Dina Brodsky

Dina Brodsky, Blue Hummingbird, realist oil on mylar animal miniature, 2018

2018

Dina Brodsky's realist oil on mylar animal miniature, "Tiny Yellow," 2018, depicts a petit, black and yellow bird perched on a small branch. The bird's delicately textured black and ...

In her realist animal miniature, "Crane," Dina Brodsky uses oil paint on wax paper to capture the regal carriage of her avian subject. The staid blues and ivories of her palette enha...

Karl Hartman gives primacy to the sparsity of form in his Mid-Western prairie landscapes. Simple and earnest, saturated primary hues and decisive lines ad...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Large Nature Diptych by Alex K. Mason of Heron Rookery, " The Rookery" is watercolor & acrylic on Yupo mylar unframed with greens, grays, blues and ...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

GIFFORD JOHN. Hunting dogs at rest. Oil on canvas. Signed.

Artist: John Frederik Hulk II Title: Grazing Sheep Medium: Oil on Wood Panel Dimensions: Unframed 13.5" x 13.5" Framed 19.5" x 16" Frederik Hulk II paints a rural landscape. His careful brushstrokes create the fluffy, wool coats of the sheep as well as the detailed facial features in the foreground. These farm animals are dusted with bright and light. Behind them, Hulk’s forest provides a dark contrast as trunks and boughs crisscross and entangle. Hulk’s oil painting is both a playful and realist representation of 19th century Dutch landscape...

Untitled Landscape, an original oil on canvas by Gary Kremen, is a piece for the true collector. Kremen's fine attention to detail is evident here, depicting a desert landscape set beneath vast mountains, complete with cactus and wildlife in the middle ground. The sky with its range of light to deep blues fills the top of the painting. This example showcases Kremen's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with the frameless style of hanging. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, desert scenery, realism, and nature. Artist: GARY KREMEN (1949-2001) Title: UNTITLED LANDSCAPE Medium & Surface: ORIGINAL OIL ON CANVAS (framed) Signed: HAND SIGNED BY ARTIST LOWER RIGHT Year Created: CIRCA 1995 Country of Creation: UNITED STATES Image Area Dimensions: 36 x 60 INCHES Canvas Frameless Dimensions:* 42 x 66 x 2.25 INCHES *This work of art is being sold framed. Additional Info: HIGHLY COLLECTIBLE WORK BY GARY KREMEN IN GREAT CONDITION. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Gary Kremen, an American painter, became nationally renowned for his massive landscapes...

“Otter Cove,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of blues, whites, browns, and greens project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion, nature, and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful and playful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for seascapes, waves, animal scenes, otters, and nature. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...