Henrietta Berk

The Hill

c.1966

Beautiful abstract expressionist landscape by American artist, Morris Shulman (1912-1978). Untitled Landscape, 1958. Oil on masonite panel measures 24 x 36 inches. Signed and dated l...

James Earl Ray (1928-1998). Landscape with Orange Sky. ca. 1975. Oil on masonite panel measures 6.5 x 8.5 inches, 10.5 x 12.5 inches framed. Signed lowe...

Enrique Climent (1897-1980). Casas de Ibiza, c.1960. Oil and sand on canvas, 35 x 46 inches; 44.5 x 55.5 inches (frame). Signed lower left. Excellent condition with no damage or conservation. Instituo National de Bellas Artes lebel affixed en verso. Biography: Enrique Climent ( Valencia , Spain, 1897- Mexico City , 1980) was a Spanish painter and graphic designer, present in the Spanish Pavilion of the International Exhibition of Paris in 1937 , two of whose works are conserved in the National Museum Art Center Reina Sofía , as part of the collection of the Spanish Museum of Contemporary Art (MEAC). Exiled in Mexico , country in which he died at 83 years of age. He has been associated with the driving group in Spain of the "New Art". Born in a bourgeois family of the Valencian capital, despite paternal opposition, Climent studied at the School of Fine Arts of San Carlos , and with a scholarship received in 1919, traveled to Madrid to complete them in San Fernando . In the capital of Spain he participated in the gathering of Ramón Gómez de la Serna , for whom he illustrated some greguerías , and in the avant-garde activities of the then-called first Escuela de Vallecas , Associated with the Society of Iberian Artists . He also collaborated as an illustrator of Blanco y Negro magazine, 3 and illustrated books by Elena Fortún , Azorín , Juan Manuel Díaz Caneja and Manuel Abril . 3 Before, in 1924 he had been in Paris for two years, where he came to design some stage sets for opera shows. 6 He participated in three of the exhibitions of "Los Ibéricos" (San Sebastián in 1931, Copenhagen in 1932 and Berlin in 1933), as well as in the International Exhibitions of Contemporary Spanish Art in Paris and Venice in 1936. He was one of the Spanish exiles who in 1939 landed in Veracruz , after the crossing of the Sinaia , along with other intellectuals and artists (such as José Moreno Villa , Arturo Souto...

Byron Browne (1907-1961). Provincetown Beach, 1957. Oil on canvas, 24 x 30 inches, 30 x 36 inches in vintage solid chestnut frame. Signed lower righ...

Andre Elbaz (b.1934). Landscape, ca. 1980 . Oil on card panel, image measures 14 x 20 inches; 18.5 x 24.5 inches framed. Signed lower right. Excellent condition. André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker. Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition. His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum. In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967" .[citation needed] Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...

Sol Wilson (1896-1974) End of Pier, Provincetown MA. ca. 1950s, panel measuring 9 x 12 inches; 16 x 19 inched framed. Signed lower right. Solomon ...

Bold abstract expressionist painting with primary colors by Louis Nadalini (American, 1927-1995), 1970s Berkeley, California. Signed "L. Nadalini" in the lower right corner. Presente...

ARTHUR PINAJIAN (1914-1999). Untitled, Archived No. 115, year 1962. Image size: 19 3/4"x16", 50cmx40.50cm Provenance: The Pinajian Estate Collection . THE PINAJIAN DISCOVERY: At ...

An abstracted view of home, with the light forever glowing from within, is the essence of Allegro. With seemingly random strokes of color and texture the abstract expressionist transitional landscape takes form. The coloration is representational until the texture changes the subject to a living form, subject to interpretation. The green exterior landscaping grounds the oil painting in the imagined reality. Artist Daryl Hastings...

Oil painting size is 16"x19.5. Estate signature stamp Lower right and verso. Arthur Pinajian, like many great artists, began his career illustrating the human form, which is how he developed his wide-ranging visual lexicon. This segment of the collection is at the heart of his oeuvre, both referencing and producing works with fluidity and scope of technique rarely found in one single artist. This New York...

Wave play is all about the miraculous action of the sea at the edge of earth. It is all about the excitement and motion and the play of colors as the sunlight glistens upon the ocean blues, the sandy beiges, creams and taupes and how it makes you feel! The undertow crashes into the beachfront demanding control of the powerful surf! The gritty texture of nature in this original oil painting never recedes! This marine landscape commands attention with the free feeling abstract expressionism brush strokes, impasto paint application and insistence that it remains an organic reflection of the artist's experiences. International artist Anita Lewis...

The blue thunder ascends upon your vision and the majesty of the sea reigns. With the textures and blues ranging from darkest navy to aquamarine, this original abstract expressionist marine landscape compells the viewer to feel the power and the motion of the tide. Confident, flowing brush strokes, impasto paint application and abstract subject interpretations weave a tapestry on canvas reflective of the artist's perspectives and experiences. The artist carries the subject matter to all four deep gallery wrapped sides so as to not interupt the feeling bursting from the work. International artist Anita Lewis...