Paintings

Medium: Oil on Canvas Dimensions: 24.00" x 30.00" Signature: Signed Lower Right Hobo & 3 clowns at poker

Kenneth R. Nunamaker paints a small community of homes on a snowy day with mountains in the background in his artwork entitled, “Snowy Winter Landscape on the Delaware.”

"Blue Waters" is an oil on canvas painting by Dorothy Hood. The painting size is 90 x 70 inches. Early in her maturation, Hood established herself as an artist of metaphysically cha...

Francis Hopkinson Smith paints a watercolor of Venice with figures looking out onto the river with ships sailing by in his work entitled, “Venice (A View from the Ponte Sant’ Eufemia...

In this detailed and colorful rendering of a Vermont countryside entitled “Reminiscence of Vermont,” William Hart paints two figures walking along a stream

William Stanley Haseltine paints a beautiful river landscape in Roman Campagna at the end of day in his artwork entitled, “Sunset Glow, Roman Campagna.”

MAXA, 2024 by Alec Franco Mixed media acrylic and oil pastel on canvas Image Size: 130 cm H x 215 cm W Unframed Signed by the artist _______ The artist's works are based on time and...

Oil on canvas Canvas size: 20 x 30 inches Framed size: 25.25 x 35.25 inches Signed lower right

Sunset over a Frozen Landscape by George Augustus Williams British 1814 - 1901 Oil on canvas Canvas size: 13 x 20 inches Framed size: 17 x 24 inches Monogrammed lower left

Benjamin Ferris Gilman paints an intriguing view of Venice through a narrow canal in his oil painting entitled, “Canal in Venice.”

Medium: Oil on Canvas Dimensions: 29.00" x 25.00" Signature: Signed Upper Right

Signed Lower Right by Artist Caricature by George Wachsteter (1911-2004) for the 1965 CBS telecast of 'The Miss Universe' Pageant with hosts Jack Linkletter, June Lockhart, John Dal...

Signed Lower Left by Artist

Max Kuehne paints a dockyard across the river from the skyscrapers of New York City in his artwork entitled, “New York Skyline”

Initialed Lower Left

Signed Lower Left by Artist Hand written to back Painting by Russell Sandbrook (Cousin of Jim Disney)

Ricardo Mazal Tee 2 (Beige 2), 2023 Acrylic on natural silk mounted on aluminum panel 18 x 19 inches RM541 Ricardo Mazal is perhaps best known for his near decade-long investigation...

A Surgeon for Susan

Signed Lower Right by Artist

Signed with initials lower right The painting is one of the 4 illustrations that JWS did for the book “Evangeline: Tale of Acadia”, by Henry Wadsworth Longfellow...

John Ferneley Jnr Stabled horses Oil on canvas Canvas Size - 20 x 24 in Framed Size - 27 x 31 in Born in about 1815 at Melton Mowbray, he was the eldest son of the important sporting artist John E Ferneley. The latters other two children, Claude Lorraine and Sarah, were also artists. He spent his early life at Elgin Lodge and his father was a major influence on his artistic development and was in all probability his sole teacher. His father took him on trips to London and in 1832 to Durham and York where the younger Ferneley later settled in about 1839, probably because of the large number of patrons in the area. His first work, of a Whipping-in, was engraved and published in the New Sporting Magazine in May 1833 and was followed in the next year by an engraving of a Hunter. John E Ferneley had established a significant career as an equestrian artist in the old English tradition largely due to being a pupil of Ben...

Signed Center Right by Artist Collier's Magazine Cover, December 23 1916

Signed Lower Left by Artist Illustration for 'The Lone Trail'

Signed by artist lower left. The Century Illustrated Monthly Magazine Cover

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

Oil on canvas

Oil on canvas

Signed (on verso): AF/2021

Signed Upper Left by Artist

Oil on canvas

Lyrical abstraction in black

Oil on canvas, 2023

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed ‘ETUCKER.’ (lower right)

This work is accompanied by a certificate of authenticity from Anthony Tucker on behalf of the artist’s estate. signed ‘ETUCKER’ (lower left)

Medium: Oil on Canvas Signature: Initialed Lower Left Cover Illustration for American Boy Magazine, May 1934. Includes copy of the magazine.

A painting by Xiaoze Xie. "June 2001, J.T." is a contemporary painting, oil on canvas by Chinese photorealist Xiaoze Xie. The artwork is signed on the verso, "June 2001 Xie Xiaoze...

Painterly swipes and drips light up an atmospheric sky in this dynamic acrylic by Lynne Fernie. The fiery horizon adds to the sense of brewing storm. Lynne Fernie is a Toronto artist...

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas in blues and greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, "Jae Kon Park 1986". Born in South Korea, Park Jae Kon...

A painting by Kenneth Noland. “Diagonal Stripe VI-21” is a hard-edge, abstract painting, paint on handmade paper by artist Kenneth Noland. ...

Medium: Oil on Canvas Signature: Signed on the Back

A painting by Max Pellegrini. "Quadro teologico in onore di Puccetto, Canarino Morto da Tempo" is an oil on canvas painting executed primarily in a palette of blues and yellows with ...

Unsigned

Medium: Gouache on Board Signature: Signed Lower Right American Magazine story interior illustration

JM Rizzi (aka JMR) is a New York artist. His work has roots in Abstract Expressionism yet favors a Neo Contemporary flair. JMR has catapulted his vision by painting bold curves and l...

An oil on linen canvas painting by contemporary artist Ross Bleckner. "West to East" is an abstract oil painting executed in deep and brilliant orange on a neutral ground...

Medium: Oil on Canvas

Georges Lapchine, 1885-1951, Russian "Isbahs Russes dans la Neige", 1927 Oil on canvas Signed and dated lower right Canvas: 31 7/8" high x 39 3/8" wide Frame: 44 1/8" high x 51 1/8" wide Georges LAPCHINE: Russian painter, born in Moscow in 1885. Died in 1951. Painter of figures, landscapes, post-impressionist. A pupil of Fernand Cormon and Léon Lhermitte...

Medium: Oil on Canvas Signature: Signed Twice and Dated Lower Left: Harvey / Dunn 1932 Harvey Dunn's Dawn, Dawn, Dawn is a truly exceptional illustration that captures a key moment of American History. In the present work, Dunn skillfully depicts colonial soldiers...

A painting by Irving Norman. "The Lawmakers, The Legislators" is a social surrealist painting, oil on canvas by American artist Irving Norman. The artwork is signed on the verso, "Th...

Signature: Signed Lower Left ‘Stevan Dohanos’ Medium: Mixed Media on Paperboard Laid Down on Masonite The present work was published as the cover illustration of the June 26th, 1954...

Date: 1976 Medium: Oil on Canvas Dimensions: 29.00" x 22.00" Signature: Faintly Signed "Marchetti" Lower Right Cover art for the companion book to the 1976 film starring Bruce Dern and Madeline Kahn.

Robert Marc (French, 1943-1993) Untitled (9690) collage 36 x 55 cm (14⅛ x 21⅝ in.) signed ‘ROBERT MARC’ (lower centre) Price: £9,000 GBP Provenance: Estate of the Artist Forum Gall...

A painting by Gregory Sumida. “Tree Study, Whittier, CA” is a landscape painting, watercolor on watercolor board in an earth-tone palette by American artist...

An abstract acrylic and paper on canvas painting by Post War artist Arne Hiersoux. "Memphitis" is executed in bold strokes, splashes and drips of black, red, green, yellow and ochre ...

A painting by William Theophilus Brown. "Horse with Swimmers at Beach" is a Post-War figurative painting, acrylic on canvas in a palette of greens and purples by American artist Will...

Medium: Oil on Canvas Signature: Signed Front of Canvas and Pencilled on Back Stretcher Possibly original magazine illustration for the Saturday Evening Post.

Signed lower right: Albert W. / Hampson

A mixed media work by Merion Estes. "Trapped" is a contemporary abstract, fabric collage, acrylic on fabric in a palette of blacks, reds, and yellows by American female artist Merion...