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Byron Browne
Provincetown

1947-50

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  • BLUE 1051
    By Linda Touby
    Located in White Plains, NY
    Oil and wax on canvas painting from the BLUE series. Linda Touby pairs intuitive brushstrokes with bold, horizontal bands of vibrant blue, black, red, and yellow, offering a sense of...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Canvas, Oil, Wax

  • Sidney’s Door (diptych)
    By Linda Touby
    Located in White Plains, NY
    “Sidney’s Door (diptych)” by Linda Touby, 2014. Oil and wax on canvas. 11 x 14 inches each. Touby’s series of white monochrome paintings are...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Wax, Oil, Canvas

  • Sidney’s Door 8
    By Linda Touby
    Located in White Plains, NY
    “Sidney’s Door 8” by Linda Touby, 2014. Oil and wax on canvas. 48 x 48 inches. Touby’s series of white monochrome paintings are a conceptual ...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Canvas, Wax, Oil

  • Abstract Painting by Antonio Carreno, 'Flare'
    By Antonio Carreno
    Located in White Plains, NY
    'Flare' by Antonio Carreno, 2017. Oil on canvas, 36 x 52 inches. This dynamic abstract painting is part of the artist's new series of action paintings, entitled 'Instinct' which feat...
    Category

    2010s Abstract Expressionist Abstract Paintings

    Materials

    Canvas, Oil

  • Je T'aime 7
    By Linda Touby
    Located in White Plains, NY
    'Je T'aime 7' by Linda Touby, 2018. Oil on canvas, 48 x 48 inches. This painting features textural, cumulative layers of brushstrokes on a flat field of color. The floating zones of luminous pigments are in colors of light and dark blue, green, and grey. The swaths of color reach out to the very edge of the canvas meeting the blue/green horizontal and vertical striped band that borders the painting. The drama and intensity of the "Je T’aime" series flow from Touby’s intense love for long time husband and renowned 'monster' artist, Basil Gogos...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Canvas, Oil

  • Je T'aime 10
    By Linda Touby
    Located in White Plains, NY
    'Je T'aime 10' by Linda Touby, 2018. Oil on canvas, 40 x 42 inches. This painting features textural, cumulative layers of brushstrokes on a flat field of color. The floating zones of luminous pigments are in colors of blue, beige, green, and white The swaths of color reach out to the very edge of the canvas meeting the black vertical and horizontal striped bands that border the painting. The drama and intensity of the "Je T’aime" series flow from Touby’s intense love for long time husband and renowned 'monster' artist, Basil Gogos...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Canvas, Oil

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  • Amish Farmscape #3
    By Edmund Lewandowski
    Located in Los Angeles, CA
    Amish Farmscape #3, 1984, oil on canvas, 40 x 30 inches, signed and dated lower right; signed, dated, and titled verso About the Painting Amish Farmscape #3 is part of a multi-painting series of barns completed in the early 1980s for an exhibition at New York’s prestigious Sid Deutsch Gallery. Lewandowski painted this work at an important point in his career. It was the first major project undertaken by Lewandowski after his retirement from serving as the Chairman of Winthrop University’s Art Department, the last academic position he held after teaching for nearly thirty years. Lewandowski had been inspired to work on the series by a visit to Lancaster County, Pennsylvania. Like his friend and mentor, Charles Sheeler, Lewandowski had always been fascinated by vernacular architecture and the Amish barns of Pennsylvania brought back memories of rural scenes Lewandowski had painted in the Midwest much earlier in his career. Amish Farmscape #3 is a strong example of Lewandowski’s late precisionist work. The complexity of the composition and Lewandowski’s technical acumen are on full display. Being relieved of the burdens of teaching and administering a university art department likely allowed Lewandowski greater freedom and most importantly more time to complete the Amish Farmscape series. Although Lewandowski’s brand of precisionism changed throughout the years, he never deviated from the core tenets of the Immaculate School artists. In this work, we see simplified and flattened forms, the use of ray-lines to define light and space, the elimination of extraneous details, a polished almost machine-like finish, and the complete lack of visible brushstrokes, all hallmarks of the precisionist painters. Lewandowski was the last of the 20th century precisionists and in Amish Farmscape #3, we see just how successfully he continued to work in this style until his death in 1998. About the Artist Edmund Lewandowski was among the best of the second-generation precisionist painters. He was born and raised in Milwaukee, Wisconsin and studied at the Layton School of Art with Garrett Sinclair. Lewandowski achieved early success when in 1936 two of his watercolors were shown at the Phillips Collection as part of a Federal Art Project exhibition. Then, in 1937, his work was first exhibited at Edith Halpert’s Downtown Gallery which represented Lewandowski into the 1950s. Under Halpert’s guidance, Lewandowski continued to explore watercolor as his main medium during the 1930s and 1940s, since the gallery already represented Charles Sheeler, who worked primarily in oils. Sheeler became Lewandowski’s major influence as the primary leader of the ill-defined, but very recognizable Immaculate School artists, which included other Downtown Gallery painters, Niles Spencer, George Ault, and Ralston Crawford, as well as Charles Demuth and Preston Dickinson, both of whom died at a young age and had been represented by the Charles Daniel Gallery. Sheeler is credited with giving Lewandowski technical advice on how to make his paintings more precise and tightly rendered and by all accounts, Sheeler was a fan of Lewandowski’s work. Through the Downtown Gallery, Lewandowski’s paintings were accepted into major national and international exhibitions and purchased by significant museums and collectors. Franklin and Eleanor Roosevelt and Nelson Rockefeller acquired works by Lewandowski. He was included in the Museum of Modern Art’s important 1943 exhibition, American Realists and Magic Realists as well as juried exhibitions at the Whitney Museum of American Art, the Pennsylvania Academy of Fine Arts, and the Art Institute of Chicago. Lewandowski also completed commissions for magazines during the 1940s and 1950s, including several covers for Fortune. Throughout his career, Lewandowski explored urban and rural architecture, industry, machinery, and nautical themes. Looking back on his career, Lewandowski wrote, “My overwhelming desire as an artist through the years has been to record the beauty of man-made objects and energy of American industry on canvas. For as far back as I can recall, the cityscapes, farms and depictions of industrial power and technological efficiency has had a great attraction for me. I try to treat these observations with personal honesty and distill these impressions to a visual order.” Lewandowski is credited with extending precisionism to the Midwest and successfully continuing the style into the 1990s, three decades after Sheeler’s death and six decades after Demuth’s passing. Late in his career, Lewandowski enjoyed a resurgence of popularity as he was represented during the 1980s by New York’s Sid Deutsch and Allison Galleries...
    Category

    Mid-20th Century American Modern Landscape Paintings

    Materials

    Canvas, Oil

  • Man With Moon - Figurative Abstract
    By J Gold
    Located in Soquel, CA
    Compelling abstract figurative oil painting in bold, primary colors of a man and the moon by J. Gold (American, 20th Century). Signed "J. Gold" lower right. Presented in a Maple woo...
    Category

    1980s American Modern Figurative Paintings

    Materials

    Oil, Paper

  • "Abstraction"
    By Arthur Beecher Carles
    Located in Lambertville, NJ
    Jim’s of Lambertville is proud to offer this artwork by: Arthur B. Carles (1882-1952) Born in Philadelphia, Pennsylvania, Arthur Carles was a painter whose work went through phases...
    Category

    1930s American Modern Abstract Paintings

    Materials

    Canvas, Oil

  • Untitled
    By James Koenig
    Located in Buffalo, NY
    An original oil on canvas painting by American artist James Koenig created in 1944.
    Category

    1940s American Modern Abstract Paintings

    Materials

    Canvas, Oil

  • Eyrie
    By Jacob Kainen
    Located in Boston, MA
    Signed lower right: "Kainen". Inscribed verso: "J. Kainen/ Eyrie- Dec 1949".
    Category

    1940s American Modern Abstract Paintings

    Materials

    Canvas, Oil

    Eyrie
    Price Upon Request
  • "Shrimp"
    By Bror Julius Olsson Nordfeldt
    Located in Lambertville, NJ
    Signed Lower Right Bror Julius Olsson “B.J.O.” Nordfeldt (1878 - 1955) Bror Julius Olsson was born in Tullstrop, Sweden in 1878. He immigrated to the United States in 1891, later adopting his mother’s maiden name of Nordfeldt. Beginning his art studies at the Art Institute of Chicago where he was chosen to assist fellow artist, Albert Herter, with a large mural project for the McCormick Harvester Company. In 1900, he was sent to Paris by McCormick to help set up the completed mural at the Paris Exposition. While there, he studied briefly at the Academie Julian before traveling to England to study woodblock printmaking under F. Morley Fletcher. Returning to Chicago in 1903, Nordfeldt would spend the next ten years painting mainly figurative works in an academic style similar to that of the Old Masters. By the mid-teens he had developed a bold dramatic modernist style and divided his time between New York and Provincetown, Massachusetts. There, he invented the “Provincetown Print...
    Category

    1940s American Modern Still-life Paintings

    Materials

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