Jemma Powell

Jemma Powell- Three Lemons, Oil on Board, Still life, Fruit, Expressive Painting

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Shirley Kirkcaldy Awakening Original Contemporary Landscape Painting Oil on board Canvas Size: 58 cm x 47 cm x 0.25 cm Framed Size: 76 cm x 64.5 cm x 4 cm Free shipping Please note t...

Libbi Gooch Black Jar and Roses Original Abstract Still Life Painting Oil on Board Canvas Size: 80 cm x 80 cm x .5 cm Framed Size: 93 cm x 93 cm x 1.8 cm Sold Framed Free Shipping Pl...

Lilies and Rose bud by Rosie Copeland [2019] Original Oil on board Image size: H:37 cm x W:24 cm Complete Size of Unframed Work: H:2 cm x W:37 cm x D:24cm Framed Size: H:55.5 cm x W:...

Vase of gathered vibrant blooms and leaves in an interior. with collage elements. Slight drawn marks within. The colours of the flowers are a mix of rose, geranium, pink, cerise and ...

Early Morning Dew by Libbi Gooch [2020] Original Landscape painting by Libbi Gooch depicting a countryside meadow scene with a soft blurred background and some details of a flower i...

Elaine Kazimierczuk Paul’s Hedgerow Bouquet III Original Floral Painting Oil Paint on Canvas Canvas Size: H 30cm W 30cm x D 3cm Sold Unframed When talking about this piece, Elaine s...

FRANCISCO BORES Spanish, 1898 - 1972 STILL LIFE OF FRUITS signed "Borès 45´" (lower right) oil on cardboard 15-3/4 x 19-3/4 (40 x 50 cm.) framed: 18-1/4 x 22-1/8 inches (46 x 56 cm.) PROVENANCE Private French Collector Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado...

This 59.1" x 40.4" mixed media painting of oil, cloth and paper on fiberboard by artist Erekle Chinchilakashvili depicts a geometric abstraction of an organic, floral-like configurat...

The Oil painting “Still Life” is an abstracted painting laid on board in a palette of blues, yellows, and purples by Mercedes Matter. The artwork is stamped “Estate of Mercedes Matte...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps...

Oil on board painting by Paul Kauvar Smith (1893-1977) of a still life of flowers on a table in an interior scene with a mirror in the background. American Modernist still life painting with zinnias and abstract paintings in an artists studio. Presented framed, outer dimensions measure 27 ⅝ x 31 ¾ x 1 ⅛ inches. Image size is 19 ½ x 23 ½ inches. Painting is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Private collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: In 1915, Paul Kauver Smith studied commercial art and design at the St. Louis School of Fine Art for two years. His studies were interrupted by World War I during which he served as a corporal in the U.S. Army. After the war he returned to the School of Fine Art and also studied at the Washington University School of Fine Arts in St. Louis with Fred G. Carpenter, himself a student of Jean-Paul Laurens at the Colarossi Academy in Paris. Carpenter was known as a marvelous colorist who "thought every inch of a painting should be fascinating…and should be as interesting close up as from a distance." His approach is reflected in many of Smith’s paintings, both representational and abstract in style, done later in Colorado. In 1921, Smith relocated to Denver where he studied for two years at the Denver Academy of Fine and Applied Arts, formerly located in Brinton Terrace on 18th Street in Denver’s Capitol Hill neighborhood. His teacher was John E. Thompson, another important influence as a pioneer of modernism in Denver. The Academy hired Smith as an instructor in 1923 and that same year the Denver Art Museum included his work for the first time in its 29th annual juried exhibition. He later had two solo shows at the museum, which added his work to its Anne Evans Collection. In 1959 the museum reproduced Houses at Victor, for its Western Heritage Exhibition catalog. During the year of 1928 he witnessed the Articles of Incorporation of the Denver Artists Guild, comprising most of the city’s professional artists. He also belonged to the American Artists Professional League, also organized in 1928 by fifteen members of the Salmagundi Club in New York to protect artists’ interest and promote traditional American art. He was one of some two dozen Colorado artists designated to participate in the Public Works of Art Program (PWAP, 1933-34), the first federally-sponsored program for artists during the Great Depression. Around 1928 Smith became the "Hermit of Stuart Street," and remained a life-long bachelor. One painting, View from My Window, depicts his immediate neighborhood. Living for more than thirty years at 1039 Stuart Street in West Denver, he gave up creature comforts that most people take for granted to have the freedom to devote his life to the pursuit of art. In the first twenty-five years of his career, his paintings focused on the Colorado landscape and its mining towns with their decaying buildings as relics of the past. His piece, Miner’s House at Victor, Colorado illustrates the description of his work in this genre as described by Denver artist and art writer, Arneill Downs, "The jewel-like shapes and colors the artist uses gives the most decrepit objects style. The decaying buildings of ghost towns, grouped together on canvas, glow like a patchwork quilt." Smith described his technique as "I start lean and finish fat." He worked first with turpentine as a medium and ended up with pure pigment put on with a palette knife. In addition to Colorado scenes...

This original artwork by Sylvia Paul depicts a pleasing still life study that is imparted with an impressionistic style. Combining richly expressive paint work with a colour palette of bright tones, the artist achieves a cheerful ambience in the piece which exudes a vital energy. The gestures applied to the natural subject matter of a floral bouquet elicits the joy of displaying a blooming vase inside. This piece is painted in oils on board, hand signed by the artist and ready to be displayed. Sylvia Paul studied painting at Colchester School of Art and Hockerill College of Education. She exhibits widely across the UK including galleries in London, Surrey, Neath, Wales and Bristol. Residing in East Anglia for most of her life she has been a regular exhibitor for nearly forty years in the region. One of her Japanese abstracts was hung in The Royal Academy Summer Exhibition 2009. She has held three solo exhibitions in Japan and in 2013 at her exhibition at Gallery Sakura, Nagoaka, 36 paintings were sold in three days. Other successes include being accepted for open exhibitions with The Pastel Society. The Royal Institute of Oil Painters, The Laing Landscape Exhibition and The Royal Institute of Water Colour Artists where two of her landscape collages were exhibited. Two of Sylvia’s paintings are in the Norwich Union Art Collection and her work is in many private collections in the UK and abroad. Sylvia continues to demonstrate to art clubs and is has inspired many people with her painting workshops. Since 2013 Sylvia has also been creating textile art and was elected as a member of Art Textiles: Made in Britain in 2016. She exhibits with them every other year at The Festival of Quilts at the NEC and then on tour throughout the UK. Open Exhibitions Royal Academy Summer Exhibition- 2009 Royal Institute of Water Colour Artists - 2009 East West Artist and Culture Club...