Joan Ward Summers

"Egyptian Prayer Rug, " Wool Tapestry from a Edition of 3 by Joan Ward Summers

1986

"Breakfast in Merida (Homage to Carmen Miranda)" is an original woven wool tapestry with velvet fruit by Joan Ward Summers. It is a decorative tableau which displays a background pat...

"Egyptian Prayer Rug" is a wool tapestry by Joan Ward Summers. It was created in an edition of three and depicts a camel standing atop a column. With a geyser erupting in blue and br...

Toni Ettenheim (1926–2003) was a Milwaukee based Jewish textile artist, and her tapestries hang in numerous banks and buildings in the Midwest. This pil...

This Kilim rug was hand woven in Turkey, circa mid-20th century. It features patterns in yellow, gray, white, brown, and pink in a beautiful geometric design. Priced under $4500, this rug is sure to be enjoyed with several design schemes as it works in both modern and antique settings. Lovers of carpets will appreciate the wool under their feet as they keep their interior both stylish and comfortable. Kilim rugs are a pileless rug woven using just one of numerous flat weaving techniques that originated in parts of Turkey. Other geographical areas producing kilim style rug weaving include Iran, North Africa, Afghanistan, Pakistan, China, the Balkans, Central Asia, and the Caucasus. Perfect for the design lovers sale...

This Kilim rug was hand woven in Turkey, circa mid-20th century from wool. It features geometric patterning in red, black, blue, and yellow and is priced under $4500. The design is perfect with any décor as it completes both contemporary and antique interior design settings. As part of the Design Lovers...

The Ewe people from Ghana are master weavers. People of means commission cloths called adanudo ("skilled/wise cloths"). Ewe adanudo textiles often display a tweed effect by twisting ...

Zofia Butrymowicz (1904-1987, Warsaw, Poland) was one in a select group of Polish textile artists who were first introduced in Chicago, USA in the 1970s by legendary dealers Anne and Jacques Baruch. Butrymowicz's body of work continues to influence the fiber art world to this day. "New experiments in art have always been of interest to me" Butrymowicz once observed, "whether I agree with them or not, and therefore I never pass by and I am never indignant at any expression in art. I strongly believe that in the wide range of experiments there will also be some elements of the development of culture." During the post-war period, when the countries of Eastern Europe were locked down behind the Iron Curtain, weavers there found materials in short supply. As a result, many of these artists turned to unconventional materials such as metal, paper and reeds. Zofia Butrymowicz, of Poland, recognized for innovative works in 60s and 70s, used heavy, irregular wools, barely spun at all. In 1969, she visited Canadian weaver, Mariette Rousseau-Vermette and her husband, painter and ceramicist, Claude Vermette, outside Montreal where the couple lived and worked. Zofia and Mariette had both been participants in International Tapestry Biennials in Lausane, Switzerland in the 60s and in Wall Hangings at the MoMA in New York in 1969. Butrymowicz stayed with the Vermettes for several months, using Mariette’s looms to create tapestries that were displayed with Claude’s ceramics at a local gallery. Butrymowicz used wool from Mariette’s source. Mariette was particular about the color and intensity of her wool — she worked with technicians to perfect the spinning and dyeing so that the wool had a silky luster and dyed “more beautifully” than mechanically spun wool. The wool was a marked departure from the material Butrymowicz had access to in Poland. She “painted” her weavings with colors and shadings of yarns, including only a shimmering suggestion of a shape, often a circle, as she had done in the past, but the glisten and sumptuousness of the yarn in these works set them apart from her previous weavings. Selected exhibitions: Central Museum of Textiles, Lodz, Poland; Museum of Contemporary Art, Chicago, Illinois; National Museum, Poznan, Poland; National Museum, Warsaw, Poland; Skopje Museum of Contemporary Art, Poland; Exempla, Munich, Germany; Museum of Modern Art, Pasadena, California; Pierre Pauli...

"Classic Love" by Robert Indiana is a tapestry of the artist's iconic painting "LOVE", which was created in 1964 as a Christmas card motif for the Museum of Modern Art in New York City and has since become one of the most famous contemporary works. This hand-knotted tapestry...

Signed lower left Titled and signed verso on label Tapisserie d’Aubusson, woven by Hamot, France This item is in our New York City warehouse and can be viewed by appointment.

Sandstorm (1985) Wool, Post-Modern Abstract Landscape Woven Tapestry, Textile Sculpture. Zofia Butrymowicz (1904-1987) was born in Warsaw, Poland. St...

Without Name, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 52" x 38" (1973) by Czech textile artist, Jan Jladik...

Wings, Mid-Century Abstract Woven Tapestry, Blue Textile Wall Sculpture, Hand dyed wool hand dyed wool, 73" x 58", (1973) by Czech textile artist, Jan Hladik...