Martina Nehrling

Martina Nehrling "Then Again" - Colorful Abstract Oil Painting on Paper

2019

Ky Anderson Feelers, 2019 pigment and acrylic on paper 72 x 84 in. (and272ap) This original painting on paper by Ky Anderson features bold shapes and curving lines in saturated shad...

acrylic and rice paper on panel This original mixed-media abstract painting by Laura Fayer features various shades of lavender, ecru, and white. Fayer's mixed media paintings evoke...

acrylic and rice paper on panel This original mixed-media abstract painting by Laura Fayer features various shades of deep turquoise, gray, and white. Fayer's mixed media paintings...

Ky Anderson Bird Conservation, 2018 acrylic and ink on watercolor paper 60 x 72 in. (and336) Ky Anderson’s geometric, abstract paintings are in fact referential of quotidian subject...

Ky Anderson Star School 20.4, 2020 acrylic and ink on watercolor paper 25 x 22 in. (and322) Ky Anderson’s geometric, abstract paintings are in fact referential of quotidian subjects...

Martina Nehrling Daydreams, 2021 acrylic on Montval paper 20 x 26 in. (neh225) This small painting on paper features thick, dimensional brushstrokes of acrylic paint on Montval paper in bright, multi-colored shades. Available at Kathryn Markel Fine Arts...

SALE ONE WEEK ONLY “Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...

Nicky Marais, Black Tower, 2023, Acrylic paint and ink on fine art paper Nicky Marais is a Namibian artist, educator and activist. Having recently relocated from the capital city of...

Nicky Marais, Tower with Blue, 2023, Acrylic paint and ink on fine art paper Nicky Marais is a Namibian artist, educator and activist. Having recently relocated from the capital cit...

Nicky Marais, Radio Tower, 2023, Acrylic paint and ink on fine art paper Nicky Marais is a Namibian artist, educator and activist. Having recently relocated from the capital city of...

Series “From the life of shells” 42x30cm

Line people, 42x30cm