William Seabright

The Dark Side

circa 2010s

KOREAN WRAPPING VASES 2 (INV# NP3741) Betty Woodman paper, pencil, acrylic paint, ink approx: 21.5 x 50” 2008 signed by artist very rare.

Marlon Mullen Untitled acrylic on canvas 24" x 24" 2017 signed

Adding and Subtracting: The Nobu Series Size (h w d): 30 x 48 x 1.5 in Medium: Acrylic, powdered pigment, and charcoal On Canvas Creation Date: c. 2019

Gladys Nilsson A Small Error (INV# NP3714) watercolor on paper Approx: 5 x 5.12" Frame: 10.12 x 10.12" 1987 Annotated on mat verso with title, artist...

Marlon Mullen Desert with Cactus acrylic on paper 20" x 26" 1997 signed Born in 1963, Marlon Mullen is a painter who lives and works in Contra Costa County, California, where he h...

Marlon Mullen Untitled acrylic on paper 23' x 30.5" 1997 signed

Oil on canvas on cardboard Levan Urushadze is a Georgian contemporary artist born in 1960 who lives and works in Tbilisi, Georgia. Someone once wrote ...

Oil on canvas on cardboard Painting by Polish artist Jaroslaw Romaniuk PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this arti...

Mary Titus' "If You Have a Heart" is an engaging 36" x 60" piece where abstract expressionism meets poignant social commentary. Including a sign found at a dog park in Carmel, the ar...

"Apoc Angels Before And After War" is an African abstract portrait painting by the talented Togolese artist Daté kodjo AMOUZOU. Through his art, he has a v...

Across the Land by Karen Birchwood [2019] Original painting Mixed media: Acrylic, cardboard and collage on canvas. Image size: H:76 cm x W:76 cm Complete Size of Unframed Work: H:76...

Gregg Robinson, American (born 1948) "Cipher Bar 19" Oil on Canvasboard Panel. Artist signed, title and dated 1990 far right. Very minor rubbing to paint. Panel measures 15-1/4" H x 63-1/2" W, frame measures 24-1/4" H x 72-1/4" W GREGG ROBINSON The universe of visual art encompasses a huge spectrum of motivation and means of expression. Examples range from the most syrupy sentimentality to extremes of moral and intellectual confrontation. For me, the creative process is, on the simplest level, an aesthetic puzzle. Elements of the puzzle include contrast, color, visual texture, graphic pattern, and in some recent work, a simple cryptic symbolism. I have never been particularly interested in lyric or pictorial content, and though some of my work does contain undeniable spatial illusion, even that tends to be a by-product rather than a goal of the primary pursuit: the balance of light and dark, pure color and organic neutrals, energy and calm, strong pattern and subtle field. Having grown up in an environment of contemporary architecture, I have always valued the classic modern synthesis of form and function exemplified by the Bauhaus movement of the early 20th century. Hence, the simplest solutions are often the most satisfying. Obviously, the modernist ideal of efficiency in form and function requires that method of execution be as well adapted to the aesthetic goal as the visual language itself. The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin. CORPORATE COLLECTIONS: Allstate Insurance NBC Productions Alaska...