Ky Anderson

Untitled

2017

Artist : Kory Twaddle Title : Doorway Materials : Acrylic and sand medium on photographic advertisement board (cardboard) Date : 2018 Dimensions : 8 x 10 x...

Artist : Kory Twaddle Title : Second Floor Systems Materials : Acrylic, tempera, gouache, glitter, paint brushes, and mixed media on drawing pad cardboard back with spiral top Date ...

Artist : Kory Twaddle Title : Portland Apartment Biogram Materials : Pastel, oil pastel, marker, charcoal, conté crayon, colored pencil, gaphite china marker, and mixed media on pap...

Artist : Kory Twaddle Title : Organ Buildings Materials : Oil, acrylic, charcoal, conté crayon, marker, string, hair, postage stamps, buttoms, and mixed media on paper mounted on pa...

Artist : Kory Twaddle Title : Japan Cell Mitosis Library Materials : Acrylic, stickers, paper clips, rubber bands, salt, ribbon, string, paper book shelf label, and mixed media on f...

Artist : Kory Twaddle Title : On the Way to Class Materials : Charcoal, conté crayon, pastel, oil pastel, graphite, marker, bees wax, birch bark, and mixed media on paper Date : 201...

Cameron Kester, a foul-mouthed absurdist, pokes fun at the urge to bestow significance on the meaningless. She endows the mundane, inanimate, and every day with their own over-the-to...

One of the "Women of Abstract Expressionism" Amaranth Ehrenhalt was long interested in patter and the idea of decoration in her work. Indeed, in the mid-60s, before Miriam Schapiro or Judy Chicago or the idea of "femmage," she embarked on a series of works that explored these ideas. This is one of them. She wanted to incorporate typically female images and ideas into her art. To quote one reviewer of Miriam Schapiro's work: "These things had been tossed aside, and she gave them appreciation." Amaranth Ehrenhalt was a multifaceted artist best known for her paintings. She was part of the second generation of Abstract Expressionists, working first in New York in the early 1950s, and then in Paris for much of the rest of her career. Never afraid to experiment, Ehrenhalt's work may best be described as bold, even aggressive, in execution, composition and even color. She worked across media, including oils, works on paper, prints and etchings, tapestry, design and sculpture. Amaranth Ehrenhalt died on March 16, 2021 in Manhattan. She was 93. The cause was Covid-19. Ehrenhalt moved to Paris early in her career and settled there as an expatriate artist for the next forty-odd years. Le Select Cafe was the place where artists and cognoscenti met. There Ehrenhalt met Beauford Delaney...

Juliette Gordon (American, b. 1934) Untitled (Modern Woman), circa 1973 Collage on board 30 x 20 inches Provenance: Allan Stone Gallery, New York (ASG-JuG8) Sold with certificate of authenticity signed by the artist. Juliette Gordon is a witty, perceptive, and highly intelligent artist. Her most iconic works are wickedly funny and sometimes highly political photocollages that were inspired by her involvement in the women’s movement of the early 1970s. At the time, she was exhibiting with the likes of Nancy Spero and May Stevens...

Juliette Gordon (American, b. 1934) Untitled (Love Potion), circa 1973 Collage on board 30 x 20 inches Provenance: Allan Stone Gallery, New York Sold wi...

Miriam Schapiro Cabinet, 1999 Fabric, Rickrack, photography, magazine images, greeting cards, lithography, collage, text Hand Signed and dated by the artist on the lower right front Frame included: Hand made dark wood frame with UV plexiglass included Measurements: Frame: 34 x 27.5 x 1.5 inches Artwork: 30 x 23.5 inches Unique work. Miriam Schapiro, burst onto the international art scene as the only woman featured, along with her male colleagues Frank Stella, Morris Louis, Kenneth Noland, Barnet Newman, Ray Parker and others in the groundbreaking 1964 Jewish Museum exhibition "Towards a New Abstraction" curated by Alan Solomon. Schapiro is the founder of the Pattern & Decoration Movement, and is being re-discovered by a new generation of collectors. Her 2018 retrospective at the Museum of Art and design, followed by other international museum and gallery exhibitions received major critical acclaim. Today her works continue to smash records at auction and retail sales are robust. She is represented by the prestigious Eric Firestone Gallery in New York. The present work - Cabinet - is a quintessential example of the style of "Femmage" that Schapiro, along with artist Melissa Meyer, pioneered. Femmage, or feminist...

SALE ONE WEEK ONLY “Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...