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Stephen Maine
P17-1203, Circular Abstract Painting in Bright Neon Yellow, Light Pink and Blue

2017

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    In this painting in acrylic on canvas mounted on a shaped panel by Elizabeth Gourlay, carefully ordered blocks of color in a luminous, grassy shade of green with two thinner vertical...
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  • A30, Geometric Abstract Painting, Blue, Purple, Violet, Beige on Shaped Panel
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    In this painting in acrylic on canvas mounted on a shaped panel by Elizabeth Gourlay, carefully ordered blocks of color in a deep shade of dark cobalt blue with a thinner block in pu...
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  • AB21, Geometric Abstract Painting, Beige, Orange, Yellow Ochre, Gray, Blue, Sage
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    Clean and precise, carefully ordered stripes and blocks of color in orange, green, pale lemon yellow, gray, blue, purple and brown are lively and vibrant against the soft beige backg...
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  • AB22, Abstract Painting in Beige, Gray, Blue, Light Green, Red Orange
    By Elizabeth Gourlay
    Located in Kent, CT
    In this abstract painting by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in gray, light green, red orange and blue are lively and vibrant agai...
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  • P30, Gray, Blue, Yellow Ochre, Lilac Geometric Abstract Shaped Panel Painting
    By Elizabeth Gourlay
    Located in Kent, CT
    Carefully ordered horizontal blocks of color in yellow ochre, light lilac and light blue frame sections of gray with light lilac in the center in this painting on an asymmetrical shaped panel. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist is the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...
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  • S30, Abstract Painting in Blue, Light Purple, Beige on Shaped Panel
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    In this abstract painting in acrylic on canvas mounted on a shaped panel by Elizabeth Gourlay, carefully ordered blocks of color in a deep shade of dark cobalt blue with thin lines i...
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    2010s Contemporary Abstract Paintings

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    Canvas, Acrylic, Panel

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