Yangyang Pan

Abstract expressionist oil painting, Yangyang Pan, Abstract Portrait

2018

'Flourish' 2023 by Chinese/Canadian artist Yangyang Pan. Oil on canvas, 36 x 36 in. / Frame: 37 x 37 in. This beautiful abstract-expressionistic, landscape painting incorporates gest...

Available at Madelyn Jordon Fine Art. 'Good Night' 2023 by Chinese/Canadian artist Yangyang Pan. Oil on canvas, 30 x 40 in. / Frame: 31 x 41 in. This beautiful abstract-expressionist...

Available at Madelyn Jordon Fine Art. 'Lilies In Light' by New York City based, French artist Sandrine Kern. 2022. Oil and cold wax on canvas, 36 x 60 in. This abstracted landscape p...

'Blooming Spirit' 2022 by Chinese/Canadian artist Yangyang Pan. Oil on canvas, 60 x 48 in. / Frame: 61 x 49 in. This beautiful abstract-expressionistic, landscape painting incorpora...

'Night Spark #2' 2022 by Chinese/Canadian artist Yangyang Pan. Oil on canvas, 48 x 40 in. (framed) This beautiful abstract-expressionistic, landscape painting incorporates gestural brushstrokes resembling a floral bouquet in bold colors of blue, orange, yellow, green, brown, and white. It is framed in a thin, dark-stained blue wood frame. Yangyang Pan is widely recognized for her gestural abstract paintings primarily focused on the contrasts found in nature. Her expressive visual language takes inspiration from her physical surroundings and personal memories, fusing it with spirit and spontaneity sourced from emotions within. Her palette is chromatically saturated in a higher key, which delights the senses and adds drama to the composition. Pan’s love of flowers and gardens is central to her work; however, they are a means to an end. Pan’s ab-ex style is simply a reflection of her personal journey, beginning in traditional Chinese art...

'Blue Water Lilies' by New York City based, French artist Sandrine Kern. 2021. Oil and cold wax on canvas, 30 x 70 in. This abstracted landscape painting features a pond and water lily scene in deep colors of blue, white, pink, red, and black. Sandrine Kern's Water Lily Series is a joyful, gestural interpretation of a pond with water lilies. A separate and beloved series from previous works, the lyrical brush strokes and dramatic color palettes are more free and figurative. Kern's practice combines oil sticks, oil paint, and cold wax to create a creamy, rich surface with subtle textured layers to portray the large-scale, zoomed-in water scenes. Sandrine Kern was born in Paris, France where she received an MFA from the École Nationale Supérieure des Beaux Arts. Her work has been shown nationally in solo shows at Madelyn Jordon Fine Art, OK Harris - New York, Thomas Paul Fine Art - Los Angeles, Gail Harvey Gallery - Santa Monica. She has also been shown at the San Francisco Art Fair, Dallas Art Fair, Chicago Art Fair, ART MRKT San Francisco, Art Miami, Toronto Art...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russi...

"Into the Sky" by Katheryn Holt is a 56" x 56" mixed media canvas that transports viewers to a realm of serene abstraction. The expansive piece is layered with a gradient of soft whi...

John Grillo Untitled Abstract Expressionist Painting, 2002 Oil on canvas Signed and dated on the back of the frame by the artist. 11 × 9 inches Unframed (though the canvas is stretch...

"ARCHES (Diptych)" by Luis Fuentes invites viewers into a captivating world of coastal beauty and architectural intrigue. This stunning original seascape painting, rendered in oil on...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps Shipbuilding Corporation in Camden, New Jersey. Here, he created non-objective sculpture with metal. After the war, Carton co-founded a fabric design plant in Philadelphia. He produced hand-printed fabrics for interiors and fashion that were featured in Harper’s Bazaar, Vogue and Women’s Wear Daily. Original fabric designs were commissioned by notable clients including Lord & Taylor, Gimbels, and Nina Ricci. Some of these designs are at the Metropolitan Museum of Art. Carton traded his partnership in the fabric design company in 1949 to focus full-time on painting. Carton had his first solo exhibition in 1949 at the Philadelphia Art Alliance. This show was followed closely by solo exhibitions at the Laurel Gallery (New York City) and Dubin Gallery (Philadelphia). At this time, his exhibited work was Abstract impressionism. In addition to painting, he taught classes at the Philadelphia Museum of Art and was the Founder and first President of the Philadelphia chapter of Artist’s Equity Association. The Philadelphia Museum of Art and the organization of the National Museums of France commissioned Carton to travel to Europe, mainly France, in 1950 for a color photography study of continental masterpieces. He was granted access to study the restoration of the Mona Lisa and was one of the very few to be given permission to remove the painting from its frame. During his three year stay in Paris, he had solo exhibits at La Sorbonne and Gallery Rene Breteau and was in 15 group shows in Paris salons including Les Sur Independants, Salon d’Automne, and Realities Nouvelles. He also exhibited at the Musee d’Art Juif where he won the Prix d’Art. The Cercle Paul Valery twice sponsored Carton to present lectures at the Sorbonne. He conducted seminars at the Louvre for the Cercle Esthetique Internationale and taught classes in and directed stage and costume design for the Theatre de Recherche at the Paris Opera. Among his Paris artist colleagues were Chana Orloff, Earl Kerkam, Sam Francis, Claire Falkenstein, Lawrence...