Dieter Kränzlein

o.T. (BN15HV) - blue grey contemporary modern wall sculpture painting relief

2020

o.T. (Gr22VV) is a new size 22x22 cm contemporary modern wall sculpture painting relief by German artist Dieter Kränzlein, bridging the gap between his unique 15x15 cm and the much h...

Center is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strips ...

Movement is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strip...

Space is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strips of pure grey black slate. First...

o.T. weiss is a unique medium size contemporary modern sculpture painting relief by German artist Dieter Kränzlein. The relief is made from pure Norwegian marble. Due to the crystall...

Triangular forms 4K2L2R is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Eef de Graaf. The relief is made from meticulously hand cut cardboard elements f...

Andisheh Avini Iranian-American (b. 1974) Untitled III (2007) Collage of Arabic or Persian Islamic calligraphic script texts. Artist shaped frame Signature stamp and I-20 (New York) gallery label verso Image: 25.25" H x 18.5" W; frame: 27.5" H x 21" W x 1.5" D. Andisheh Avini was born in 1974 in New York. Educated at Hunter College in New York, he has shown consistently in solo and group exhibitions since 2002, including locations in New York, Berlin, Los Angeles, Basel, Madrid and Paris. He currently lives and works in New York. Through his abstract paintings, drawings and sculptures he finds the sweet spot where minimalism, Pop Art, and the political collide. Andisheh Avini is known for his patterned silkscreen painting created on carpet and wood, which are informed by the history and culture of Iran. Avini frequently takes familiar political images and recontextualizes them, prompting the viewer to consider Middle Eastern politics from another perspective. Blending the visual vocabulary of his Iranian heritage with aesthetic and material experimentation, Avini’s work offers a meditation on the experiences and memories that shape our identities. He has used a variety of exotic materials including marquetry or Khatam – a traditional Iranian craft of inlaid wood, crystalline protrusions of actual minerals, peacock feathers, mother-of-pearl and parchment often in abstract geometric compositions, mediums associated with traditional Persian craft— with nods towards Minimalism, Abstract Expressionism, and other Western art movements. He has shown in many prominent galleries including solo exhibitions at Marianne Boesky Gallery (New York), Galerie Frank...

Jonas Maas (*1985, lives and works in Düsseldorf) graduated at the Düsseldorf Academy in 2014 in the class of Tomma Abts. In his œuvre he deals with the subject of "painting" as such...

Jonas Maas (*1985, lives and works in Düsseldorf) graduated at the Düsseldorf Academy in 2014 in the class of Tomma Abts. In his œuvre he deals with the subject of "painting" as such...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...