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Pandi
Mother with Children

2010

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  • Rolling Stones - Three Heads
    By Peter Robert Keil
    Located in London, GB
    'Rolling Stones - Three Heads' acrylic on canvas, by Peter Robert Keil (1985). Big, bold with brash brush strokes painted in exuberant colours is the trademark of the artist. Strange...
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    1980s Abstract Paintings

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    Canvas, Acrylic

  • Lunch at Chez Louis
    By Roland Dubuc
    Located in London, GB
    'Lunch at Chez Louis', oil on canvas, by Roland Dubuc (circa 1970s). The outdoor terrace at restaurants and cafés in France goes back centuries as they have always been a gathering place for intellectuals to meet and debate philosophical issues; for the Avant Garde set to display their works; for artists to compare and exchange ideas and for writers to drown their sorrows over their artistic anguish or melancholy. Even the freedom fighters of the French Revolution and later the French Resistance would meet in cafés to plot their course. Regular people of course also enjoy these venues. A very delightful feature of these French institutions is that there is always room for quiet book readers, romantic couples, business meetings and lively groups of friends sharing a bottle of wine. The artist Dubuc captures a slice of this lovely aspect of French culture in this smile-inducing depiction painted in vivid oils. With a background of greenery, the patrons enjoy the outdoors protected from the intense sun by the table's parasols. Ah, the life. The artwork is in good vintage condition, is framed and signed by the artist in the lower left hand corner. Please enjoy the many photos accompanying this listing. Upon request a video may be provided. About the Artist: Roland DuBuc (1924-1998), French artist, the sixth of 13 children and son of a construction worker. The very precariousness of the family's financial situation forced him to go to work at the age of 14. In extreme poverty, he moved to Rouen where he was lodged by the Salvation Army. During that time he struck up friendships with several artists who gave him advice and taught him techniques of drawing. He moved to other cities later where he met painters including, among others, Fred Pailhès...
    Category

    1970s Expressionist Portrait Paintings

    Materials

    Canvas, Oil

  • Women in Deckchairs
    By Camille Hilaire
    Located in London, GB
    'Women in Deckchairs', oil on canvas, by Camille Hilaire (circa 1960s). Folding wooden chairs with woven or cane seats and backs, of the type now...
    Category

    1960s Cubist Abstract Paintings

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    Canvas, Oil

  • Portrait of a Schoolboy
    By Peter Robert Keil
    Located in London, GB
    'Portrait of a School Boy', oil on board, by Peter Robert Keil (1983). Big, bold with brash brush strokes painted in exuberant colours is the trademark of the artist. Strangers, frie...
    Category

    1980s Contemporary Portrait Paintings

    Materials

    Oil, Board

  • Portrait of Woman in Yellow
    By Raymond Debieve
    Located in London, GB
    'Portrait of Woman in Yellow', oil on cardstock paper (circa 1970s), by Raymond Debiève. A cubist portrait of this lovely young woman at her window is ...
    Category

    1970s Modern Portrait Paintings

    Materials

    Paper, Oil

  • Portrait of a Young Woman
    By Peter Robert Keil
    Located in London, GB
    'Portrait of a Young Woman', oil on board, by Peter Robert Keil (1983). A wide-eyed woman gazes out to the viewer with an inquisitive gaze. The artist's use of exuberant colours beli...
    Category

    1980s Modern Portrait Paintings

    Materials

    Oil, Board

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    Bold, graphic spray paint portrait piece by local Houston street artist DUAL titled "Pop Icon No. 1 ". Signed, titled, and dated on the back. This piece was featured at a solo exhibition of DUAL's work titled "Waste Nothing" at the Wedge Space in Houston, TX in 2016. Artist Biography: DUAL stands for the conflict between “street art” and “fine” art, between freeway burners and gallery exhibitions, between mass recognition and total anonymity. His bold lines and fresh colors are a break from the every day monotony of life in the city—a taste of urban subculture, whether you asked for it or not. While one may not have a choice in where and when they encounter a DUAL piece, DUAL leaves it up to the observer to assign a meaning to his work. By operating under a pseudonym, he lets his audience write their own narrative for who he is and the message he is trying to get across. Perhaps best known for his work with wheat paste, particularly since his feature in the 2011 wheat pasting documentary Stick ‘Em Up!, DUAL has never been one to confine himself to a particular medium, background, or context. He has been recognized not only for his work with silkscreen and spray paint, but also for his work with lithography and acrylics. Though his obsession with “making marks” stems from his background in graffiti, he has translated that into a passion for creating art. His “art” includes everything from large-scale murals to micro...
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  • "Noir Abstract" Black and White Abstract Surrealist Painting
    By Scott Woodard
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  • "Untitled, " Abstract Acrylic Portrait on Canvas Panel signed by Reginald K. Gee
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    Located in Milwaukee, WI
    "Untitled" is an original acrylic painting on canvas panel by Reginald K. Gee. The artist signed the piece on the back. This artwork features an abstract portrait of a man in blue, b...
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  • Celia
    By Alea Pinar Du Pre
    Located in New York, NY
    This unique painting was created by using the technique of cake pipe painting; the pipes used for cake decorating. Pinar du Pre would pipe acrylic paint onto the canvas in parallel ...
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  • Mixed Media Oil Painting and Spray Paint Abstract Painting Selbstportrait
    By Kadar Brock
    Located in Surfside, FL
    "Selbstportrait Und Der Sonne" This work is part of a series of alligator paintings Brock made in 2007. All are painted in a somewhat similar and brash style, and are based on an incredibly vivid dream of an albino alligator with sunglasses. There were about ten in the series. Most were traded away to other artists, though one larger one was purchased from a gallery exhibition with the now defunct Buia Gallery in 2008. Kadar Brock (born May 28, 1980) is a casualist artist. He graduated in 2002 with a BFA from Cooper Union School of Art in New York City. He lives and works in Brooklyn, New York. Brock’s work has been reviewed in The New York Times, The Village Voice, Artforum, Bomb Magazine, The Brooklyn Rail, Interview Magazine, White Hot Magazine and Dazed and Confused, W Magazine, Bloomberg News, and Cultured Magazine. Brock first creates relatively conventional large abstract paintings, which one commentator describes as "happy". These are then "negated and disenchanted" by a long process including adding layers, scraping, puncturing, and slicing. The results of this process are what Brock exhibits. He also incorporates fragments of such canvasses into the surfaces of other works. W Magazine wrote that Brock was "... best known for his unorthodox approach to abstract painting, in which he creates frenetic, gestural images and then renders them unrecognizable with the help of a razor blade and a power sander." Marina Cashdan wrote: "His studio is an ecosystem—and an efficient one—in which the artist’s methodical and ritualistic process makes for a consistent upcycling of materials across the space: when he spray-paints, he uses a canvas as the drop cloth; that canvas becomes the start of a painting; and that painting has two fates: one sliding door is going under the razor and the industrial sander, before being coated with layers of pigments and primed, sanded, and primed, a process repeated until the desired effect is reached; the other fate is to be martyred into chips or dust." Stephan Cox, in Hunted Projects: In Dialogue wrote: "What’s fascinating is that Brock’s works are the product of an artist who aims to demystify the gesture in painting through creating rituals that in effect eradicate the didactic artist-viewer scenario. Brock doesn’t aim to create works that are easily read as being a by-product of an artist’s expression; Brock has created a set of rituals, a rolling of dice, where he, in effect has his actions directed for him. This could be through the number of brush strokes to apply or the number of cuts to make, in all, his intuitive approach to painting is not present or discernible to the viewer." In Kadar Brock’s large-scale abstract paintings, a discordant combination of techniques, styles, and colors comes together in clashing tension. By turns described as a post-graffiti and “casualist” artist, Brock riffs on the history of abstraction, employing old tropes and marshalling simple patterns and crude geometric forms into his works, while also inviting an element of chance to determine his markings. He has explored the loose, gestural, and expressive idea of abstraction in the works of German painters like Albert Oehlen and Gerhard Richter, and He has been known to roll a Dungeons & Dragons dice to dictate marks in his paintings according to the die’s symbols and numbers. In repetitive compositions, Brock allows accidents in their production (such as heavy downward paint drips) to differentiate. In 2013, Brock had his breakout solo show in New York, at The Hole, entitled “dredge.” The entire main gallery space was filled with new paintings. The show very quickly sold out. He has exhibited at galleries internationally, with solo shows at Vigo Gallery...
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  • Gordon Hunt, Just Swim V, Original Impressionist Painting, Affordable Artwork
    By Gordon Hunt
    Located in Deddington, GB
    Gordon Hunt Just Swim V Original Seaside Painting Oil Paint on Canvas Canvas Size: 30 cm x 30 cm x 4 cm Sold Unframed Please note that in situ images are purely an indication of how ...
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