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Ralph Rosenborg
"The Flower-Bearing Tree, " Abstract Expressionist Still Life Oil Painting

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    By Ludwig Bemelmans, 1898-1962
    Located in New York, NY
    "Coney Island" Brooklyn NYC Amusement Park Mid-century American Scene WPA Modern Ludwig Bemelmans (1898 – 1962), “Coney Island" 35 x 27 inches Oil on board Signed lower left Origin...
    Category

    1940s American Modern Landscape Paintings

    Materials

    Oil, Board

  • "Two Bottles" American Scene Realism Mid 20th Century Female Artist WPA 1940's
    By Helen Clark Oldfield
    Located in New York, NY
    "Two Bottles" American Scene Realism Mid 20th Century Female Artist WPA 1940's Helen Clark Oldfield "Two Bottles," 1943. Signed “Helen Oldfield” lower right. Oil on canvas board, 18 x 14 inches. Provenance: Estate of the Artist. Helen Clark Oldfield was born in Santa Rosa. Her father, James E. Clark, invested in local hops farms. He was a director of the first Santa Rosa Bank. Oldfield lived at 547 Mendocino Avenue, in one of the finest custom-built homes in town. She was the oldest child of the family. They spent summers in their beach cabin at Jenner-by-the-Sea. She was a good student and graduated from DeWitt Montgomery High in Santa Rosa with college standard grades. Unfortunately, this idyllic situation tumbled down suddenly. due to a fraud scandal at the Bank, her father forfeited most of his assets in order to make good on his client's losses. At the time when her high school friends were going east to college, Oldfield followed her family to a new life of farming. She found this life frustrating as there was little time for her interests after conclusion of her daily duties. Here she developed her natural gift for sophisticated needle work. At the time she also took a correspondence course in industrial design and became an expert tailor. Her family was not happy with the farming arrangement. They decided to move to Oakland. In 1921 they purchased a home at 318...
    Category

    1940s American Realist Still-life Paintings

    Materials

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  • Studio Interior Mid 20th Century American Scene Modern WPA Still Life Realism
    By Joseph Solman
    Located in New York, NY
    Studio Interior Scene Mid 20th Century American Modern WPA Still Life Realism The painting measures 10 x 12 inches. Framed, the work is 13 1/4 x 15 1/...
    Category

    1930s American Realist Interior Paintings

    Materials

    Oil, Board

  • "Time Remembered" Mid 20th Century NYC Modern American Scene WPA El Railway 1940
    Located in New York, NY
    "Time Remembered" Mid 20th Century NYC Modern American Scene WPA El Railway 1940 A view of the Third Avenue El (elevated railway) at 28th Street, New York. Signed lower left. Titled verso. c. 1940. oil on board c. 1940, 27.875 h × 21.75 w inches. BIO Staats Cotsworth...
    Category

    1940s American Realist Landscape Paintings

    Materials

    Oil, Board

  • Original Painting Published Fortune Mag Cover 1935 Jewels Jewelry Illustration
    By Antonio Petruccelli
    Located in New York, NY
    Original Painting Published Fortune Mag Cover 1935 Jewels Jewelry Illustration Antonio Petruccelli (1907 – 1994) Fortune cover published, Decembe...
    Category

    1930s American Modern Still-life Paintings

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    Gouache, Board

  • Japan Issue Fortune Magazine Cover Proposal Japanese Mid-Century Illustration
    By Antonio Petruccelli
    Located in New York, NY
    Japan Issue Fortune Magazine Cover Proposal Japanese Mid-Century Illustration Antonio Petruccelli (1907 - 1994) JAPAN ISSUE Fortune cover proposal, c. 1936 14 1/4 x 12 inches (sight) Framed 19 3/4 X 17 3/4 Inches Gouache on board Signed lower left BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
    Category

    1930s American Modern Still-life Paintings

    Materials

    Gouache, Board

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  • "Still Life with Bananas"
    By Vaclav Vytlacil
    Located in Lambertville, NJ
    Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
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  • American Abstract Expressionist Flowers Oil Painting Norman Carton WPA Artist
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    Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps...
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  • Abstract Floral with Art Deco Vase
    By Stephanie Marrott
    Located in Soquel, CA
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