Jerry Cornelia

Yeah, I'm a Bitch but I'm a happy bitch

Through the unique usage of color, light and spirit, K.L. McKenna's style captures the landscape in a most unexpected way. Her paintings are not just paintings of landscapes but color harmonies of a very high and unusual order. Her inspiration for the west comes from childhood summers spent prospecting for fossils in Wyoming with her paleontologist father and family. K.L. McKenna's scenes of Colorado, Arizona, Wyoming and Montana reflect her enthusiasm and spiritual connection to the geology of the west, where she paints on site throughout the year. K.L. McKenna, a resident of Woodstock, NY and Ward, CO, has had extensive experience working for museums and top exhibition design firms in New York, such as Ralph Appelbaum Associates and Albert Woods Design. She worked throughout the United States and Canada as a graphical user interface designer for major banking firms such as Citibank, First Boston and Lehman Brothers. K.L. McKenna was awarded a U.S. Patent for "The Geozoo," an educational toy design. She studied painting first with Mary Buckley at Pratt Institute, Brooklyn, NY and later with Nicholas Buhalis at the Kingston School of Art, Kingston, NY. In 2005, K.L. McKenna exhibited 24 of her paintings in the Borderlands Gallery at the Booth Western Art Museum, Cartersville, GA. She has participated in the annual auctions "Expanded Horizons," Yellowstone Art Museum, Billings, MT, and the "Annual Buffalo Bill Cody...

Artist Statement-"I work in mixed media, laying down layers of spray paint, pencil, and traditional oil wash on wood or canvas before bringing in photography or other elements that c...

Mike Piggott finds resonance and beauty in the familiar. His subjects, anchored in the stuff of the every day, are quietly captured in a moment of time. Each composition speaks to th...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern landscapes came to be spatially constructed. Through a combination of on-site field studies and larger studio pieces I make bodies of work that reflect the individual characteristics of a specific place while retaining a critical awareness of the landscape genre. This practice, while fully absorbed into the cliché of modern landscape painting, is not innocuous. It is rooted in a history of globalism and environmental dominance. Through my work I explore this spatial language at times allowing individual works to teeter into abstraction. The works in Rise look specifically at how we will navigate and view a rapidly changing physical world." Albuquerque artist Beau Carey...

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern landscapes came to be spatially constructed. Through a combination of on-site field studies and larger studio pieces I make bodies of work that reflect the individual characteristics of a specific place while retaining a critical awareness of the landscape genre. This practice, while fully absorbed into the cliché of modern landscape painting, is not innocuous. It is rooted in a history of globalism and environmental dominance. Through my work I explore this spatial language at times allowing individual works to teeter into abstraction. The works in Rise look specifically at how we will navigate and view a rapidly changing physical world. - Beau Carey

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

Oil on board This artwork is offered by ClampArt, located in New York City. In all-black paintings, Karen Gunderson conjures vast landscapes through what critic Gerard McCarthy des...

Oil on board This artwork is offered by ClampArt, located in New York City. In all-black paintings, Karen Gunderson conjures vast landscapes through what critic Gerard McCarthy des...

As Above So Below II by Lyora Pissarro x The Allaux Brothers 2023 Oil paint on board, resin frame, overlaid with light art 50" diameter Signed and dated on the reverse Shipping is...

In Stillness, I See by Lyora Pissarro 2023 Oil paint on board 33 inch diameter Signed and dated on the reverse Shipping is not included. Please contact us for shipping quotes and ...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...