Kim Jae Il

"Flat Structure (Dark Space)" Sculptural Tridimensional Painting with Intaglio

2013

Kim Jae Il's process of expression is hiding and burrowing to make the image and appearance visible. His forms differ with every work displaying themselves by perspective and sculptu...

Kim Jae Il's process of expression is hiding and burrowing to make the image and appearance visible. His forms differ with every work displaying themselves by perspective and sculptu...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

A dramatic circular mixed media on canvas painting with wonderful details and pops of cobalt blue and lime green. We are enamored by the stark contrast, as the shape of the paint tak...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

BILLY, 1975, epoxy painting on riveted fiberglass and aluminum, titled signed and dated verso . Gallery label from Obelisk Gallery, Boston, MA Tom Holland (born 1936 in Seattle, Was...

Provenance: Galerie Jamileh Weber, Zurich; Swiss property. Exhibition: Valencia, IVAM ­ Institut Valencià d'Art Modern. 'Frank Stella, From Strictness to Baroque', 12th July - 14th October 2012. Literature: Exhibition catalogue: 'Frank Stella, From Strictness to Baroque', Valencia, IVAM ­ Institut Valencià d'Art Modern, 2012, pages 62-63, full page color illustration; Süddeutsche Zeitung, Magazin. No. 6, 9.2.1996. Vorsicht, frisch gestrichen, Ein Besuch im Atelier Frank Stella, page 31...

“My intense passion and extreme love of life is the foundation of my creativity. Elation, contentment and ultimate satisfaction are the feelings I experience when reaching the com...

“My intense passion and extreme love of life is the foundation of my creativity. Elation, contentment and ultimate satisfaction are the feelings I experience when reaching the com...

My intense passion and extreme love of life is the foundation of my creativity. Elation, contentment and ultimate satisfaction are the feelings I experience when reaching the comp...

“My intense passion and extreme love of life is the foundation of my creativity. Elation, contentment and ultimate satisfaction are the feelings I experience when reaching the com...