Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Study of a dog

About the Item

Study of a dog Oil on paper laid down on panel, 17.5 x 25.5 cm Provenance Private collection, the Netherlands Note: We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht. In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year. According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him. De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck, but also from Pieter de Hooch. In the 1650’s he was one of the most fashionable painters of Rotterdam. He experimented with various innovations in portraiture in this period, both from a psychological perspective with expressions, but also with the use of space and lighting. He married the daughter of a member of the highest circles of Rotterdam, Pieter Montagne and was granted a rank of major in the schutterij, that he fulfilled until 1697, the year he died. From 1660 onwards he painted less, and this may have been due to his responsibilities as a major, as a merchant, and later as a magistrate in Hillegersberg.
  • Attributed to:
    Ludolf de Jongh (1616 - 1679, Dutch)
  • Dimensions:
    Height: 6.89 in (17.5 cm)Width: 10.04 in (25.5 cm)Depth: 1.19 in (3 cm)
  • Medium:
  • Movement & Style:
  • Period:
    Mid-17th Century
  • Framing:
    Frame Included
    Framing Options Available
  • Condition:
  • Gallery Location:
    Amsterdam, NL
  • Reference Number:
    1stDibs: LU147128028942
More From This SellerView All
  • Animal painting of a 'Tamanuâguacû (Ant-eater)' late 17th/18th century, Brazil
    Located in Amsterdam, NL
    Follower of Zacharias Wagener (1614-1688) Tamanuâguasû (Giant Anteater) On Italian 17th or 18th-century paper, H. 28 x W. 43.5 cm ​The present painting is a copy after Wagener’s painting of the anteater, Tamanduá-bandeira, which is illustrated in his “Thier Buch”, with 109 drawings of Brazilian fish, birds and mammals, published in Amsterdam c. 1641, in German. ​ Zacharias Wagener, or Wagenaer in Dutch, (Dresden 1614 – Amsterdam 1668) was a real adventurer who became Opperhoofd on Deshima and Governor of the Cape of Good Hope in the service of the VOC. During the Thirty-Year War in Germany Wagener tried his luck in Amsterdam where he worked for the map-maker Willem Blaeu. In 1634 he joined the WIC and left for Dutch Brazil where he worked as writer and painter, together with Frans Post...
    Category

    Early 18th Century Old Masters Animal Drawings and Watercolors

    Materials

    Paper, India Ink, Gouache

  • The King's Camelopard
    Located in Amsterdam, NL
    Charles Frederick de Brocktorff (1775–1850) ‘Camelopard – a present from the Pacha of Egypt to the King – at Malta on its way to England’ Signed and dated C.F. de Brocktorff. / 1827. lower right, inscribed as titled in the painted margins lower centre. Pencil and watercolour heightened with gold paint and gum arabic on paper, 36.8 x 27.9 cm A gift so majestic, it made kings blush, and a gift so grand, it would startle Europe into a craze. Pasha Muhammad Ali of Egypt (1805-1848) did it in 1827: he sent to Europe three magical spotted, horned creatures, each with a neck reaching the skies and legs as long as a house is high. One giraffe to King Charles X of France, one to Francis I of Austria and the most fabled one to King George IV of England. A curious sight for Europeans, who had not seen such a beast since the Medici giraffe in 1487. Few animals created more of a stir in Europe than these royal...
    Category

    1820s Naturalistic Animal Drawings and Watercolors

    Materials

    Gold

  • Evening prayers by fishermen under the high coast of Celebes
    Located in Amsterdam, NL
    Jacob Eduard Van Heemskerck Van Beest (1828-1894) “Avondgebed; Maleidische tripang visschers onder de hoge kust van Celebes” (Ev...
    Category

    19th Century Romantic Landscape Paintings

    Materials

    Canvas, Oil

  • A Chinese Company playing Droughts
    Located in Amsterdam, NL
    ERWIN BINDEWALD (1897-1950) Two men playing draughts, a girl with the red book standing behind them Signed and dated E. Bindewald d.j., 27 Oil on canvas, 140.5 x 90.5 cm In black and gilt gesso frame. Note: Bindewald was born in Charlottenburg. He moved to Berlin in 1914 where he studied till 1924 at the Berliner Kunst Akademie. Bindewald travelled in Europe, but mainly stayed in Germany and certainly never was in China. This painting was made in Europe, presumably in the China Town of Berlin. Bindewald received several commisions in Germany from factory owners who wanted their factories painted inside, usually with workers, as well as outside. In the present painting the sitter on the right seems to be a man with a Manchurian background, wearing the brown coat reserved for the highest aristocracy in China. In China the black sleeve-ends completely cover the hands, indicating that the high aristocracy does not have to do any manuel labour. This man clearly is not a factory worker but he possibly is the (co)- owner of the factory in the background and as such might need his hands to do at least some writing. The man on the left in the modern Western suit...
    Category

    1920s Art Deco Portrait Paintings

    Materials

    Canvas, Oil

  • Portrait of a Chinese Man
    Located in Amsterdam, NL
    Lazlo Tatz (Hungary 1888 - Philippines 1951) Portrait of a Chinese man Oil on canvas, H. 50 x W. 44.5 cm Tatz studied in Budapest and Paris, and in 1931 h...
    Category

    Early 20th Century Portrait Paintings

    Materials

    Canvas, Oil

  • Sawah Landscape
    Located in Amsterdam, NL
    A sawah landscape, Sumatra Signed and dated 'Sonnega '54' (lower right), and annotated 'Voor Jan de Bas 1-1-1970 / R de Bas' (on the reverse) oil on canvas, 50,5x60,5 cm Provenance: - Collection Pieter de Bas (1909-1979) Mr de Bas was head of the MULO school and acting head of the HBS school in Medan. Thence by descent to the present owner. Exhibited: - Hotel de Boer, Medan 1954, where acquired by the first owner. The light I observed everywhere was of a special quality, fluorescent blue, shone from nowhere but radiated from every point, oddly with great depth and intensity. The light in an entirely different dimension came from nowhere and went nowhere shimmering with the glow of a bright blue jewel. The most important thing I discovered was of being omnipresent and able to understand everything at the same time, yes I could fathom creation completely. Auke Sonnega, born March 9, 1910 in Leeuwarden, known as the painter, primarily of young Balinese men and women. Originally raised in the reformed denomination, the parents of Auke apparently practised theosophy and their children, including Auke were taught these principles. The talent for drawing revealed itself at an early stage which in 1926 lead to a 4-year study of textile design at the Academy for Art and Craft in Amsterdam. He completed the academy in 1930 and worked in a carpet factory in Twente until 1934 and then followed in his sister Aafje’s footsteps leaving the Netherlands to go to the Dutch East Indies where in 1935 he started working as a graphic designer with an advertising bureau in Batavia. He was able to travel through Java and Bali on the motorbike that he brought with him from Europe, and was paid for his travelogue, enhanced with his own photo’s which appeared in several Dutch newspapers and magazines. In the 1930’s two Europeans, Walter Spies and Rudolf Bonnet...
    Category

    Mid-20th Century Expressionist Landscape Paintings

    Materials

    Canvas, Oil

You May Also Like
  • 19th century French painting - The Horse Race - jockey
    Located in Antwerp, BE
    19th century French oil painting "The horse race" by Louis-Eugène Ginain The painter beautifully captured the moment in which an elegant and majestic brown horse is on the cusp of v...
    Category

    19th Century Old Masters Animal Paintings

    Materials

    Oil, Panel

  • Arctic Tundra (2019), oil painting, ecosystem, animals, pastels, polar fauna
    By Alexis Kandra
    Located in Jersey City, NJ
    Arctic Tundra (2019), oil painting, ecosystem, animals, pastels, polar fauna "Arctic Tundra" by Alexis Kandra. Figurative oil painting with holographic foil on wood panel. Arctic tundra ecosystem, animals of Tundra biome, Arctic Circle, North Pole, South Pole, Alaska, Canada, Russia, Greenland, Iceland, Scandinavia, Antarctica, fauna. Arctic hare, polar bear, caribou, Arctic fox, Arctic tern...
    Category

    2010s Contemporary Animal Paintings

    Materials

    Foil

  • Sichuan Forest (2019), oil painting, ecosystem, animals, panda, monkey, fauna
    By Alexis Kandra
    Located in Jersey City, NJ
    Sichuan Forest (2019), oil painting, ecosystem, animals, panda, monkey, fauna "Sichuan Forest" by Alexis Kandra. Figurative oil painting with pigmented metal foil in metallic green ...
    Category

    2010s Contemporary Animal Paintings

    Materials

    Foil

  • Amazon River (2019), oil painting, ecosystem, animals, pastels, jaguar, fauna
    By Alexis Kandra
    Located in Jersey City, NJ
    Amazon River (2019), oil painting, ecosystem, animals, pastels, jaguar, fauna "Amazon River" by Alexis Kandra. Figurative oil painting with holographic foil on wood panel. Amazonian ecosystem, animals of Amazon River Basin and Rainforest, South America, fauna. Jaguar, tapir, Amazon river dolphin (aka pink dolphin...
    Category

    2010s Contemporary Animal Paintings

    Materials

    Foil

  • A Large 18th Century Hunting painting of Duck Flighting
    Located in London, GB
    Attributed to James Ross Snr. A Large 18th Century Hunting painting of Duck Flighting oil on canvas 36.5 x 45 inches, inc. frame This l...
    Category

    18th Century Old Masters Animal Paintings

    Materials

    Oil

  • 18th Oil Painting Horses Feeding at the Stables
    By James Seymour
    Located in London, GB
    James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...
    Category

    18th Century Old Masters Animal Paintings

    Materials

    Oil

Recently Viewed

View All