Country Cottage

19th century

19th century oil painting of mare and two foals with landscape by Scottish artist Robert Alexander (1840-1923) signed and dated. Alexander is known for his paintings of animals, pri...

'After the Hunt' is a 19th century painting by Henriette Ronner-Knip (1821-1909) Dutch/Belgian artist known for fine paintings of cats and dogs. This l...

Fine work by celebrated 19th century artist, Colin Hunter (1841-1904) ARA, RI, RSW, RE. 'Highland Bridge' shows one of the old stone bridges in the Scottish countryside with horse an...

Highland Cattle Watering is a landscape/cattle painting, late 19th century/early 20th Century by Scottish artist Douglas Cameron. This is an oil painti...

Known for his Highland landscape paintings, Garland was well regarded among his peers presenting work in the Royal Academy, Royal Society of British Artists, and British Institution. Signed by the artist on the lower left corner, and dated 1876 (verso), this painting dates to Garland's successful mid-career period, flourishing from 1854 when he won a medal for 'Best Drawing from the Life' to 1900. From a private collection, this work is presented in a monumental period gilt frame. Garland's work has been presented in London and UK, sold in galleries and in prominent auction houses. Oil on canvas, this painting has cloudy mountain views, gleaming silver river, and Highland cattle in the foreground and background, with figure and herding dog in the distance. Garland is renowned for this genre of plein art...

Fine 19th century landscape oil on canvas by Alfred de Breanski Sr., this sunset, color and light, are exceptional in this work. Alfred De Brea...

Artist/ School: English School, early 1900's Title: Doves or Pigeons in an ornamental park landscape setting. Medium: oil on canvas, framed Size : 10.5 x 15 inches Framed: 8 x 12...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

Alan King, British Artist (1946- 2003) signed oil on canvas, framed framed: 27 x 37 inches canvas: 20 x 30 inches provenance: UK collection The painting is ...

Alfred Augustus Glendening Snr British, (1840-1921) Swans on the River Oil on canvas, signed & dated (18)96 Image size: 17.75 inches x 30.75 inches Size including frame: 25 inches x 38 inches Provenance: Ravensbourne Galleries, Beckenham, Kent A beautiful river landscape painting of swans...

John Charles Maggs British, (1819-1896) Saracens Head Oil on canvas, signed & labelled ‘Bath’ Image size: 13.5 inches x 25.5 inches Size including frame: 21 inches x 33 inches A wo...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19.5 INCHES X 31.5 INCHES ** Robert Gallon British, (1845-1925) On a Scotch Hillside & On the Cliffs Oil on canvas, pair, both signed with old labels verso Image size: 11.75 inches x 23.75 inches (each) Size including frame: 19.5 inches x 31.5 inches (each) A lovely pair of Scottish landscape paintings featuring sheep and cattle by Robert Gallon. The first depicts Highland sheep on a hillside with a Scottish loch below. The second painting shows Highland cattle grazing on cliffs overlooking the sea. At the time of these paintings, Gallon was living at 32 Alma Square in St John’s Wood and they were most likely painted during one of his excursions to the Highlands. Robert Gallon was a landscape painter born in Deptford, Kent in 1845 to the artist Robert Samuel Ennis Gallon (1807-1867) and his wife Cecilia Ann Russell. He lived with his family at Evelyn Place in Deptford. He was most likely tutored by his father; however, his subject matter was inspired by artists such as Benjamin Williams Leader and George Vicat Cole. Gallon began exhibiting at the Royal Society of British Artists in 1868 and in 1873 made his debut at Royal Academy from an address at 12, Tavistock Row, Covent Garden. He was a regular contributor to both galleries, continuing to exhibit at the RSBA until 1893 and at the RA until 1903. He also exhibited at some of the smaller establishments including the Hampstead Art Society, Mendoza Gallery and St James’s Gallery as well as at provincial galleries. By 1876, he had moved to 28 Alma Square in St John’s Wood. He married Catherine Elizabeth Atkinson on 18 July, 1877 and together they had 3 children...