I Am Yellow, I Am Unique, And I Matter, 2018, wall sculpture, dimensional canvas
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 3
George GoodridgeI Am Yellow, I Am Unique, And I Matter, 2018, wall sculpture, dimensional canvas2018
2018
About the Item
- Creator:
- Creation Year:2018
- Dimensions:Height: 8 in (20.32 cm)Width: 2.5 in (6.35 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Jersey City, NJ
- Reference Number:1stDibs: LU126914885662
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2016
1stDibs seller since 2019
Typical response time: 11 hours
More From This SellerView All
- Waves of Contentment 2, 2019, acrylic, resin on 3-D stretched canvas, sculptureBy George GoodridgeLocated in Jersey City, NJAcrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.Category
2010s Abstract Geometric Abstract Paintings
MaterialsCanvas, Resin, Wood, Acrylic
- Waves of Contentment 1, 2019, acrylic, resin on 3-D stretched canvas, sculptureBy George GoodridgeLocated in Jersey City, NJAcrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.Category
2010s Abstract Geometric Abstract Paintings
MaterialsCanvas, Wood, Acrylic, Resin
- Hope, 2020, Acrylic on stretched canvas, wood armature, black, wall sculptureBy George GoodridgeLocated in Jersey City, NJAcrylic on 3-D stretched canvas with wood armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, black, orange, red a...Category
2010s Abstract Geometric Abstract Paintings
MaterialsWood, Acrylic, Canvas
- Number 26, Vertebrate Companion Series, 2012, acrylic on canvas, wall sculptureBy George GoodridgeLocated in Jersey City, NJAcrylic on 3-D stretched canvas, dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, white, red, and gray.Category
2010s Abstract Geometric Abstract Paintings
MaterialsCanvas, Wood, Acrylic
- Thought Forms, 2018, acrylic on 3-D stretched canvas, abstract wall sculptureBy George GoodridgeLocated in Jersey City, NJAcrylic on canvas stretched over handbuilt wood and Sintra armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Color palette: orange, green, purple, gray and white. Wall sculpture / Sculptural painting / 3D painting / Neo-geo / Geometric art / Abstract art / Biomorphic art...Category
2010s Abstract Geometric Abstract Paintings
MaterialsCanvas, Wood, Acrylic
- Beauty is Eternity Gazing at Itself In the Mirror, 2013, Acrylic wall sculptureBy George GoodridgeLocated in Jersey City, NJAcrylic on 3-D stretched canvas with wood armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, white, tan, and gray.Category
2010s Abstract Geometric Abstract Paintings
MaterialsCanvas, Wood, Acrylic
You May Also Like
- Return to MeBy Louise BlytonLocated in Phoenix, AZb. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.Category
2010s Abstract Geometric Abstract Sculptures
MaterialsLinen, Acrylic
- Days Sliding ByBy Louise BlytonLocated in Phoenix, AZb. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.Category
2010s Abstract Geometric Abstract Sculptures
MaterialsLinen, Acrylic
- The Skies of Sky #1 (black)By Louise BlytonLocated in Phoenix, AZb. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvas...Category
2010s Abstract Geometric Abstract Sculptures
MaterialsLinen, Acrylic
- The Skies of Sky #3 (white)By Louise BlytonLocated in Phoenix, AZb. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.Category
2010s Abstract Geometric Abstract Sculptures
MaterialsLinen, Acrylic
- The Quiet BreathBy Louise BlytonLocated in Phoenix, AZb. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.Category
2010s Abstract Geometric Abstract Sculptures
MaterialsLinen, Acrylic
- The Daisy and the MarigoldBy Louise BlytonLocated in Phoenix, AZb. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and ...Category
2010s Abstract Geometric Abstract Sculptures
MaterialsLinen, Acrylic