Jin Junjie

Large Chinese Contemporary Abstract Colorful Carved Oil Painting Jin Junjie

2018

Adam Ross walks the line between abstraction and realism in his complex, layered paintings. His landscapes are apocalyptic explosions of color, bold and inventive compositions that s...

JIn Junjie (born 1989, Hunan, China) Hailed as one of the most promising young abstract artists of his generation. Contemporary Chinese painter Jin Junjie creates three-dimensional c...

In 1974, Tom Lieber attended the University of Illinois and earned his M.F.A. Lieber then moved to San Francisco to fulfill his afinity with Ba...

Curtis Ripley (American, born 1949). Expressionist figurative abstract oil painting on paper. Titled "Study For A Diptych". Artist signature upper right and lower left. Good overall condition with normal storage wear to frame. Provenance: Joy Moos Gallery. Bears their label verso. Measures approximately 30 in. x 42 in. (image), 33 in. x 45 in framed. Born: Lubbock, Texas, 1949. Lives and works in Los Angeles Education: University of Wisconsin, Madison, MFA 1975, Texas Tech University, BFA 1971, University of the Americas, Mexico D.F. 1969 Teaching: Associate Professor, Virginia Commonwealth University, Richmond (w/tenure) 1977-85 Assistant Professor, Purdue University, West Lafayette, IN 1975-77 Awards: Juror's Award, Zeichnung Heute, Kunsthalle, Nurnberg, 1983 National Endowment for the Arts, Artists Fellowship, 1979 His new works are musically inspired, atmospheric paintings that are influenced by poetry and jazz music. and bears the influence of both abstract expressionist Jackson Pollock as well as Wassily Kandinsky and the light and movement art. He has shown with Peter Lodato. Curtis Ripley was born in Lubbock, Texas. He attented the University of the Americas, México D.F. in 1969; Texas Tech University, earing a Bachelor of Fine Arts degree in 1971; and the University of Wisconsin, Madison, where he earned a Master of Fine Arts degree in 1975. Ripley served as a lecturer in 1975 at the Univeristy of Wisconsin, Madison; an Assistant Professor at Purdue University, West Lafayette, Indiana from 1975 to 1977; an Associate Professor at the Virginia Commonwealth University, Richmond, Virginia from 1977 to 1985; an Associate Professor at California State University, San Bernardino from 1985 to 1986; and a lecturer at California State University, Long Beach from 1986 to 1987. His awards include a National Endowment for the Arts Artists Fellowship, 1979, and Juror’s Award, Zeichnung Heute, Kunsthalle, Nurnberg in 1983. He has had numerous one-person shows throughout the United States, has participated in a wide-variety of group exhibitions, and has works in several collections such as those of the Fine Art Museums of San Francisco, California; Chemical Bank, New York City; Yokohama Royal Park Hotel, Japan; MGM Grand, Las Vegas, Nevada; and The Ambassador Hotel, Taipei. The artist lives and works in Los Angeles, California. Selected One Person Exhibitions: William Turner Gallery, Santa Monica, A Poem About Breathing--Recent Paintings Susan Street Fine Arts, Solana Beach, CA, Invocation--/Recent Paintings William Turner Gallery, Santa Monica, Here and Now--Recent Paintings Page Bond Gallery, Richmond, VA, Changing Light--Paintings and Works on Paper Melissa Morgan...

Title: (Baseball) Mits 25.5" W x 25.5" H x 2.25" framed; canvas measures 24" W x 24" H. Provenance: The Rails Collection, Washington, DC (with their label verso) This depicts floating baseball gloves inn an abstract pattern. This is not signed on the front and might be signed verso. We have not examined out of frame. Patrick LoCicero was born in Youngstown, Ohio, in 1959. He attended Youngstown State University, Ohio, and the Columbus College of Art and Design. He completed a B.F.A. at Ohio State University in 1982 and an M.F.A. at the San Francisco Art Institute in 1986. His paintings, installations, prints, and multimedia work have been shown in California, Pennsylvania, and Ohio. LoCicero's richly layered imagery is characterized by unusual juxtapositions of everyday objects and classical motifs, which play with the viewer's perception of materials and subjects. LoCicero’s assemblage paintings combine collage with painting. The overlap and collage elements relate directly to the images he depicts, guiding him in his choice of subjects, and come from a variety of sources including the Kama Sutra, antique children’s books...

Kevin Larmon, (American, b. 1955), 1985-1986, oil on canvas; hand signed, titled, and dated on the reverse Provenance: bear a Curt Marcos Gallery label verso This is one of a pair we are offering for sale Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University. Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight. Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions. As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner. Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal. From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado. Exhibitions curated by Tricia Collins and Richard Milazzo Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons. Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack...

full title: "'Nostalgia is, so to speak, an epidemic in New Orleans' - Harry Pelias, December 1971 (lemon yellow, translucent golden green, natural bohemian earth, manganese cerulean...

Annette Davidek creates paintings that look like gorgeous biomes full of naturalistic forms, enticing viewers to enter a domain that is as familiar as it is strange. Variously sugges...

Original Painting by Annette Davidek

Original Painting by Annette Davidek

Blue, Violet, Purple, Navy, Sapphire. 29 x 23" Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Jill Opelka Abstract II Oil on Canvas Year: 2023 Size: 12x12in Framed: 13x13x1.5in Signed COA provided Ref.: 924802-2049 Tags: Abstract, Vibrant, Deep, Blue, Navy, Green, Orange, Yellow *Framed in a black wooden frame ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt...