Items Similar to Tableau nº3 from the series De l’avant comme avant
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Simon BilodeauTableau nº3 from the series De l’avant comme avant2016
2016
About the Item
The multi-disciplinary work of Simon Bilodeau bears resemblance to the brutalist style in architecture of the 1950’s. Owing to a background in painting, Bilodeau hones his craft on the cold minimalism of the brutalist aesthetic with a refined aesthetic sensibility. Nevertheless there is a monolithic element to the structures he produces, and though monochromatic the viewer is presented with a dense collection of works varying in size, style and content. Their uniformity is undermined by how they each have a distinct personality that is strange yet familiar.
Some works appear as reconstructed artefacts, giving the viewer a haunted non-memory of history’s significance, turning longing into a most powerful emotion. Our relationship to all cultural artefacts of any age is shot through the prism of romanticism, and in the case of Bilodeau’s work their carefully crafted ephemeral presence is a rich juxtaposition to the harsher metallic edges of other works on display. In each work though there is a very deliberate focus on materiality and process. This is not a fetishisation of the production of things though, but a comment on the aftermath of accelerated development and its fallout.
Originally a painter, Simon Bilodeau’s sculptural work is an evolution of his artistic process. The gestural work of his canvases is extrapolated into the grand industrials forms of his 3-D objects. The grid features heavily in his work, allowing for framing within framing, decoding and recoding, facilitating multi-faceted interpretations of his abstracted reality. A primary quality of his work is a fragmented sense of the whole, which activates our desire for figuration, an impulse in the canon of art that stretches back to the Platonic dialogues.
The eloquent silence in the construction of space in his works is perfectly embodied in his exhibition De l’avant comme avant. Without us ever having experienced the process of the artist making these works, there is a sublime experience of the impossibility of every being fully re-integrated into the world of the whole, and yet we experience a feeling of deep connection to each object in its counterparts, and their relations to us. There is an element of memento mori at play here. There is a distinct harmony between the industrial and the classical between his works, the tie between them being that of fluxed memory that is haunted. Like The Elgin Marbles, Simon Bilodeau’s conveys romanticism through a sense of action, process and objecthood. However it is a romantic sense pessimism that permeates much of these works, both in the literal decay of the materials and the direct references to Fukushima, we are confronted with the collapse of neoliberal excess in a manner that is simultaneously beautiful and terrifying.
- Creator:Simon Bilodeau (1981, Canadian)
- Creation Year:2016
- Dimensions:Height: 26 in (66.04 cm)Width: 20 in (50.8 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montreal, CA
- Reference Number:1stDibs: LU4761645583
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1996
1stDibs seller since 2014
95 sales on 1stDibs
More From This SellerView All
- System IBy Christine NobelLocated in Montreal, QuebecChristine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...Category
2010s Abstract Abstract Paintings
MaterialsMixed Media, Oil, Acrylic, Wood Panel
- Dusk AirBy Christine NobelLocated in Montreal, QuebecChristine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...Category
2010s Abstract Abstract Paintings
MaterialsOil, Wood Panel, Mixed Media, Acrylic
- A shout of joyBy Christine NobelLocated in Montreal, QuebecIn Nobel's new works, overlapping shapes, rhythm and movement interact with grid systems to give both order and fluidity. The gridded images offer a sense of expansion towards or int...Category
2010s Abstract Abstract Paintings
MaterialsOil, Acrylic, Wood Panel
- Invisible, VisibleBy Christine NobelLocated in Montreal, QuebecIn Nobel's new works, overlapping shapes, rhythm and movement interact with grid systems to give both order and fluidity. The gridded images offer a sense of expansion towards or int...Category
2010s Abstract Abstract Paintings
MaterialsOil, Acrylic, Wood Panel
- Echoes IBy Christine NobelLocated in Montreal, QuebecChristine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...Category
2010s Abstract Abstract Paintings
MaterialsMixed Media, Oil, Acrylic, Wood Panel
- Echoes IIBy Christine NobelLocated in Montreal, QuebecChristine Nobel’s dabs & systems explores the connections, similarities and differences between the handmade and the digital. Taken from the foundation of the artist’s practice of ex...Category
2010s Abstract Abstract Paintings
MaterialsMixed Media, Oil, Acrylic, Wood Panel
You May Also Like
- "Tumble and Stir" Abstraction in blues, green, burgundy, white, blackBy Susan SharpLocated in Wellesley, MA"Tumble and Stir," Oil and Acrylic on 2 Panels, 37 x 49 Inches (Diptych). Abstraction in shades of blue, white, green, burgundy, and black. This painting consists of 2 panels which...Category
2010s Abstract Abstract Paintings
MaterialsOil, Acrylic, Wood Panel
- "Birds of a Feather" Abstraction tan, white, chartreuse, yellow, turquoise, redBy Susan SharpLocated in Wellesley, MA"Birds of a Feather," Oil and Acrylic on 2 Panels, 48 x 60 Inches (Diptych). Abstraction in white, tan, yellow, cream, orange, burgundy, green and deep blue. This painting consists ...Category
2010s Abstract Abstract Paintings
MaterialsOil, Acrylic, Wood Panel
- "Lit" Abstraction of blues, tan, black, deep red and cream in 2 panelsBy Susan SharpLocated in Wellesley, MA"Lit," Oil and Acrylic on 2 Panels, 48 x 61 Inches (Diptych) Abstraction in shades of blue, tan, red, yellow ochre, green, black and white. This painting is on 2 panels which can ...Category
2010s Abstract Abstract Paintings
MaterialsOil, Acrylic, Wood Panel
- OX 68By Daniel BriceLocated in Phoenix, AZoil and acrylic on linen over panel In his abstract paintings and prints, Daniel Brice explores both the physicality and the intellectual and emotional resonance of color. Based in ...Category
2010s Abstract Geometric Abstract Paintings
MaterialsLinen, Oil, Acrylic, Panel, Wood Panel
- Abstract ForestBy Michel TaboriLocated in Santa Monica, CATabori’s work depicts symmetric transformations of fast moving action, landscapes and intimate portraits, as seen and experienced both directly and through reflections of the subject...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil, Acrylic, Wood Panel, Resin
- "The Occupant" (Abstract, Black & White, Red, Bold, Floral, Text, Type, Roses)By Nicholas EvansLocated in Paris, IDFTHE OCCUPANT 2020 Paris, France A smaller work done in parallel to a complimentary piece ‘WOMBS, TOMBS, TOOLS,’ which portrays hand-painted serif typeset words ‘THE OCCUPANT.’ A ribbon of black along the base of the work hosts a line which reads: “The offices in the desert vending out futures -- if you had gotten a good one you too would want them all to know -- where our bodies have been.” The work is a commentary on the spaces we inhabit, and how they are all temporary. Paint is acrylic with the exception of the red elements, which are formed with oil paint. The painting is executed on two connected, reclaimed wood panels...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsOil, Acrylic, Wood Panel