Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Judith Berry
The Lives We’re Making

2018

About the Item

To trip and retrip on a piece of land, a surface, a support that sets up not a bounce but a billow, a soft surge, a reverberation where the ground is friendly, known, familiar and then questionable, transformed, odd, and unreliable. To ponder figures, postulate objects, track, retract, probe, suggest the preposterous, erase, and efface. Then question, hold the brush, gesture, gesticulate, affirm, retract, and reaffirm the action of painting. This show is an interrogation of my materials, methods, subjects and solutions. I pose and propose, set an object on a wave. Its ludicrous earthly references mock me. I let them sit there and proceed, drawn to yet avoiding the abyss of abstraction.
  • Creator:
    Judith Berry (1961, Canadian)
  • Creation Year:
    2018
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 66 in (167.64 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Montreal, CA
  • Reference Number:
    1stDibs: LU4763154031
More From This SellerView All
  • Conversation
    By Judith Berry
    Located in Montreal, Quebec
    To trip and retrip on a piece of land, a surface, a support that sets up not a bounce but a billow, a soft surge, a reverberation where the ground is friendly, known, familiar and th...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Wood, Oil

  • Supervision
    By Judith Berry
    Located in Montreal, Quebec
    To trip and retrip on a piece of land, a surface, a support that sets up not a bounce but a billow, a soft surge, a reverberation where the ground is friendly, known, familiar and th...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Wood, Oil

  • Flying Logs
    By Judith Berry
    Located in Montreal, Quebec
    The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...
    Category

    2010s Abstract Figurative Paintings

    Materials

    Oil, Wood Panel

  • The Other
    By Judith Berry
    Located in Montreal, Quebec
    The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...
    Category

    2010s Abstract Figurative Paintings

    Materials

    Canvas, Oil

  • Ghost
    By Judith Berry
    Located in Montreal, Quebec
    The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...
    Category

    2010s Abstract Figurative Paintings

    Materials

    Canvas, Oil

  • Large Ragged Gloves (Triptych)
    By Judith Berry
    Located in Montreal, Quebec
    The themes visited in this show stem from a desire to extend the vocabulary of my painting while forming a metaphor for the chaos of contemporary life. The title, Escalade, has differing and complimentary functions in English and French. Continuing to paint, over a lengthening career, the medium poses more questions than answers. The title is a reference to my attempt to overcome these difficulties through the expansion of my painting language. The title also refers to the escalation of crises in the world at large. It is the larger picture in which I am a small person trying to make my way. In a concrete sense, the title also refers to a strategy I have taken in a number of these paintings. That is, to re-examine very small paintings...
    Category

    2010s Abstract Figurative Paintings

    Materials

    Canvas, Oil

You May Also Like
  • "Harmony" Diptych
    By Richard W. Dempsey
    Located in Washington, DC
    A pair of abstract modern paintings by Richard W. Dempsey (1909 - 1987). Paintings are oil on masonite and signed "Dempsey" front bottom corner. On the back of each painting on tape is written "Harmony". Richard Dempsey was born in Ogden, Utah, on September 14, 1909. His youth was spent in Oakland, CA, where he attended Sacramento Junior College (1929-31) as an art major. He then studied at The California School of Arts and Crafts (1932-34) and the Students Art Center (1935-40), where he was taught by the sculptor Sargent Johnson. In 1941, he moved to Washington, DC and studied at Howard University...
    Category

    1950s Abstract Abstract Paintings

    Materials

    Masonite, Oil

  • Egg Shells
    By Mark Wilson
    Located in Brooklyn, NY
    Created during my first residency at Found Wonder Studios in Brooklyn, New York. Represents the easter spirit within the composition. Egg Shells is a lighter...
    Category

    21st Century and Contemporary Abstract Expressionist Abstract Paintings

    Materials

    Wood, Oil Pastel, Oil, Acrylic

  • "Wombs, Tombs, Tools" (Abstract Painting, Bold, Graphic, Type, Text, Found Wood)
    By Nicholas Evans
    Located in Paris, IDF
    WOMBS, TOMBS AND TOOLS 2020 Paris, France Hand-painted, serif typeset words loosely convey the similarities between the place we begin and end life -- the womb and the tomb --- and ...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Wood, Oil, Acrylic

  • "Short Spurts" (Abstract, Vivid Pink, Feminine, Women, Painting, Antique Wood)
    By Nicholas Evans
    Located in Paris, IDF
    SHORT SPURTS 2021 Paris, France This piece is a visual interpretation of a poem the artist wrote around frenzied, short-sighted behaviors: “That part usually stays hidden. Those colors are not known for blending. Us? We come from a rib. And we tangle ourselves in the traps we set for our prey.” - Nicholas Evans The painting is composed of plaster, oil and acrylic, with the main detail shape, in white, positioned over wood glue, leaving a slightly raised effect. Embracing the unique imperfections of reclaimed objects aged over time, Evans uses antique found...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Plaster, Wood, Oil, Acrylic, Glue

  • "Some Spain" (Abstract, Neutral, Graphic, Bold, Black & White painting on Wood)
    By Nicholas Evans
    Located in Paris, IDF
    SOME SPAIN 2021 Paris, France Graphically bold, yet cerebral, this textured, abstract piece offers a rich color palette. Painted using oil, acrylic and plaster, and executed on an ...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Wood, Found Objects, Oil, Acrylic

  • "A Lush Spring" (Abstract Statuesque Lion, Rich Color Palette, Painting on Wood)
    By Nicholas Evans
    Located in Paris, IDF
    A LUSH SPRING 2021 Paris, France "A Lush Spring" (Abstract Statuesque Lion, Rich Color Palette, Painting on Wood) Playful optimism. “A Lush Spring” is created using a rich color pa...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Oil, Acrylic, Wood

Recently Viewed

View All