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Deborah Bigeleisen
Deborah Bigeleisen - Dynamism 4, Painting 2012

2012

About the Item

Most of Deborah’s paintings concentrate on a single bloom, large in size, so stunning that they command the view of the audience. With great affection she takes care to capture every detail of their texture and shape. Through the sophistication of her palette, she captures all of the fragility and beauty of her subject. The painterly appearance of her works belies the fact that their buttery-looking surfaces are actually created by layers of opaque paint and transparent washes. She pants in oils because she loves their organic purity, their richness, and the sensual physical qualities of the medium. Focusing on beauty and aesthetics, she uses the glazing techniques developed by the Dutch Master Artists to achieve depth, luminosity and aerial perspective. Deborah uses color as emotion. Through it she seems to transfer the power and effect of music to canvas. She wants show her wonder. Indeed it is her wonder, her razor-sharp vision and her response to that vision that continues to astonish her audience. In each of her works one finds emphatic color, uncompromising composition, clear conception and visible signs of execution. These elements are put down without compromise or contrivance. The vision is hers; the joy belongs to the viewer. - Jean McKig
  • Creator:
    Deborah Bigeleisen (b. 1949, American)
  • Creation Year:
    2012
  • Dimensions:
    Height: 52 in (132.08 cm)Width: 45 in (114.3 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Greenwich, CT
  • Reference Number:
    1stDibs: LU25112390082
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    Most of Deborah’s paintings concentrate on a single bloom, large in size, so stunning that they command the view of the audience. With great affection she takes care to capture every detail of their texture and shape. Through the sophistication of her palette, she captures all of the fragility and beauty of her subject. The painterly appearance of her works belies the fact that their buttery-looking surfaces are actually created by layers of opaque paint and transparent washes. She pants in oils because she loves their organic purity, their richness, and the sensual physical qualities of the medium. Focusing on beauty and aesthetics, she uses the glazing techniques developed by the Dutch Master Artists...
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  • Deborah Bigeleisen - Untitled No. 31, Painting 2014
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    My work with Fractals takes the literal definition - ‘the self-repeating properties found within a single object of nature’ – and broadens the principles to how nature repeats itself...
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  • Deborah Bigeleisen - Illuminata 10, Painting 2015
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    Having started my career by painting Rembrandt-like portraits of luminous white roses, I credit my discovery of fractals for transforming my artistic vision, and changing the direction and force of my work. Always working with a single image of a flower, or a component thereof, I have stripped away the mask of the exterior form and magnified the interior thousands of times to depths beyond what is visible to the naked eye. My subject is no longer simply a flower; it is a dynamical system existing in a chaotic universe filled with energy, turbulence, mystery and beauty. Additionally, I have discovered that the system repeats itself through multiple phenomena. This is where I have taken the literal definition of fractals, and put my creative voice to the principles. Though the non-representational work may suggest a natural likeness - a wing, a wave, a shell, or even a human form - my vision invites a fresh dialogue between aesthetics and science. Whether creating evocative representational images or boldly deceptive non-objective work, my focus is always on the choreography of the movement, the organization of the space, the subtlety in the tonal transitions, and the intricacy of the brushwork. Exclusively painting...
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    21st Century and Contemporary Contemporary Abstract Paintings

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