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Frederick Conway
Dreaming

c. 1940s

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    By Ernest Tino Trova
    Located in Missouri, MO
    Ernest Tino Trova "Figurative Abstract" 1965 Oil on Canvas approx 17 x 12.5 inches Signed and Dated Lower Right Known for his Falling Man series in abstract figural sculpture, he cr...
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  • The Blind Peanut Vendor
    By Cecil Crosley Bell
    Located in Missouri, MO
    Cecil C. Bell "The Blind Peanut Vendor" 1958 Oil on Panel Signed; Titled & Dated Verso Panel Size: approx. 14 x 18 inches Framed Size: approx 21.25 x 25.25 inches Cecil Bell was b...
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    1950s American Modern Figurative Paintings

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    Oil, Wood Panel

  • Tending the Garden
    By Robert Elton Tindall
    Located in Missouri, MO
    Robert Elton Tindall (1913-1983) "Tending the Garden" (Girl with a Hoe) c. 1940 Egg Tempera with Resin Oil Glazes on Panel Signed Lower Left Site: 10 x 9 inches Framed: 15 x 14 inch...
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    Mid-20th Century American Modern Figurative Paintings

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    Egg Tempera, Wood Panel

  • Face and Chinese Calligraphy
    By Huang Gang
    Located in Missouri, MO
    Huang Gang (b. 1961) "Face with Chinese Calligraphy" Mixed Media including Gold Gilding, Decoupage, Oil on Panel approx 23.5 x 23.5 inches Huang Gang 黄钢 Hu...
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  • Three Graces
    Located in Missouri, MO
    A designer of the Sarah Lee doll, a graphics artists of woodcuts, and a sculptor and painter, Sheila Burlingame was born in Lyons, Kansas, and settled in New York City. She also spent much time in Provincetown, Massachusetts. She created numerous reliefs for churches in Missouri, Colorado, Montana, and Arkansas. Source: "Who Was Who in American Art" by Peter Falk Born Lyons, Apr. 15, 1894; died St. Louis, MO, April, 1969. Painter. Sculptor. Printmaker. Studied at the Art Institute of Chicago, the Art Students' League in New York, the Grande Chaumiere in Paris, and at Kalamazoo College, MI. She was a pupil of Martha Walter & C.W. Hawthorne. Lived in Chicago in 1917 and in Clayton, MO from 1925-41 while spending her summers in Colorado. Created woodcuts for the St. Louis Post Dispatch newspaper from 1923-24 and for Harry Burke's 1924 book, From Day's Journey. SOURCES: Susan Craig, "Biographical Dictionary of Kansas Artists...
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    1930s American Modern Figurative Paintings

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    Canvas, Oil

  • Land Where Men Forget the Past, The Coconut Pearl
    By Dean Cornwell
    Located in Missouri, MO
    Original Oil on Canvas Illustration for Hearst/Cosmopolitan Aug. 1925 "Land Where Men Forget the Past, The Coconut Pearl" Caption: " 'Anyone who's knocked ...
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    1920s American Modern Figurative Paintings

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    An original gouache and wax painting by New Mexico modernist, Howard Schleeter (1903-1976) signed and dated lower right from November 18, 1949. Presented in a custom frame created b...
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  • Gaza
    By Roy Borrone
    Located in Burlingame, CA
    Gaza, a Provocative and haunting figurative work painted with warm golden and burgundy red hues. ‘Gaza’ takes its inspiration from images of women in turmoil that the artist has seen...
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  • Andrea Bonfils - Beehive Black, Painting 2021
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    Located in Greenwich, CT
    Series: Beehives Beeswax and fabric over beehive and honeycomb panels Size: 36” x 26” x 1.5” This Painting will be shipped directly from the artist's studio.
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  • The Masque of Comus
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  • Pray I - IV
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    Hyun Ae Kang is a famous Korean Artist, born in Seoul, South Korea. Today she lives and works in California, USA. In her work Hyun combines traditional Korean spirit and Western ab...
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  • "Man Overboard", oil painting, figurative, man, woman, bikini, recline, gaze
    Located in Toronto, Ontario
    "Man Overboard" is an oil painting with chalk and graphite on wood panel, and measures 16" high by 12" wide. It is finished with a clear resin across the surface, lending the artwork a particular warmth and liquidity that is rare and lovely to behold. Typical of the artist, the painting is a mystery despite its apparent simplicity – a woman wearing part of her bikini stretches out beside a pool or body of water, while another figure hovers nearby. The title Man Overboard would suggest the woman's pose and partial nudity have completely derailed the man's intentions – perhaps driven him to distraction. Note the restrained color palette, the subtle toning of the wood surface, the bodies rendered and bodies suggested. The surface is very interesting – drawn lines and painterly brushstrokes to be sure, but also the toned wood coming through as color and texture. All of it held, as if in time, by the resin layer acting as a lens to both transmit this picture and admit light to the picture. A true artifact. From Will Hudson...
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