Joy Taylor

Red & Cerulean Rose (Abstracted Still Life Painting on Paper of a Red Flower)

2021

"Red Square", by Anne Francey, painted in 1990 48 x 48 inches, unframed acrylic on paper pasted on canvas The prevalence of both nature and geometry in Islamic art both inspired an...

"Oopsie" by Joy Taylor in 2022 42 71 x 1 inches, currently unframed while the sides reveal the raw canvas so framing is optional Acrylic on Canvas, diptych (2 separate canvases that...

Diptych of abstracted floral paintings in an earthy blue and brown palette "Hollyhock & Zin" (Pair of Contemporary Miniature Botanical Paintings on Wood Panel) Monotype on Paper and Oil, Mounted on Panel "Hollyhock" measures 10 x 8 x 2 inches "Zin" measures 10 x 7.8 x 2 inches Roughly 10 x 18 inches overall as a diptych Signed, verso Panels could also stand upright on a shelf or mantelpiece. Wired on reverse for simple hanging, sides of panel are cleanly painted white, framing not necessary. About the work: Contemporary landscape painter David Konigsberg is well known for his conceptual landscapes that come alive in the space where earth and sky meet. Dramatic backdrops of tumultuous clouds above gestural painted fields, informed by years of living in the upper Hudson Valley, provide a stage for factual and whimsical subject matter like flying space pods...

Iris (Contemporary Abstract Geometric Painting, Diptych in Oil) by Ricardo Mulero 24 x 24.5 x 1.75 inches Oil on Two Panels No frame necessary Signed on bottom left corner Contemporary Hard Edge Abstract Geometric Origami painting...

Square abstract expressionist oil painting on canvas in stone blue, green, dusty pink, and brown, with hints of orange throughout 'Meet June' painted by Hudson Valley artist, Jenny Nelson, in 2023 Oil on canvas 30 x 30 x 1 inches, with white painted sides Excellent condition, ready to hang Signed, verso This square abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2023. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of green, stone blue, and brown. The contrasting patches of dusty pink, teal, and brighter greens pop against the subtle pale gray background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting. To say that Jenny Nelson’s paintings are a celebration of process as much as their final, balanced composition would be an understatement. Each one of Nelson’s compositions is a unique roadmap into how her brain operates. Curious, experimental, persistent, dedicated; hers is a confidence built over years of sustained diligence in the studio. Based in Woodstock, NY, Nelson has developed a unique language of artistic expression. Paintings in this series present improvisational, gestural strokes balanced with structure and open space. “By layering, adding and subtracting, a history develops on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected have an emotional charge. What started as a wild party ends up as a contemplative, carefully edited composition, involving precise modifications, while hopefully leaving some life force intact”, says the artist of this process. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY...

Naive style still life painting of colorful fruit and a brown vase on a grey background Oil on canvas 9 x 12 inches unframed Signed lower left This modern, abstracted naive style s...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork comes framed and fl...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

This is an original painting on archival paper. It is signed lower right margin, and signed, titled, and dated on the back. It pairs well with "Nest Tower II" listed separately on 1...

"Futurist Monolith" is an acrylic painting from Ryan Rivadeneyra's series of imagined modernist sculptures. In this series, Rivadeneyra explores the possibilities of colorful sculptu...

Artist Commentary: Robert Schoenfeld is a master Color-Field Artist from Seattle and a graduate of the Kansas City Art Institute. Robert’s large Color-Field paintings can be viewed ...