Signed Robert Rauschenberg exhibition catalog (Gagosian 1986) - Art by Robert Rauschenberg
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Robert Rauschenberg
Signed Robert Rauschenberg exhibition catalog (Gagosian 1986)

1986

About

Hand-signed 1980s Robert Rauschenberg exhibition catalog Rauschenberg: The Black and White Paintings 1949-1952. New York: Larry Gagosian Gallery, 1986. First edition. Metal spiral binding beautifully illustrated with a classic photo of the artist on the front page. 1st edition. 28 pages; 12 color plates. 2 black & white text illustrations. The contents include: a four-page introduction by Roberta Bernstein and a detailed checklist of works in the exhibition. Dimensions: 10 x 13 inches (folded closed; opening to 10 x 26 in.) Strong hand-signature which is free from fading or smudging; fine overall condition with the exception of some minor fading and residue on back cover. A rare, standout original Rauschenberg collectible that should not be passed upon. Artist biography Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as a true art world rebel rouser, with works such as Erased de Kooning Drawing (1953), for which he requested a drawing from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings — he called them Combines; a process wherein he incorporated discarded materials and mundane objects to explore the intersection of art and life. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. Related Categories Pop Art. New York Artists. 20th Century Art. Mixed-Media. Works on Paper. Roy Lichtenstein. James Rosenquist. 60s Pop Art. Vintage Robert Rauschenberg.

Details

  • Movement & Style
  • Condition
    Good
  • Condition Details
    Very good
  • Dimensions
    H 10 in. x W 13 in.H 25.4 cm x W 33.02 cm
  • Gallery Location
    NEW YORK, NY
  • Reference Number
    LU35434080151
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About Robert Rauschenberg (Artist)

Robert Rauschenberg was one of the preeminent American artists of the 20th century, occupying a singular position that straddled the Abstract Expressionist and Pop art movements, drawing on key elements of each. An artistic polymath equally adept at painting, collage and silkscreening, Rauschenberg is best known for for the complex assemblages of found objects he termed “combines.”


Rauschenberg was born in Port Arthur, Texas, in 1925. He first began to seriously consider a career in art in 1947, while serving in the U.S. Marines. After leaving the service, he briefly studied art in Paris with support from the G.I. Bill, then moved to North Carolina to attend Black Mountain College, home to a flourishing cross-disciplinary art community. Among his peers there were choreographer Merce Cunningham and composer John Cage, both of whom became friends and artistic collaborators.


Relocating to New York in the mid-1950s, Rauschenberg was initially put off by what he perceived as the self-seriousness of the adherents of Abstract Expressionism, then the dominant movement in the New York art world. Like Andy Warhol and Roy Lichtenstein, Rauschenberg was drawn to the visual landscape of popular culture and mined its imagery for inspiration. He used unorthodox materials like house paint and tried novel techniques in his studio like running paper over with a car whose wheels he had inked. Shortly after his inaugural solo exhibition at Leo Castelli Gallery, which featured paintings and drawings, he pivoted to a new format, creating his first found-object combines, which became his signature. The most famous of these is the 1959 Monogram in which a taxidermied goat is surrounded by a car tire, recalling the way a person’s initials are interwoven in the design referred to by the title.


Later in the 1960s, Rauschenberg turned his attention to silkscreening, creating prints that feature iconic figures of the day, very much in line with the style and content of Pop art. One such work, the 1965 Core which was created to commemorate the Congress of Racial Equality, combines photographs of President Kennedy, an unidentified Native American man, and a statue of a Civil War soldier with images of highways, amusement parks, street signs, and other features of the built environment. A circular color-test wheel sits at the composition’s formal core, reflecting the work’s commentary on race and ethnicity. Throughout the 1960s and ‘70s, Rauschenberg experimented with printing on unusual materials, such as Plexiglas, clothing and aluminum. Venturing even further afield, he created performance works, such as his 1963 choreographed piece “Pelican” and the 1966 film Open Score. In 1998, the Guggenheim Museum presented a large and comprehensive retrospective of Rauschenberg’s work, highlighting his influence on American art in the second half of the 20th century.

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