Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Anthony Baus
Time (Ruins of the Mithraic Mysteries)

2018

More From This SellerView All
  • A Wolf
    Located in New York, NY
    Provenance: The Marchesi Strozzi, Palazzo Strozzi, Florence Sale, Christie’s, London, May 20, 1993, lot 315, as by Carl Borromaus Andreas Ruthart...
    Category

    17th Century Old Masters Animal Paintings

    Materials

    Canvas, Paper, Oil

  • Study of a Pig
    By Sir Edwin Landseer
    Located in New York, NY
    Signed and dated, lower right: EL / Nov 34 Provenance: Barbara and Ernest Kafka, New York.
    Category

    1830s English School Paintings

    Materials

    Canvas, Oil

  • Job Cursed by His Wife
    By Giovanni Battista Langetti
    Located in New York, NY
    Provenance: Alfred (1883-1961) and Hermine Stiassni (1889-1962), Brno, Czech Republic, by 1925; thence London, 1938-1940; thence Los Angeles, 1940-1962; thence by descent to: Susanne Stiassni Martin and Leonard Martin, San Francisco, until 2005; thence by descent to: Private Collection, California Exhibited: Künstlerhaus, Brünn (Brno), 1925, as by Ribera. “Art of Collecting,” Flint Institute of Art, Flint, Michigan, 23 November 2018 – 6 January 2019. Literature: Alte Meister...
    Category

    1670s Old Masters Paintings

    Materials

    Canvas, Oil

  • Ezekiel in the Valley of Dry Bones
    By Philip Burne-Jones
    Located in New York, NY
    Provenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...
    Category

    Late 19th Century Victorian Figurative Paintings

    Materials

    Canvas, Oil

  • An Architectural Capriccio with the Preaching of an Apostle
    By Giovanni Paolo Panini
    Located in New York, NY
    Provenance: Santambrogio Antichità, Milan; sold, 2007 to: Filippo Pernisa, Milan; by whom sold, 2010, to: Private Collection, Melide, Switzerland De Primi Fine Art, Lugano, Switzerland; from whom acquired, 2011 by: Private Collection, Connecticut (2011-present) Literature: Ferdinando Arisi, “Ancora sui dipinti giovanili del Panini,” Strenna Piacentina (Piacenza, 2009): pp. 48, 57, 65, fig. 31, as by Panini Ferdinando Arisi, “Panini o Ghisolfi o Carlieri? A proposito dei dipinti giovanili,” Strenna Piacentina, (Piacenza, 2010), pp. 100, 105, 116, fig. 101, as an early work by Panini, a variant of Panini’s painting in the Museo Cristiano, Esztergom, Hungary. This architectural capriccio is one of the earliest paintings by Giovanni Paolo Panini, the preeminent painter of vedute and capricci in 18th-century Rome. The attribution to Panini has been endorsed by Ferdinando Arisi, and a recent cleaning of the painting revealed the artist’s signature in the lower right. Like many of his fellow painters working in Rome during his day, Panini was not a native of the Eternal City. He first trained as a painter and stage designer in his hometown of Piacenza and moved to Rome at the age of 20 in November 1711 to study figure painting. Panini joined the workshop of Benedetto Luti (1666-1724) and from 1712 was living on the Piazza Farnese. Panini, like many before and after him, was spellbound by Rome and its classical past. He remained in the city for the rest of his career, specializing in depicting Rome’s most important monuments, as well as creating picturesque scenes like this one that evoked the city’s ancient splendor. The 18th century art historian Lione Pascoli, who likely knew Panini personally, records in his 1730 biography of the artist that when Panini came to Rome, he was already “an excellent master and a distinguished painter of perspective, landscape, and architecture.” Panini’s earliest works from this period still show the evidence of his artistic formation in Piacenza, especially the influence of the view painter Giovanni Ghisolfi (1623-1683). However, they were also clearly shaped by his contact in Rome with the architectural capricci of Alberto Carlieri...
    Category

    18th Century Old Masters Figurative Paintings

    Materials

    Canvas, Oil

  • Three Angels
    By Domenico Piola the Elder
    Located in New York, NY
    Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA One of the leading artists in Genoa during the second half of the seventeenth century, Domenico Piola came from a successful family of artists, renowned for their many illusionistic ceiling programs throughout Genoese churches and palaces. A prolific draughtsman and painter, Domenico oversaw an extremely productive studio. In addition to his collaborations with numerous other artists, Domenico also provided many designs for book illustrations and prints that circulated throughout Europe, earning him international exposure and high acclaim in his own day. As Dr. Anna Orlando has indicated (written communication), the present work is an early work by Piola, datable from the late 1640s. At this time the young artist came strongly under the influence of Castiglione and Valerio Castello, while admiring the works of Giulio Cesare Procaccini. Piola’s works from this period are exuberant and fluid, and the artist’s love of portraying children is evident from the angels and putti that populate both his altarpieces and more intimate paintings. The present work depicts three angels...
    Category

    17th Century Baroque Figurative Paintings

    Materials

    Canvas, Oil

You May Also Like
  • The Charge 19th-century Realism Antique Oil Painting on Canvas, Signed
    By Eugene Alexis Girardet
    Located in Jacksonville, FL
    The painting is signed and dated 1894 Description: Eugene Alexis Girardet (1853-1907) was a prominent Swiss painter known for his remarkable attention to detail and his ability to capture vivid and dynamic scenes. Born in Paris, France, Girardet came from a family of artists and received early artistic training from his father, Paul Girardet, and his uncle, Jules Girardet, both respected engravers. He later studied at the prestigious École des Beaux-Arts in Paris, where he honed his skills and developed a deep appreciation for historical and orientalist subjects. He was interred at the Père-Lachaise Cemetery. In addition to several museums in France, his works may be seen at the Dahesh Museum of Art and the National Museum of Fine Arts of Algiers, as well as at museums in Switzerland and New York City. Girardet’s artwork often depicted historical and exotic scenes, particularly focusing on Middle Eastern and North African themes. His meticulous attention to detail and his ability to convey a sense of movement and drama made his works highly sought after. One of his most renowned paintings, “The Charge,” exemplifies his exceptional talent and his ability to create a captivating and immersive experience for viewers. In “The Charge,” Girardet presents an army of Arab camel...
    Category

    19th Century Academic Figurative Paintings

    Materials

    Canvas, Oil

  • Teaching him a New Trick
    Located in Washington, DC
    19th Century Dutch
    Category

    1890s Academic Figurative Paintings

    Materials

    Canvas, Oil

  • Lion
    Located in Paris, FR
    MONTBARD (Active XIX-XXth c.) "The Lion" Oil on canvas Painting: 78 x 62 cm Framed: 93 x 78 cm
    Category

    1880s Academic Animal Paintings

    Materials

    Oil

  • Magnificent early 20th Century Oil Painting of Race horses - At the Gallops
    By Julius von Blaas
    Located in London, GB
    Julius von Blaas (1845-1923) At The Gallops circa 1905 Oil on canvas Signed and dated “Julius von Blass / 1905” (lower left) 110 x 200 cm (140 x 230 cms framed ish) This enormous and grand depiction of horses exercising is an iconic image not only of the edwardien era but also of today’s racing elite. Julius von Blaas was taught by his father Carl von Blaas (1815-1994) and trained in Venice, Florence and Rome. He was also influenced by his celebrated brother Eugen von Blaas...
    Category

    Early 20th Century Academic Animal Paintings

    Materials

    Oil

  • Horse Standing - Contemporary realist oil painting by American Impressionist
    By Ben Fenske
    Located in Sag Harbor, NY
    An oil painting of a brown horse, standing on green grass on a sunny day. Painted en plein air, after days of studying and sketching, Ben Fenske captured the correct proportions and ...
    Category

    21st Century and Contemporary American Impressionist Animal Paintings

    Materials

    Linen, Oil

  • Idol, 2017, cat, surreal, city, figurative, animal, blue, tabby, ring of fire
    By Thomas John Carlson
    Located in Jersey City, NJ
    Oil on linen
    Category

    2010s Contemporary Animal Paintings

    Materials

    Oil, Linen

Recently Viewed

View All