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G. Campbell Lyman
Flowers Never Seen #2 (Large)

2021

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  • Lexicon (Large)
    By Guy Lyman
    Located in New Orleans, LA
    Artist's Statement: "This painting harkens back to a series called "Gridish" that I created over the past couple of years, comprising similar rectangular shapes with complex surfaces incorporating tar, house paint, enamel safety paint and other materials. Here, though, the forms are isolated in negative space rather than stacked in a grid, which gives them a more iconic quality." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Enamel

  • Conversations I Don't Recall (Large Contemporary Abstract Painting, Framed)
    By Guy Lyman
    Located in New Orleans, LA
    Artist's Statement: "This painting originally looked different, and though it had 22 saves on it and looked sure to sell there was just something that bothered me about it. So I rep...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Charcoal, Oil Crayon, Acrylic, Watercolor, House Paint

  • "Ur" - Framed Contemporary Multimedia Abstract Painting
    By G. Campbell Lyman
    Located in New Orleans, LA
    Artist's Statement: "This is part of a series of work I created using a complex mix of media to evoke age and tropes and paradigms of human culture. Our obsession with the new somet...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Lacquer, Paper, Charcoal, Tar, House Paint, Acrylic

  • Lux (Contemporary Painting, Framed)
    By Guy Lyman
    Located in New Orleans, LA
    Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...
    Category

    2010s Contemporary Abstract Paintings

    Materials

    Varnish, Charcoal, House Paint, Acrylic

  • One State Further In (Contemporary Painting, Framed)
    By Guy Lyman
    Located in New Orleans, LA
    Artist's Statement: "The first in a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the y...
    Category

    2010s Contemporary Abstract Paintings

    Materials

    Metal

  • The Object of My Affection (Large Contemporary Painting, Framed)
    By Guy Lyman
    Located in New Orleans, LA
    Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is figurative and symbolic. They harken back to 80s neo-Expressionism - my favorite contemporary art movement. I tend not to beat collectors over the head with fatuous "meanings" of my work, but this one does have a subtext, a rather personal one. But you are welcome to read whatever you want into it." Comes framed in a professional high-profile float frame. “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...
    Category

    2010s Contemporary Figurative Paintings

    Materials

    Charcoal, Tar, House Paint, Acrylic

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