveals the beauty of decayed things, and an allure of the poignancy of impermanence. In a series of smaller black and white drawings...

30"x22" watercolor on paper, signed on reverse. New York artist, Thomas Broadbent, well know for his contemporary naturalist depictions of the intersection of nature and man, presents a humorous depiction of an ibis bird...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Materials : Chalk pastel and pencil on Arches Paper Date : 2018 Dimensions : 42 x 43 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer in Omaha – both of which he still practices at today. It’s apparent that Broghammer’s work has resonated with so many people around the world. Only a few years after his formal education, he began exhibiting his work through various International group shows in Italy, Germany, Holland, Mexico, and even Kansas City. Although Broghammer’s portraits depict downy creatures, his work is very much about the human experience. They are honest and full of life, evoking a sincere exchange between artist and viewer. “Animals” is for the animal lovers, students, teachers, collectors, writers, the young or old, and art historians alike. Dry Painting, Pastel, Drawing, Chalk Pastel, Oil Pastel, Painting, Contemporary Drawing, Contemporary Painting, Animal Drawings, Animal Paintings, colored pencil, pencil, large-scale drawings, portrait, portrait drawing, contemporary art, contemporary artists, Joan Miro, Max Ernst, Leonora Carrington, Vladimir Kush...

A whimsical gouache painting by American female surrealist Martha Visser't Hooft depicting a butterfly in a patriotic color scheme. Martha Visser't Hooft was born in Buffalo in 19...

Saint George - "The Rider and the Dragon" is a dynamic, strong and elegant work of art featuring a Hero on horseback fighting a dragon. The artist paints on gold leaf. This is a uniq...

This is a beautiful whimsical original butterfly painting on watercolor paper, currently floated on a matboard, ready to be frame. Painting does not include frame. One of the Owls fr...

40"x60" watercolor on paper, signed on reverse by the artist, Thomas Broadbent. This painting depicts a lone lamb standing with a natural fiber rope lead loosely coiled around one leg. A blue crystal goblet is set in front of the white, fluffy sheep...

In this conceptual painting, New York artist, Thomas Broadbent presents five portraits of Plovers in 2 rows with a finely detailed rendering of a moon rocket engine...

This painting depicts a blue sky with vultures circling around carrion, magnolia leaves and flowers add a visual juxtaposition to the subjects in this composition. Emily Roz receive...

30"x22' signed on reverse. In this highly detailed contemporary surrealist style watercolor painting by New York artist, Thomas Broadbent a black raven holds a stack of hardbound bo...

This is a mixed media painting on paper done in an illustrative style. It is set in a winter forest. The birch trees are set in an almost pattern like composition. There are several animals in the piece, including deer, foxes, wolves, ferrets, bunnies, and owls. The painting is titled "Protect Our Winters" after a group dedicated to protecting Montana's environment from climate change. Jennifer Lowe has combined the landscapes, animals and the people of her native Montana with a unique approach to painting. Born in Missoula, Jennifer spent parts of her childhood working in the fields of her grandparent's homestead property in Montana's Grasshopper Valley. Lowe's paintings are rendered in the vivid color and rich texture of livestock markers and capture the whimsical images from her imagination and the memories of her Montana upbringing. Jennifer began using the oil paintsticks in 1985 while a student at Montana State University. Since graduating in 1987, Lowe has been shown alongside such well know western artists as Thorn Ross, Howard Post...

Reed's primary focus has been the rich vein of Northern European art from the mid-17th through 18th centuries, a period of enlightenment and profound interest in science, nature, and...

Santiago Fuente Bo pieces are exceptionally high in detail, but as well are playful and thought provoking. He is influenced with the ever-changing idea of what home means. His consta...

This Reed piece is of a mother dog and her pups. It is painted in the influence of the European artist Oudry. This painting is oil on paper, and is monochromatic black. Reed's prima...

This particular piece is sized at 71 x 93 inches. This sizing is composed of nine individually framed pieces to create the whole painting. Reed's primary focus has been the rich vei...

Three black brushstrokes representing ground and rapid dashes of black, drizzled and brushed form the profile of a dog, his leash flying upwards in this work on paper. Off leash parks in Toronto where dogs run free, are places of joy for pets and their owners. The essence of this abandon is depicted with humorous affection by Fernie, a masterful story-teller. Framed size is 50 x 36 inches. Lynne Fernie is a Toronto artist...

ink and watercolor on paper, 26"x 30" This painting is from as series of ink and watercolor paintings that depict ad-hoc structures, similar to tree houses or forts. The ...

Francis Upritchard He He He, 2013 Watercolor on paper 8 1/4 x 11 13/16 inches (21 x 30 cm)