Max Gunther

One Block North - Three Blocks East

1960

Mario Grimaldi (American 1927-1997) "Untitled" ca. 1980's Oil on Canvas Signed Verso 36.3" x 48.3" inches framed 36" x 48" inches unframed Mario Grimaldi born in NYC in 1927, ea...

Acrylic on canvas Signed "Sander 1969" (Typewritten paper label states: LSE #75 Atatapa 1. 1965) Ludwig Sander was a painter of the New York School. He studied under Hans Hoffman and lived and worked in New York City and Sagaponack, Long Island. His work is well represented in many public collections. He was charter member of the Eighth Street Club (The Club) whose artist members included Willem and Elaine de Kooning, Jimmy Rosati, Giorgio Spaventi, Milton Resnick, Pat Passlof...

Walter Darby Bannard (American 1934-2016) "China Psalm" 1975 Acrylic on Canvas Signed & Dated Verso 70" x 43" inches framed 69" x 42" inches unframed A leading figure in the devel...

Oil on unprimed linen canvas. Angel Santiago Plata is an artist working in Madrid, Spain.

Oil on unprimed linen canvas. Angel Santiago Plata is an artist working in Madrid, Spain.

Anthony Thomas Triano (American 1928-1997) Abstract 1966 Oil on Board Signed & Lower Right 30" x 15" inches unframed Submitted by Leni Robbi...

Oil on canvas. Signed, titled, and dated on verso. 36.25 x 42 in. 37.25 x 43.25 in. (framed) Custom framed in maple. Provenance Marcia Wood Gallery, Atlanta Yoshishige Furukawa...

Victor Wang's highly textured paintings involve thick layers of paint over collaged images from the Tang Dynasty. In "Let Her Go", the foreground shows a modern female figure sitting upon the side of a boat which gives the impression she is wearing wings and about to take flight. Upon closer look, there are various scenes taking place around her in the water - warriors with knives drawn, a jeep in pursuit of some unseen enemy, a cauldron boiling over. Influence by the Renaissance Masters, Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Let Her Go oil on canvas 48h x 60w in 121.92h x 152.40w cm VWG011 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening...

Sharp edged and sassy from Sax Berlin. A bang on trend, urban street painting with an undercurrent of the darkness of the city. Oil and acrylic on canvas

Flore People Eater 60 x 60 inches Acrylic on canvas Unique work Signed by artist Unframed Part of the current exhibition, Urban Cubism, at Art Angels Gallery street art pop art Keith Hering...

Fighting on horseback -Modern - Alfonso Pragliola Italia 2014 - Oil on canvas cm.60x40. Laquered wooden frame.

Titled "Flowers Save Us," this abstract oil painting on linen canvas is a creation of Christine Morin. The canvas is stretched on a wooden frame but not framed. French artist, Chris...