Tamar Zinn

Tamar Zinn "Untitled 7" -- Abstract Oil Painting on Paper

2019

Yolanda Sanchez The Faraway Nearby #4, 2021 oil on paper 30 x 22 (san201) Yolanda’s work is not intended as a narrative or rendering of a subject, she references nature, gardens, fl...

Yolanda Sanchez The Faraway Nearby #3, 2021 oil on paper 30 x 22 (san200) Yolanda’s work is not intended as a narrative or rendering of a subject, she references nature, gardens, fl...

Tamar Zinn Where I find myself 32, 2021 oil on paper Paper size: 19 x 28 1/2 in. Image size: 15 x 26 in. (zinn1056) In this latest series of works on paper, we see the fragmented ge...

Tamar Zinn Where I find myself 30, 2021 oil on paper Paper size: 19 x 28 1/2 in. Image size: 15 x 26 in. (zinn1055) In this latest series of works on paper, we see the fragmented ge...

Tamar Zinn Verdant Suite 2, 2021 oil on paper image size: 17 x 17 in. paper size: 22 x 22 in. (zinn1058) This colorful abstract oil painting on paper features layered, painterly swa...

Tamar Zinn Verdant Suite 5, 2021 oil on paper image size: 17 x 17 in. paper size: 22 x 22 in. (zinn1062) This colorful abstract oil painting on paper features layered, painterly swa...

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

Floated on archival white mat with wood frame. Fritz Bultman set himself apart from other Abstract Expressionists with his meticulously organized abstract compositions, use of sculp...

My paintings refer to organic space and unfixed time. To call them landscapes would be misleading since they are poetic inventions of my imagination, and reference the world of natur...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer Sonia Delaunay and Hilma af Klimt...

Hackett’s paintings defy popular convention. They are not figurative, decorative, representative, or even completely abstract. While it is hard to tie them to any one style or movement, they manage to be a part of all of them. Hackett’s work is influenced by pattern, midcentury design, art of indigenous peoples, and the art and craft movement, combined with a loose examination of the natural world. She creates a visual environment that is both recognizable yet strangely mysterious. While steeped in art history and influenced by a range of artists from Miro to Arthur Dove, Charles Burchfield, Agnes Pelton, Florine Stettheimer...