Mirang Wonne

Ocean Light 3672-7

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

Heidi Barrett grew up in the Napa Valley with an artist mother -(Diane Peterson)- and a scientific winemaker father -(Dr. Richard Peterson). While she has worked as a professional winemaker for more than three decades, she has also had a passion for art since childhood. For more than 30 years, Heidi has studied art in various forms with Theo Fabian Becker, Robert Burridge...

ÆRENA Galleries & Gardens is delighted to unveil the newest paintings by California landscape painter, Doug Smith. Known for his unique depictions of agrarian landscapes, Smith has long been fascinated by the vast mosaics of the archetypal American West. The inspired, stunning paintings blend aerial landscapes, Smith’s experience in graphic design, and a traditional detailed vignette showing a peek into pastoral American life. With vivid planes of color and an attention to refined geometric composition, Smith’s paintings are an intimate mix between abstract expressionism and a small dash of realistic landscape painting, inspired by long flights over the country and even longer drives through it. The inclusion of weathered barns...

Oil on Canvas "The most important thing any art can offer is a bridge to a deeper experience of oneself. The experience of art occurs outside of time —both its making and its effect— despite the necessary parenthesis of its historic moment. This is the framework from which my efforts proceed.” New York City-born painter Adam Shaw’s vivid, intricate paintings which are woven with literary allusions and scientific formulae, provide an impressively accurate snapshot of the artist’s rich and diverse life experience. Shaw’s large paintings bring to life intensely-colored abstract shapes by layering his paintings with words...

Life in paint!

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

VIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

MORNING captures the soft patterned shadow of leaves peering through a window. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hart...