Mirang Wonne

Alchemy 4040-1

2019

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

"The paintings in the “Lost in Shanghai” series were inspired by a springtime visit to Shanghai. On one of my outings while visiting the museum district I stumbled upon a tiny garde...

Heidi Barrett grew up in the Napa Valley with an artist mother -(Diane Peterson)- and a scientific winemaker father -(Dr. Richard Peterson). While she has worked as a professional winemaker for more than three decades, she has also had a passion for art since childhood. For more than 30 years, Heidi has studied art in various forms with Theo Fabian Becker, Robert Burridge...

Inspired by cartography from an early age, Chase Langford’s abstract paintings transform the familiarity of cities and maps into fluid visions, evoking the feeling of the location with carefully selected color and precise shapes. In the 1980’s, after studying cartography at UC Santa Barbara and drawing maps for the UCLA faculty, Langford began exploring ways to combine his mastery of map-making with his love of fine art. In his original map paintings, Langford reinterprets geography by taking selected features from maps and filling in the reconfigured shapes with flurries of color, exploring varied locations such as Essex, England and the Galapagos Islands. In his “Morphic” series, Langford once again finds inspiration in specific geographic regions, abstracting them until they are nearly unrecognizable with colors interweaving and flowing around each other. Almost seeming to mimic the fluid strata of the Earth, Langford adds and scrapes away layers of oil paint, building up intricate textures while simultaneously revealing the colors below. Langford’s highly-collected “Chroma” series began as a happy mistake. One day, displeased with the brushwork of a painting, he decided to obscure the image by painting small rows of vertical brushstrokes; in doing so, he took note of the beauty of organic uniformity. After years of refining his technique, Langford created the trance-like paintings that he likes to think of as rows of city blocks on a map. Langford has completed many site-specific commissions, including for Monique Lhuillier, Inc.; the Michael & Susan Dell Foundation; and Caesar’s Palace...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

VIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

This piece by Heather Hartman was created for her show titled "Kudzu Season," at Channel to Channel Gallery. In this piece, layers of paper, painted tyvek and silkscreen create a dreamy lavender and pale yellow atmosphere that recedes into space. Several fibrous kudzu vines...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...